Sammo

Continuity mistake: When Nadine gets up from the chair to confront Poirot about implicating young Ginevra, she puts in a haste her shawl on the plate in front of her, but it's perfectly rolled in during the rest of the scene except another shot. (01:23:35)

Sammo

Continuity mistake: Poirot runs through the hypothesis that Carol murdered her stepmother. In the middle of it there's a close-up on Miss Quinton smoking a cigarette, but in the wide shot immediately following that, she isn't. (01:21:10)

Sammo

Continuity mistake: When Poirot in his teatime speech addresses Raymond Boynton, there's a close-up on Dr. Sarah King looking at Poirot defiantly. There's no direct sunlight on her, but then there she is, sitting next to Raymond with sun all over the chest and left shoulder and cheek. (01:19:50)

Sammo

Continuity mistake: At the denouement during afternoon tea, Poirot opens his statement greeting "Ladies and gentlemen." Look at Lady Westholme's table; she and Miss Quinton in the wide shot turn towards Poirot to listen, but in the next shot they are in an entirely different position (Lauren Bacall has her hand under her chin, then on the table, Hayley Mills puts her hand in her lap, then she has her forearm on the back of the chair). (01:19:10)

Sammo

Continuity mistake: When Dr. King drops the gun, in close-up it bounces on the back of the thigh of the victim, but in the previous shot she tossed it nowhere near that spot. (01:16:55)

Sammo

Plot hole: The movie at best is being dishonest with the ending of the chase scene; to keep Dr. King as a possible suspect, the gunshot happens so shortly after she went out of frame (with no cuts) that (since she is -NOT - the killer) there is no possible way that the gun could have ended in her hand. There's also no possible way for the culprit to escape, to find Hassan in the crowd and be there at the perfect moment, etc. (01:16:35)

Sammo

Continuity mistake: On the final day of the mystery, Doctor King apologizes to Poirot at the concierge. Poirot's reading glasses are located in his pocket, towards the left or center, as we can tell by the straps. When the two are coming out of the hotel, the glasses shifted to the right corner of the pocket. (01:14:40)

Sammo

Continuity mistake: Carbury brings Poirot the report with the results of the questioning of the various "Arab boys." Poirot sets it on the counter of the hotel's bar. The colonel does not touch it until later, when he does it's turned differently. (01:13:00 - 01:13:25)

Sammo

Continuity mistake: After the spider scene, colonel Carbury and a certain Captain Rogers (not that one) approach Poirot; suddenly at the entrance behind them there are people who weren't there a moment before. (01:12:35)

Sammo

Stupidity: Poirot addresses the person in the shadow outside the hotel as "dear sir or madam", which would make sense given the clothes, but makes no sense with the fact that voice is definitely a male voice, there's no mystery at all there. (01:11:50)

Sammo

Continuity mistake: In the cave, Raymond turns his back to Poirot casually saying that his mother was "pretty upset." Notice the sweater he threw on over the shoulder. Cut to a couple seconds-long flashback with his mom hilariously overreacting, and when we see him again the sweater is on his shoulder in a completely different way, as you can see from the decorations. (01:09:55)

Sammo

Continuity mistake: Poirot and colonel Carbury are going up a flight of stairs when the Belgian poses to his positively baffled friend a few questions. Before the camera cuts the first time, Carbury takes in his right hand the baton he was carrying under the left armpit, but in the next shot it's back exactly where it was. (01:06:10)

Sammo

Continuity mistake: Poirot is at the hotel's reception, phone in hand, and spots Cope trying to leave. The whole counter in front of Poirot shows direct sunlight on it, but in the conversation the light of the set is entirely different and most of the counter except a couple of narrow spots is in the shade. (01:03:55)

Sammo

Continuity mistake: When Poirot takes notes during Carrie Fisher's interview, his panama hat is at a different angle in the close-up of his writing hand than it is in the wider angle. (01:02:05)

Sammo

Continuity mistake: Interviews at the American Colony Hotel in Jerusalem. At quarter to 4 Lennox fixes his mother's wristwatch; the sunlight is much dimmed down in the shot when she waves him off. (01:00:25)

Sammo

Continuity mistake: Poirot wants to interview Lennox Boynton at the hotel, where he is having a toast with his wife. The wife leaves the table picking up her hat. Under the hat there's a plate with a napkin on it, untouched, but when Poirot sits at the table, the napkin has been used, or at least it's not resting neatly on the plate anymore. (00:59:20)

Sammo

Continuity mistake: As Poirot is attempting to leave Lord Peel's office, Miss Quinton says that she's going to visit Petra with Mr. Cope. There's a cut mid-sentence (those are never good to see), and while her position is almost flawless continuity-wise, in the background the curtains on the left window are parted and away from the wall in the second shot, were straight in the first take. (00:57:30)

Sammo

Continuity mistake: Poirot tells the doctor that if she 'put the clock back two hours' she would have protected Raymond. During the dialogue, the extras in the market on the background don't carry between cuts, or do it wrongly, like the man with a basket that walks next to the car coming from different directions. (00:52:50)

Sammo

Continuity mistake: In the scene at the market in Jerusalem, when Poirot tells Dr. King "Offer him five", the merchant at the stall is standing in front or behind a trinket with a large rectangular pendant, depends on the camera angle. (00:49:45)

Sammo

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