M*A*S*H

Your Retention Please - S9-E7

New this month Visible crew/equipment: In the last scenes of the episode, the overhead shots showing the parade where Klinger rides in on Sophie, dressed (undressed) as Lady Godiva, you can see the boom mic in view at the top of the screen.

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Death Takes a Holiday - S9-E5

Visible crew/equipment: After Charles confronts Choi Sung Ho about the candy, Ho explains that he sold it on the black market to buy real food, and when Ho reenters the mess tent through the side door, we can see that outside there's a director's chair, which actors also use, with something printed on its back.

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Goodbye, Cruel World - S8-E21

Visible crew/equipment: While Klinger's practicing Colonel Potter's forged signature on the notepad, when BJ walks in on him and then picks up Klinger's notepad the boom mic moves across the top of the screen.

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For Want of a Boot - S2-E17

Visible crew/equipment: When Frank and Hot Lips are walking into the mess tent for Frank's surpise party, if you look in the window to the right of the door, you can see a person silhouetted, throwing leaves into the wind.

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Good-Bye Radar (Part 2) - S8-E5

Visible crew/equipment: After Radar tells Colonel Potter that he decided to go home after all it cuts to Hawkeye walking into the office, and just as Hawkeye opens the door we can see the top of the set.

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The Best of Enemies - S9-E1

Visible crew/equipment: When Colonel Potter and Charles exit the mess tent carrying the trays, so they can serve breakfast in bed to the winners, they split up and as Charles walks to the Swamp saying, "What a shame to have wasted all these years as a doctor," we have a great view of the boom and boom mic at the left side of the screen as it moves backwards away from Charles, outside the Swamp.

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War Co-Respondent - S8-E23

Visible crew/equipment: When they're all in the OR talking about Aggie being at the 4077, Charles compares Colonel Potter's art style to Aggie's, and in the next shot as Potter tells the art critic to tread softly, the boom mic is visible at the top, right side of the screen and just as the mic starts to pull up the shot zooms in on Aggie.

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Goodbye, Cruel World - S8-E21

Visible crew/equipment: After Klinger gives the envelope with the forged discharge papers to the driver going to I Corps, just as he walks through the doorway we can see the two actors' tape marks on the ground, where the driver and Sidney were standing when they arrived.

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Goodbye, Cruel World - S8-E21

Visible crew/equipment: After the opening credits, in the very first shot in the OR we can see the boom mic dipping into view at the top, left side of the screen.

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Welcome to Korea (60 mins.) - S4-E1

Visible crew/equipment: When Frank climbs into the jeep belonging to Major General Cornell Dickering, the MPs show up at the same time that BJ and Hawkeye walk up to join the fun, and during this scene there's a T-mark (albeit a dusty one) on the ground at the driver's side of the jeep.

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Dear Mildred - S4-E7

Visible crew/equipment: In the scene where BJ, Hawkeye, and Radar are in the motorcade talking about the horse, Radar is talking about how he doesn't want to give away the horse. He is standing in front of some barrels and when he moves, you can see some of the crew, the horse owner, and what looks like another horse in the background for 1 second.

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The Grim Reaper - S6-E11

Visible crew/equipment: As Hawkeye is first approaching Danker during the triage scene, a boom mic can be seen at the top of the screen.

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Goodbye, Farewell and Amen - S11-E16

Visible crew/equipment: While Klinger is on the phone trying to set up BJ's transportation home, just as Winchester walks into the office pointing out the company clerk the shadow of the moving boom can be seen on the wall, and it's also visible when Winchester takes the mailbag and dumps the contents.

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Snap Judgment (Part 1) - S10-E7

Visible crew/equipment: When Klinger's at Little Chicago he asks one of the black market vendors about cameras and he points to another vendor, and when it cuts to the next shot we can see the actor's T-mark on the ground where the man walks away (his foot even moves the T-mark) and Klinger is about to stand.

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Rumor at the Top - S10-E3

Visible crew/equipment: After Colonel Potter gets off the phone, he tells Klinger about Torgy Porgy and how after four years of medical school Torgy washed out, and just as Potter and Klinger stand up lighting equipment can be seen at the top right side of the screen.

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Letters - S9-E2

Visible crew/equipment: While Hoops Potter is going for the camp record in free throws, in overhead shots with everyone encircling the 'basketball court' - particularly right after free throw 28 and after Potter says that he feels like a sideshow freak, the boom can be seen moving around right beside the hoop's post at the top, left side of the screen.

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War Co-Respondent - S8-E23

Visible crew/equipment: When BJ's in Margaret's tent talking to Aggie about feeling like a prisoner of war, just as he says, "I work because of the war," the boom mic dips into view at the top of the screen.

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Goodbye, Cruel World - S8-E21

Visible crew/equipment: While BJ and Hawkeye are in the Swamp playing darts, after BJ barely misses Charles with his throw, just as Charles storms into the Swamp the boom mic dips into view at the top of the screen, over Charles.

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Communication Breakdown - S10-E6

Visible crew/equipment: While Colonel Potter and Margaret are with Charles, a nurse sees them and announces the presence of a newspaper, then when everyone gathers around Charles while he sets the reading rules, there's a man with blondish shoulder length hair and a beard, wearing a blue button down shirt and white pants who's standing in the background, partially hidden by the signpost.

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Commander Pierce - S7-E1

Visible crew/equipment: After Margaret tells Hawkeye that he ran the siege pretty well then salutes him, when it cuts to BJ returning to camp with the wounded GI, the boom mic dips into view at the top of the screen.

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The Smell of Music - S6-E15

Visible crew/equipment: While in the mess tent, after Margaret's grossed out by the smell and walks away we hear Charles start playing again, and when Colonel Potter says, "Just make sure the three of you work this out fast," in this shot we can see the actor's T-mark on the floor between Potter and Hawkeye, where Margaret stood a moment ago.

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Welcome to Korea (60 mins.) - S4-E1

Visible crew/equipment: When Hawkeye removes BJ's Captain rank bars from his uniform and then pins it on Radar's knit cap, in the shot facing Hawkeye and BJ the shadow of the boom mic moves across Radar's back.

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Welcome to Korea (60 mins.) - S4-E1

Visible crew/equipment: When Hawkeye and Radar are in the jeep heading to Kimpo Air Base they drive past the checkpoint, and in their closeups the camera casts a shadow on the hood of the jeep.

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The Trial of Henry Blake - S2-E8

Visible crew/equipment: After Henry's cleared of all charges, when Margaret drops the crumpled paper and storms out of the room with Frank, we can see chalk marks and a T-mark on the floor where Frank was standing.

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Radar's Report - S2-E3

Visible crew/equipment: When Klinger walks into Henry's office while Margaret and Frank are there, we can see the chalk T-mark on the floor behind Margaret where Radar was standing moments ago.

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Love Story - S1-E14

Visible crew/equipment: After Radar tells Margaret that she's needed in the post-op ward Frank sneaks toward Margaret's tent, and when it cuts to Margaret walking into post-op, at the start of the shot we can see the two actors' curved chalk foot marks on the floor.

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Chief Surgeon Who? - S1-E4

Visible crew/equipment: When General Barker opens the doors to Henry's office and finds Radar sitting behind the desk, we can see Barker's curved chalk foot marks on the floor beside the desk, where the actor will stand in a moment.

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Aid Station - S3-E19

Visible crew/equipment: As Hawkeye walks into the Aid Station, the shadow of the camera plays across his entrance. Also, the area he walks through is extremely well lit, despite the fact the sun is behind the station, indicating stage lighting.

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B.J. Papa San - S7-E15

Visible crew/equipment: After Radar shows the box of bees to BJ and Hawkeye, when BJ gets in the jeep and drives off, just before the shot cuts away we can see the T-mark on the ground at Radar's feet.

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Bug Out (60 mins.) - S5-E1

Visible crew/equipment: As Radar blows his bugle to call everyone to formation, the camera crew and equipment are reflected on the bell of the bugle.

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Fade Out, Fade In (60 mins.) - S6-E1

Visible crew/equipment: After Potter tells Klinger that his lawyer, Schaeffer, is a fake who's impersonated a chaplain among other things, when Schaeffer tells them that 25 couples are living in sin, in the next shot two curved chalk actor's marks can be seen on the floor.

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Love and Marriage - S3-E20

Visible crew/equipment: When Trapper and Hawkeye walk into the Swamp and find Dr. Pak waiting for them, the edge of the tent set can be seen at the top left corner of the screen.

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The Chosen People - S2-E19

Visible crew/equipment: While Radar is in Henry's office with the woman and her baby, being teased by Trapper and Hawkeye about the possibility of him being the father, just as Frank walks into the office a crewmember's hand can be seen between the two doors near the floor, preventing the closing door from swinging.

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The General Flipped at Dawn - S3-E1

Visible crew/equipment: After Hawkeye disobeys General Steele's orders and calls him nuts, when it cuts to the preliminary hearing in the mess tent the chalk T-mark can be seen on the floor at Williams' feet, where he stands in a moment.

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Mail Call - S2-E23

Visible crew/equipment: After Hawkeye and Trapper tell Frank that they made up Pioneer Aviation to help him look foolish, when Hawkeye picks up Trapper's duffel bag, as the shot pulls back the chalk T-mark can be seen on the floor where Hawkeye had been standing.

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Good-Bye Radar (Part 1) - S8-E4

Visible crew/equipment: When Radar gets back to the 4077 and goes to the office with Klinger, just as he walks into the doorway the shadow of the moving boom mic can be seen on the wall at the right side of the screen.

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Good-Bye Radar (Part 1) - S8-E4

Visible crew/equipment: When Radar arrives back at camp the Korean driver fixes Radar's stiff neck, and just as Radar gives him the money and we hear people cheer that Radar's back, the shadow of the boom mic can be seen on the ground at the bottom left side of the screen.

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Are You Now, Margaret? - S8-E2

Visible crew/equipment: When Williamson, the Congressional Aide, is in Colonel Potter's office questioning Margaret about Wally, right after Hawkeye makes the comment about liberty and justice for all, in the next wideshot as Williamson walks to the other side of the room the T-marks and chalk marks can be seen on the floor.

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Are You Now, Margaret? - S8-E2

Visible crew/equipment: When Williamson and Hawkeye walk into the Swamp and stand near BJ's cot, the edge of the tent set can be seen at the top, left side of the screen.

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Too Many Cooks - S8-E1

Visible crew/equipment: When General Haggerty walks into the mess tent and stands beside Colonel Potter, the chalk T-mark can be seen on the floor near his feet, and when Haggerty wants to meet the cook the chalk mark can be seen on the floor where Conway stands.

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Too Many Cooks - S8-E1

Visible crew/equipment: After BJ and Hawkeye have tasted the Spam Parmesan, when Klinger calls the cook over, in the shot of Conway the edge of the tent set can be seen at the top right corner of the screen.

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Private Charles Lamb - S3-E14

Visible crew/equipment: While Trapper and Hawkeye are already in Henry's office Radar and Henry walk in, and just as Henry says, "Everything in this country disappears except me," the shadow of the boom mic can be seen moving across the wall at the top right side of the screen.

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Private Charles Lamb - S3-E14

Visible crew/equipment: While the Greek shipment of food is being brought into the mess tent, when the cook carrying the lamb walks behind the table, the edge of the tent set can be seen at the top right corner of the screen.

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A Full Rich Day - S3-E12

Visible crew/equipment: After Henry meets with Colonel Blanche, the Luxembourg Commander, it cuts to Hawkeye in the Swamp continuing his recording to his father, and when Trapper describes his recipe for the dry martini we can see the open edge of the tent set and a spotlight at the top left corner of the screen.

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Alcoholics Unanimous - S3-E9

Visible crew/equipment: When Trapper and Hawkeye are in the Swamp they start arguing, and just as Hawkeye grabs the mandolin the edge of the Swamp set can be seen at the top, left corner of the screen.

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Life With Father - S3-E8

Visible crew/equipment: After the scene in the x-ray room with Henry asking Hawkeye and Trapper to "read between the lines" in the letter from Henry's wife, when it cuts to Radar on the phone the shadow of the boom mic can be seen on the wall at the top left side of the screen, right before it's pulled up.

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Check-Up - S3-E7

Visible crew/equipment: When Margaret's in her tent reading just as Hawkeye walks in to give her the physical, the chalk T-mark can be seen on the floor.

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The General Flipped at Dawn - S3-E1

Visible crew/equipment: After Hawkeye disobeys General Steele's orders, when it cuts to the preliminary hearing in the mess tent, the chalk T-mark can be seen on the floor under the bench at the chopper pilot's feet, where he will stand in a moment.

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Crisis - S2-E21

Visible crew/equipment: Before the meeting in Henry's office starts, when Margaret and Frank take their seats, under Frank's chair we can see the chalk T-mark on the floor behind him.

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The Chosen People - S2-E19

Visible crew/equipment: After Harper, the JAG, has Trapper and Hawkeye sign and attest to the blood report, when Radar enters Henry's office we can see a crewmember's hand near the floor between the two doors, preventing the closing door from swinging back and forth.

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Radar's Report - S2-E3

Visible crew/equipment: When Dr. Freedman's in Henry's office before Klinger walks in, just as Henry says, "You're the doctor," the shadow of the moving boom mic can be seen at the top left side of the screen.

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Divided We Stand - S2-E1

Visible crew/equipment: While in the mess tent, when Henry introduces Hildebrand to Margaret it cuts to Henry as he says that she's the best head nurse in Korea, and at the top right corner we can see the open edge of the tent set and what's behind it.

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That's Show Biz - S10-E1

Visible crew/equipment: At the end, after Father Mulcahy says goodbye to Sarah, when it cuts to a wideshot we can see two actors' rubber T-marks on the ground. The first is behind Father Mulcahy's feet, a white T-mark (albeit dirty) where Sarah had been standing, and the second becomes visible when Klinger runs over and bumps into Kellye, he kicks up some dirt which causes the black rubber T-mark to flip up off the ground.

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Hot Lips and Empty Arms - S2-E14

Visible crew/equipment: When Margaret walks into Henry's office while Trapper, Henry, and Hawkeye are watching a "training film," the actor's chalk T-mark can be seen on the floor.

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The Incubator - S2-E12

Visible crew/equipment: After Radar walks into the Swamp and gives Hawkeye and Trapper the coffee and case folders, just as Radar tells them that he was too sleepy he walks out, and the actor's chalk T-mark can be seen on the ground (although faint, it's distinguishable).

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A Holy Mess - S10-E13

Visible crew/equipment: At the start, when Colonel Potter walks into post-op to tell Margaret and Hawkeye about the fresh eggs, just as Hawkeye stands up the boom mic can be seen at the top of the screen, before the camera adjusts to the proper height.

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Follies of the Living - Concerns of the Dead - S10-E10

Visible crew/equipment: When Klinger wakes up in post-op, Margaret, Hawkeye, and BJ are happy he's awake, and in Klinger's first close-up when he asks about Weston the shadow of the boom mic can be seen at the top left corner of the screen, and in his second close-up a bit of that shadow is still noticeable as it moves out of shot.

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Rumor at the Top - S10-E3

Visible crew/equipment: While Major Burnham watches everyone at work in the OR, just as Charles says, "If you'd care to step over here, Major," the boom mic dips into view at the top left side of the screen.

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Identity Crisis - S10-E2

Visible crew/equipment: When the nurse tells BJ that they're having a problem with Rice using his sales pitch in post-op, just as the nurse and BJ start walking over to Rice we can see the curved chalk foot mark on the floor.

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That's Show Biz - S10-E1

Visible crew/equipment: When Marina arrives in the chopper with the wounded, the array lighting rig is reflected on the chopper's windshield.

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Bless You, Hawkeye - S9-E17

Visible crew/equipment: After Hawkeye shows up in Colonel Potter's office with severe allergy symptoms, BJ and Margaret walk out with him, and when Potter says, "Time we found out what's on his mind," the shadow of the boom mic moves across the door.

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Letters - S9-E2

Visible crew/equipment: While Hawkeye, BJ, and Charles are in the Swamp reading the letters, when BJ says, "Leave it to Charles to be the world's first poison pen-pal," the shadow of the boom mic can be seen moving around at the top right corner of the screen.

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Letters - S9-E2

Visible crew/equipment: While BJ, Hawkeye, and Charles are in the Swamp, when BJ starts reading the letter from the child who thinks the army is like camping out Charles takes that letter away from BJ, and just as Charles is about to sit back down the edge of the Swamp set can be seen at the top right corner of the screen.

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Goodbye, Cruel World - S8-E21

Visible crew/equipment: When Sidney arrives and speaks with Klinger in the office the door remains open for the next few shots, and while Klinger first talks to the doctor and then to the driver, we can see the top of the crooked "sky" backdrop behind the tent in the compound.

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Goodbye, Cruel World - S8-E21

Visible crew/equipment: As Kelley gets up to allow Sidney to sit, the tip of the boom mike bobs in the top of the frame.

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The Birthday Girls - S10-E11

Visible crew/equipment: When Father Mulcahy and the farmer are talking to BJ and Hawkeye about the wounded cow, the doctors say they'll get help from Colonel Potter, and when they walk away the T-mark can be seen on the ground where they were standing.

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Snappier Judgment (Part 2) - S10-E8

Visible crew/equipment: While Hawkeye's being questioned by the prosecuting counsel, we can see the curved chalk foot marks on the floor right behind Hawkeye's chair, such as when council asks where Hawkeye was when the camera was stolen.

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Snappier Judgment (Part 2) - S10-E8

Visible crew/equipment: While Colonel Potter, Margaret, and Father Mulcahy are in the mess tent, we see that BJ and Hawkeye arrive back at camp in the jeep, and when they walk into the mess tent the curved chalk foot marks can be seen on the floor under the table, between Potter and Mulcahy.

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That's Show Biz - S10-E1

Visible crew/equipment: When a very tired Hawkeye's in post-op checking on Marina in the morning, the shadow of the boom mic can be seen on the window curtain at the top, right corner of the screen.

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That's Show Biz - S10-E1

Visible crew/equipment: After the troupe's performance in post-op, when it cuts to Brandy in Margaret's tent we can see the boom mic dipping into view at the top, right corner of the screen.

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Depressing News - S9-E12

Visible crew/equipment: When the guy from I Corps Supply lifts the flap at the back of the truck with all the boxes, just as Colonel Potter says, "Sergeant, how many of these parcels are checking into this post," the shadow of the boom mic can be seen at the top, right corner of the screen.

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Your Retention Please - S9-E7

Visible crew/equipment: In the overhead exterior shot of the compound, when Colonel Potter calls everyone's attention to the situation regarding "crackerjack corpsman" Sergeant Hutchinson, as the shot pans out we can see the boom and the boom mic at the top left corner of the screen. Then when Margaret calls on Hutchinson to come forward, the boom mic is moving around at the top of the screen, and it's still there when Klinger rides out on Sophie.

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Your Retention Please - S9-E7

Visible crew/equipment: While Hawkeye's helping Klinger with the love letter to Laverne, just as Klinger says, "After all, you're only human, I was thousands of miles..." the boom mic dips into view at the top of the screen.

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Your Retention Please - S9-E7

Visible crew/equipment: After Colonel Potter tells everyone in his office that he's been asked to address them about the possibility of making the army their career, the Swamp trio laugh, and when it cuts to Margaret telling the "clowns" to keep quiet, the shadow of the boom mic bounces around at the top, right side of the screen.

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The Best of Enemies - S9-E1

Visible crew/equipment: After Margaret and BJ win the bridge game, just as Charles stands up we can see the top of the Officers Club set, and we see it again when Klinger tells Father Mulcahy, "Everyone bet on either Potter or Winchester."

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The Best of Enemies - S9-E1

Visible crew/equipment: After Hawkeye shows the photo of his father to the North Korean, when it cuts to the shot in the Officers Club just as Klinger says, "And these players you can't tell anything," the shadow of the boom mic can be seen moving at the top, right corner of the screen.

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The Best of Enemies - S9-E1

Visible crew/equipment: At the start, when BJ calls Hawkeye "twinkle toes" before Hawkeye leaves, the edge of the Swamp set can be seen at the top, left corner of the screen.

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April Fools - S8-E25

Visible crew/equipment: At the Officers' Club, after Potter and Tucker's practical joke is out of the bag and they're congratulated, when it cuts to everyone sitting at the bar, at the start of this shot the boom mic is visible at the top, left side of the screen just before it's pulled up.

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April Fools - S8-E25

Visible crew/equipment: After the scene with Klinger, who's dressed as Cleopatra, lying down on his cot in the office, when it cuts to the shot of the Swamp as it pans out, we can see the corner of the Swamp set at the top, left side of the screen.

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April Fools - S8-E25

Visible crew/equipment: When Klinger wakes everyone up in the Swamp, just as Hawkeye asks Klinger if he saw anyone else lurking around the Swamp, the shadow of the boom mic can be seen moving at the top, left side of the screen.

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April Fools - S8-E25

Visible crew/equipment: After the opening credits, in the closeup of Charles and Colonel Potter just as Charles complains about what's undoubtedly awaiting them in the mess tent, there's a shadow of a moving boom mic at the top, left corner of the curtain.

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B.J. Papa San - S7-E15

Visible crew/equipment: After a 14 hour shift in the OR, when sleepy BJ and Hawkeye are in the change room just as Hawkeye says, "Let's face it, their demand is bigger than your supply," the shadow of the moving boom mic is visible on the curtain.

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B.J. Papa San - S7-E15

Visible crew/equipment: While BJ's holding Peg's letter and telling Hawkeye about being homesick and depressed, the edge of the Swamp set can be seen at the top, left corner of the screen.

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None Like it Hot - S7-E6

Visible crew/equipment: When Klinger's in Colonel Potter's office wearing the fur coat and rubber reducing suit, just as Potter says, "This one is definitely in the running," we can see the shadow of the boom mic shaking up and down on the wall, at the left side of the screen.

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Peace On Us - S7-E2

Visible crew/equipment: When Radar gets off the phone with the guard at Panmunjom and tells Colonel Potter and BJ that Hawkeye's gone on ahead, at the start of the next shot we can see the back of the soundstage set at the top, right side of the screen. And notice that Hawkeye's and the guards' voices are echoey on the soundstage in this shot.

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Comrades in Arms (Part 2) - S6-E13

Visible crew/equipment: While Margaret and Hawkeye are hiding under the mat, just as the armed North Korean collapses to the floor the shadow of the moving boom mic is visible on the wall.

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The M*A*S*H Olympics - S6-E10

Visible crew/equipment: When Colonel Potter surprises everybody with his "little Olympics" idea in the mess tent, after Margaret comments, "I just know I'm not going to have anything left for Donald," at the start of the next shot the boom mic casts a very quick moving shadow on BJ.

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The M*A*S*H Olympics - S6-E10

Visible crew/equipment: While Colonel Potter has everyone gathered in the mess tent to surprise them with his "little Olympics" idea, the studio soundstage is visible at the top, left side of the screen.

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Your Hit Parade - S6-E18

Visible crew/equipment: In the compound, as the camera pans to follow Potter coming toward Hawkeye, the corner of the studio is easily seen through the camo net, above the building.

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Mail Call, Again - S4-E14

Visible crew/equipment: When Margaret listens in on Frank's phone conversation with his wife, Margaret throws a chair at him and storms out of the office, and after she calls Frank a chinless chipmunk a boom mic dips into view at the top, left corner of the screen.

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Kim - S2-E6

Visible crew/equipment: While Margaret's reading the story of 'The Three Bears' to Kim, just as Frank walks into the tent the curved chalk foot mark can be seen on the floor.

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Divided We Stand - S2-E1

Visible crew/equipment: After we hear General Clayton in the voiceover talking about how it sometimes seems like Henry is Radar's clerk, during this scene in Henry's office we can see the shadow of moving film equipment - likely the boom, at the top, left side of the screen.

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Divided We Stand - S2-E1

Visible crew/equipment: Right after the opening credits, in the first shot as the words "Directed by Jackie Cooper" appear onscreen, the shadow of the moving boom mic can be seen at the top, left side of the screen.

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M*A*S*H mistake picture

Divided We Stand - S2-E1

Visible crew/equipment: In the opening scene where General Clayton is explaining the 4077 to the psychiatrist, the scene changes to the outdoor set and the camera pans to the right. As the camera pans past the hospital, a white 1970s era shuttle van can be seen driving into the set in the upper right corner of the screen.

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John Hunt

As Time Goes By - S11-E15

Visible crew/equipment: While Kilnger's guarding Soon-Lee, when Father Mulcahy walks into the tent the shadow of the boom mic dips into view at the top, left side of the screen.

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Super Grover

As Time Goes By - S11-E15

Visible crew/equipment: In the Swamp, when Houlihan shouts, "I'll be back and you better come up with something," the moving shadow of the boom mic can be seen at the top, left side of the screen.

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Super Grover

Margaret's Marriage - S5-E24

Visible crew/equipment: As Margaret gets into the chopper, the lighting rigs, camera and crew are reflected in the canopy.

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Movie Nut

Dear Sigmund - S5-E7

Visible crew/equipment: As Potter pans around looking with binoculars, the lighting rig and a crew member can be seen reflected in the lenses.

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Movie Nut

Bug Out (60 mins.) - S5-E1

Visible crew/equipment: As Potter turns away from looking at Burns rousting a man, he walks past the camera talking to himself. As he gets close to the camera, the shadow of the boom mike plays on his left sleeve.

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Love and Marriage - S3-E20

Visible crew/equipment: As Hawkeye and Trapper sit down to talk with McShane, the shadow of the tip of the boom mike can be seen on the door on the right side of the shot.

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Movie Nut

The Consultant - S3-E17

Visible crew/equipment: At the chopper pad, as the scene plays out, reflections of the lighting rigs can be on the chopper canopy.

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Movie Nut

Mad Dogs and Servicemen - S3-E13

Visible crew/equipment: As the medics take a stretcher off the bus, and then Hawkeye goes into the bus, the shadow of the recording equipment boom plays across them.

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The Yalu Brick Road - S8-E10

Visible crew/equipment: As Hawkeye, BJ, and "Ralph" come over to help the farmer, the shadow of the boom mike is seen on the ground at the bottom right side of the shot.

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B.J. Papa San - S7-E15

Visible crew/equipment: As the M.P. jeep escorting the General's jeep gets close to the camera, a reflection of a lighting rig or reflector is seen in the right windscreen.

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The Grim Reaper - S6-E11

Visible crew/equipment: As Hawkeye walks over to the Colonel, there appears to be a lighting rig, or a reflector, over the Colonel's cot in the upper left of the shot.

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Movie Nut

Hawkeye Get Your Gun - S5-E10

Visible crew/equipment: As Potter and Hawkeye look at the totalled and burning jeep, the shadow of the camera's shade can be seen at the lower left corner of the shot.

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Smilin' Jack - S4-E21

Visible crew/equipment: When the camera angle changes to look at the cover being put over the soldier's head, the camera is briefly reflected until the cover is locked in place.

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Big Mac - S3-E21

Visible crew/equipment: After Hawkeye takes a picture of the group, you can see studio light panels reflected in Trapper's shades.

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M*A*S*H mistake picture

Rainbow Bridge - S3-E2

Visible crew/equipment: As the bus nears Rainbow Bridge, there is a reflection of either the camera vehicle or equipment in the lower right side of the windshield.

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Deal Me Out - S2-E13

Visible crew/equipment: After the C.I.D. man comes into the swamp and makes reference to Klinger, who looks up, you can see a studio light panel reflected in his shades.

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Henry, Please Come Home - S1-E9

Visible crew/equipment: After Reveille has blown, Radar comes in, and gets items thrown at him. As the door closes, there's a reflection of the studio lighting on the glass.

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Divided We Stand - S2-E1

Visible crew/equipment: In the swamp, behind the General, you see a hole in the tent that disappears a second later. In that second, you see a boom mike.

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The General's Practitioner - S5-E20

Visible crew/equipment: When the Colonel that Hawkeye referred to as "Bozo" is talking to General Korso on the way to the 4077th to get Hawkeye, you can see the shadow of the camera on the Colonel's lap.

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Some 38th Parallels - S4-E19

Visible crew/equipment: As BJ comes around to take the wounded soldier to Post-Op, he walks in front of the camera. As he does so, the shadow of the camera can be seen on his back.

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Rumor at the Top - S10-E3

Visible crew/equipment: In the scene following BJ's shower, when Hawkeye and BJ enter their tent, you can see the tip of the boom mike drop for a couple seconds.

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Quotes

Henry Blake: All I know is what they taught me at command school. There are certain rules about a war, and rule number one is that young men die. And rule number two is that doctors can't change rule number one.

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Mistakes

Hawkeye calls a number of people into the mess tent over the PA - the ones he allegedly suspects of being behind the thefts he is suspected of himself. Interestingly enough, Ho Jon, later revealed to be the guilty party, is not on Hawkeye's list - yet he shows up uninvited, just to be ensnared by Hawk's clever ploy. Note also that he had no way of knowing what the purpose of the meeting was, so we cannot ascribe to him the motive of wanting to find out how much Hawkeye knew.

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Trivia

Season 4. Episode 1 "Welcome To Korea". At the end of the episode the new commanding officer, Colonel Sherman Potter, played by Harry Morgan is introduced. In Season 3 Episode 1 "The General Flipped at Dawn", Harry Morgan played Major General Bartford Hamilton Steele.

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