The Greater Good (a.k.a. Sides) - S1-E21
Continuity mistake: In the garage, when Haddad tells Essam and Sayid to stay relaxed and focused, his collared shirt is on properly, but in the next shot, as he says, "Drive with the windows down," the shirt is off his right shoulder. This happens again when Essam takes the gun. (00:34:40)
The Greater Good (a.k.a. Sides) - S1-E21
Continuity mistake: When Haddad hands Essam the gun in the garage, in Essam's close-up the handle faces Sayid, but in the next shot, the handle faces the opposite way in his hand. (00:34:50)
The Greater Good (a.k.a. Sides) - S1-E21
Continuity mistake: When Sayid speaks to CIA Agent Melissa Cole after Essam's death, in the first shot the body laden stretcher is wheeled to the vehicle and the back door is opened. When Agent Cole says, "Plane ticket and walking around money," in the background the stretcher is gone and the door is closed. But when Sayid asks, "What happens to his body?" the stretcher reappears as the body is being put into the open back door. (00:40:40)
The Greater Good (a.k.a. Sides) - S1-E21
Continuity mistake: Jack gives Sawyer a 9mm Sig pistol to take on the raft. When Sawyer pulls it out in "Adrift", it has changed into a Beretta 92F.
Born to Run - S1-E22
Continuity mistake: When Tom removes the toy airplane from the lunchbox, the three propeller pieces are completely broken off of the left wing engine (all are intact on its right wing). Yet, earlier on the island, when Kate twirls the airplane in the air, before Charlie joins her, the left wing engine has grown one piece of propeller that is unbroken. There are other moments such as this, in other episodes. (00:02:40 - 00:23:50)
Born to Run - S1-E22
Continuity mistake: When Kate burns Joanna's passport photo in the close-up the corner of the book burns up, yet in the wider shot the corner does not burn, and in the next shot another change, including the lighter. Later, when Sawyer holds up the passport, the burned page edge is just a bit singed. (00:10:30 - 00:29:00)
Born to Run - S1-E22
Continuity mistake: When Michael is on his back with stomach cramps, both the rolled up and flat blue and grey blankets under him, keep changing position, depending on camera angle. (00:15:20)
Born to Run - S1-E22
Continuity mistake: When Kate is at Tom's house, she looks at the photographs on the side of the fridge, and there is a close-up of a specific photo of Tom holding Connor. When Kate sits beside the table in the wide shot, that photo has vanished. (00:16:30)
Born to Run - S1-E22
Continuity mistake: When Kate is chucked a beer by Tom, there is a load of froth on the can which disappears instantly. (00:22:05)
Born to Run - S1-E22
Continuity mistake: When Sawyer dumps Kate's belongings out of the backpack onto the sand, their positions on the sand change between various shots. (00:28:45)
Born to Run - S1-E22
Continuity mistake: When Kate is fleeing with Tom in the car, she slams into the State Trooper's car and the right front end is damaged and a piece of the bumper hangs down. Just after Kate's next close-up, in the next shot from behind, the bumper is fine. (00:33:20)
Born to Run - S1-E22
Continuity mistake: After Kate's confession to the other survivors, she kneels down and scoops up the toy airplane with some sand. However, the next shot is a close-up of the airplane with its nose in the sand, in front of her. (00:35:35)
Born to Run - S1-E22
Continuity mistake: When Kate and Tom find the buried lunchbox, in the close-up, as Kate opens the lid the baseball cap is upright, yet, in the next shot just as she removes it, it lies on its side.
Born to Run - S1-E22
Continuity mistake: At the motel, when Kate asks for the envelope addressed to Joan Hart, the employee searches through the box with many envelopes sticking out of the box. However, in the next shot, as he finds it no other envelopes are visible, and when he hands it to her, her sunglasses are now upside down.
Exodus (1) - S1-E23
Continuity mistake: In the hotel room, while Walt watches TV and when Michael runs after him, the pillows, things on the table, etc., move around between shots. (00:01:20)
Exodus (1) - S1-E23
Continuity mistake: When Danielle approaches the beach campsite, in his close-ups, Walt hides beside a tree and holds it with his left hand. However, in the shot between his close-ups, facing Danielle, Walt is hunched over with his hands leaning on his knees. (00:03:30)
Exodus (1) - S1-E23
Continuity mistake: When Walt notices the pillar of black smoke, in the overhead shot everyone gathers well behind the raft, including Claire, who was just sitting in front of the bushes in the previous shot. However, in the next shot, all the survivors are now gathered at the side of the raft. (00:08:30)
Exodus (1) - S1-E23
Continuity mistake: When Sun and Jin sit at the table at the airport, both cups' lids are on properly, yet for the "spill shot" one lid is askew, and Sun's hand changes between shots to be in perfect position to knock the cup over. Things on the table instantly change positions, such as the clear plastic croissant container that jumps back onto the red tray. This applies to Exodus 2, as well. (00:12:10)
Exodus (1) - S1-E23
Continuity mistake: When Jack and Ana-Lucia sit in the airport lounge she takes out her cell phone when it rings, and in this shot her glass is nearly full and has plenty of ice. Yet, when she leaves a moment later, the glass is nearly empty with no ice whatsoever. (00:12:50)
Exodus (1) - S1-E23
Continuity mistake: When the group stops to rest on their way to the Black Rock, as Locke speaks to Danielle, he holds the right or left backpack straps with either his right or left hand, depending on camera angle. (00:25:45)
Answer: Using a mold, a realistic pregnancy belly is made of latex (rubber), including the distinct belly button, to suit the proportions of Emilie de Ravin who plays Claire. It is then painted with a special paint/adhesive compound that adheres to the surface and for shots of the actual belly, additional veining and stretch marks are airbrushed on.
Super Grover ★