The Andy Griffith Show
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Man in the Middle - S5-E7

Continuity mistake: When Barney, Thelma Lou, and Andy are driving to Andy's blind date they're all in the squad car. When they're parked in front of Helen's house in the closeup shots the light mounted on the roof has vanished, the glass windshield's gone, the car's interior differs, etc., and then it changes back. The roof is black, then white, as well.

Super Grover

Andy the Matchmaker - S1-E7

Continuity mistake: When Barney and Andy are looking at Barney's picture on the front page of the newspaper, first, the article has nothing to do with Barney or the arrest, and second, when Barney takes the paper from Andy he folds it with the front page on the outside, and the page we see is not the same front page from the closeup.

Super Grover

Opie's Charity - S1-E8

Continuity mistake: When Andy and Mrs. Silby are walking into the courthouse, in the exterior shot of Andy opening the door he's wearing the baseball mitt on his left hand, but when it cuts to the interior shot Andy's opening the door with his left hand and the mitt has vanished.

Super Grover

Mayberry Goes Hollywood - S1-E13

Continuity mistake: When Andy's done showing Hollywood producer Mr. Harmon around town, he says, "Here we are, right back where we started, old oak tree," then mentions climbing that tree as a boy, and later says, "You're gonna cut down the oldest oak tree in the entire town?" But viewers have seen the entire area in front of the church (season 1 "Ellie for Council") and there isn't a large old oak tree. The fake tree was placed in this episode as a plot point between the producer and the townspeople.

Super Grover

Barney's Replacement - S2-E2

Continuity mistake: While the squad's siren switch is stuck in the on position, Barney and Rogers get out of the car to open the hood, and suddenly there's a pencil sticking out of Barney's shirt pocket for Rogers to use to tap the condenser box, to stop the blaring siren.

Super Grover

Ellie Saves a Female - S1-E27

Continuity mistake: On Flint's farm there's a cow tied to the back fence, which can be seen in exterior shots throughout the episode - when Ellie, Andy, and Barney are there. After Flint tells Barney to get off his land, in the exterior shot when Barney walks into the barn we see that cow tied to the back fence, but next shot inside the barn we see that very same cow in the stall - note the black/white markings.

Super Grover

Ellie Saves a Female - S1-E27

Continuity mistake: While Barney's on the farm trying to get Frankie, twice he heads into the barn through the right-side entrance door within the tall sliding double barn doors (about 12 ft high), but when it cuts to the interior shots he's entering through the barn's left-side entrance door, plus the fact that it's not within huge double sliding doors. (This interior set is seen again in "Barney Gets His Man.").

Super Grover

Show generally

Continuity mistake: At the "Hen Party", Jeff Pruitt says hello to Thelma Lou and she states she is going to get coffee, then goes to the kitchen. However, when Jeff walks across the room and looks back, Thelma Lou is back in the same area. She never walked back from the kitchen.

Pam-I-am

Mayberry Goes Bankrupt - S2-E4

Continuity mistake: In establishing scenes throughout the first part of the episode, Andy is seen driving up to Meyers' home which seems to be located far from neighbors and on a dirt road. In the "renovation" scene and those following, Frank's home is located on a paved road with other homes nearby in the shot. Clearly a different set entirely.

Opie Steps Up in Class - S8-E5

Continuity mistake: When Aunt Bee picks up Opie at Billy's house, she parks the car in front and walks up to the front door. In the wideshot there's a space of approximately 3-4 feet between the blue window shutter and the door trim under the pediment, but in Aunt Bee's closeup there is no space whatsoever.

Super Grover

The Andy Griffith Show mistake picture

Convicts-at-Large - S3-E11

Continuity mistake: After Andy and Floyd talk outside the grocery Floyd gets into his car with the convict, and when they drive away we see all the food ads taped to both of the store windows while Andy's on the sidewalk, but when it cuts to Andy's closeups the taped ads have changed.

Super Grover

The Andy Griffith Show mistake picture

The Taylors in Hollywood - S6-E8

Revealing mistake: While Andy, Aunt Bee, and Opie are at the Hollywood studio watching a scene being filmed, when Andy mistakenly stands up and interrupts the filming we can see the wall and shelves behind the director, and it should look familiar because it's the wall and shelves from Floyd's shop in Mayberry.

Super Grover

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Opie's Group - S8-E9

Andy: Clara, sometimes a parent can't see what he should do, and sometimes it takes a person from the outside to show him. And I'd like to thank you.
Clara: Groovy.

Super Grover

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Convicts-at-Large - S3-E11

Question: Beginning with the "Convicts at Large" episode in season 3, full width window boxes appear at the bottom of both front windows on the inside of the Sheriff's Office. Prior to this episode, they did not exist. Window boxes are often used to display decorative plants but I don't see any plants. And if they were supposed to partially block the background, the blinds were long enough to accomplish that. I find it hard to believe that the producers would spend additional money (for material and labor) for something that seems to serve no purpose. So why were they added?

Answer: Those "boxes" are valences that used to be very common, before air conditioning. They allow for windows to be open during rain storms. They permit air circulation, without letting the rain in.

Answer: As noted in the previous answers, in real life, things like this provided wind and/or rain deflection, and also maintained a bit of privacy when blinds were raised somewhat. The interior courthouse set was located in the studio, so the "outside" Main Street didn't exist. I believe these things were added to the courthouse windows for practicality, to avoid some crew movement being visible on the opposite side of those windows. These are not "window boxes" to hold anything, as they're actually bottomless; we can see the Venetian blind's long pull cords under them. They're made of plywood and simple to build, so the "material and labor" was inexpensive. Similar variations made of different materials are in other movies/shows. In 1957's "12 Angry Men," textured chicken wire glass panels are in the jury room windows, and in "Jesse Stone: Night Passage" another type is in Jesse's office windows.

Super Grover

Answer: I suspect these were common, as to block the wind from blowing the blinds and papers on the desk.

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