Continuity mistake: At the funeral, Bones places a rose on top of several other roses on the coffin of the murder victim. When the victim's parents approach the coffin to place their rose on it, most of the roses have vanished. (00:39:05)
The Skull in the Desert - S1-E17
Continuity mistake: During the scene when Booth and Bones are driving to tell Angela that her boyfriend is dead, the scenery behind Booth jumps suddenly mid shot. Initially the scene is of a wide plain, then suddenly a mountain range appears. This scene was obviously shot on a sound stage, with the scenic background being projected onto screens around the vehicle, an old trick in movie making. It seems that somebody mistimed the loop of the tape they were using. (00:12:30)
The Graft in the Girl - S1-E20
Continuity mistake: When Angela asks to see the girl's drawing, in the shot from the girl's perspective as she hands the pad over, the painting's quite small in the centre of the page. When it then cuts to Angela's point of view it takes up nearly the whole page. (00:02:45)
Continuity mistake: When Zac is taking photos of the bones, the shot is flipped. Note the logo and writings on his jacket. (00:07:10)
The Man with the Bone - S1-E18
Visible crew/equipment: As Agent Booth and Bones are driving to the crime scene after stopping in the parking lot of the Assateague Island National Seashore, you can see the film crew in the reflection of Booth's SUV. (00:04:10)
The Man in the Fallout Shelter - S1-E9
Continuity mistake: During their first night locked in the lab, Bones and Angela are discussing that they should plan a party for Christmas. Bones' bra straps move on her left shoulder between overhead shots and closeup shots.
Continuity mistake: When Booth and Brennan are speaking with the widow explaining that her husband was murdered. Brennan has her arms folded across her chest, when the shot changes and you see her in the mirror her arms are hanging down at her sides, then when it changes back her arms are folded again. (00:15:00)
Continuity mistake: At the start Hodgins passes Bones a folder. Bones' grip on, and the position of said folder changes instantly. (00:05:50)
Continuity mistake: When Bones and Booth are discussing baby animals, Zac has one hand on his folder. Camera cuts to Zac and he has got 2 hands on his folder. (00:18:00)
Continuity mistake: When Bones and Angela are talking about her leaving, Bones has a lock of hair that is loose and hanging down. Camera cuts and it's gone. (00:16:35)
Continuity mistake: When telling the sheriff about the cannibal he raises his cup. Camera cuts and he raises his cup again. (00:15:30)
Continuity mistake: The way Bones positions the bones on the tray change between shots when she photographs them for her team. (00:06:40)
Continuity mistake: When Booth tells Bones that she isn't done yet near the start, Bones puts a pen in her mouth with the back of her hand away from the camera. Camera changes and now it's facing the camera. (00:02:40)
Continuity mistake: When Booth is showing off his scar to the kid, the picture on the table is constantly changing position between shots. (00:26:10)
The Man with the Bone - S1-E18
Visible crew/equipment: When Jack is getting the rope out of the van you can see the film crew reflected. (00:09:00)
The Skull in the Desert - S1-E17
Continuity mistake: Booth chucks a bag over to Bones and it lands on her legs. Camera cuts and now it's up by her chest. (00:07:15)
Two Bodies in the Lab - S1-E15
Continuity mistake: Booth, Hodgins, and the police are gathered outside the abandoned building and are discussing tactics. Booth has a medal around his neck. It pops in and out of his jacket between shots. (00:37:00)
Two Bodies in the Lab - S1-E15
Continuity mistake: Bones holds up a bunch of keys about halfway through. Her grip changes on the keys instantly. (00:22:35)
Two Bodies in the Lab - S1-E15
Continuity mistake: After Bones and Booth have a little argument at the crime scene, Bones takes her Dictaphone out and starts taking notes. When doing so she is holding the Dictaphone vertically. Camera changes and now it is horizontal. (00:06:00)
Chosen answer: Pickering states the name "Juan Guzman" and during the run of the show we are never told who he is, or why Brennan had been in Cuba and met with this Juan Guzman. We don't know if there is any kind of "relationship" between Brennan and Guzman. A bit frustrating, but I like how this short scene shuts down Agent Pickering's entire review, and it hints at Brennan's career history and her level of security clearance.
Super Grover ★
Thanks for the clarification. It's been a while since I watched the series start to finish. It also adds to show how much power Brennan actually has.
Ssiscool ★
Do you remember when Bones was telling Angela about the time she was on one of her out of the country trips, and she was thrown in a dark cell for what she later found out was 3 days? She was crying and looked terrified as she remembered this. She had that same look as someone who was remembering past trauma when Pickering said this name. I kind of always thought that "Juan Guzman" was the one who did that.