Dr. Temperance Brennan: Every culture nurtures ideals of beauty toward which people strive - fine! But in the future people'll look back upon the surgical alterations of the nose or breasts or buttocks with the same horror that we regard the binding of feet or the use of bronze coils to extend the neck.
Seeley Booth: You wanna speak up? 'Cause it's really hard to hear every word in this very, very quiet waiting room.
Dr. Temperance Brennan: It's barbaric! It's painful! It's wrong! This murder victim may never be identified because some glorified barber with a medical degree has the arrogance to think that he could do better than a millennium of evolution.
Dr. Daniel Goodman: That is not a tuxedo, Dr. Hodgins.
Dr. Jack Hodgins: I am not going, Dr. Goodman.
Dr. Daniel Goodman: You are going.
[places name tag in Dr. Hodgins' pocket.]
Dr. Daniel Goodman: When we arrive the donors will all be wearing name tags.
Zack Addy: What do we talk about?
Dr. Daniel Goodman: Your work, of course.
Angela Montenegro: Zack's work consists of removing flesh from corpses. Hodgins dissects bugs that have been eating people's eyeballs.
Dr. Jack Hodgins: Leave me out of it - I am not going.
Dr. Daniel Goodman: And how do you see your job?
Angela Montenegro: [sighs.] I draw death masks.
Dr. Daniel Goodman: Is that really how you see it?
Angela Montenegro: Don't you?
Dr. Daniel Goodman: You are the best of us, Miss Montenegro. You discern humanity in the wreck of a ruined human body. You give victims back their faces - their identities. You remind us all of why we're here in the first place - because we treasure human life.
[Angela hugs Dr. Goodman.]
Dr. Daniel Goodman: Oh, for God's sake.
Dr. Temperance Brennan: What happened?
Zack Addy: Apparently all Angela needed was to hear her job description in a deep African-American tone.
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