Sammo

Continuity mistake: Dimitri calls Jezzie from the gates of the embassy, and she leaves Cross and the guy talking in Russian to go to him. During the transition, the soldier moving across the gates walks through the same steps he already walked, and the bodyguard in a trenchcoat is in a different position. (00:59:25)

Sammo ★

Plot hole: There is a massive problem in the timeline of the movie, starting when the 'running game' is set. It is dawn when the kidnapper contacts the family and the police. He says, that he will call back in 9 hours, and even says "4 PM sharp." The events unfold, and Cross is on the metro train during rush hour, firing his gun. But at the press conference that follows, agent Ollie McArthur declines to comment on the "incident on the MTA train this morning." (01:03:05 - 01:10:00)

Sammo ★

Plot hole: In her plot convenient computer content, Cross finds the address of the house for lease Jezzie has. The house is located in Lovettsville, Virginia. That means it's over one hour away from the apartment in Washington. If we take at face value what happens in the movie, with Cross breaking into the house once Jezzie has killed Devine, then it's impossible he made it in time to catch her and save Megan. One wonders what took Cross so long anyway to get to the house considering he visited the school that tipped him off about Jezzie when students were still around, and why he does not warn the authorities (which is kinda hilarious since what tips Megan off about Jezzie, is that she came alone, exactly what the hero does!). The timer on the computer screen when Cross finds out is 00:00:00, which is a bit unlikely and not much help. (01:29:00)

Sammo ★

Plot hole: Cross says that the best strategy to keep the kid alive is to pamper Soneji, stroke his ego and make him a living legend as he wants to be. What Soneji did though, was guide them to his real identity and name, since Soneji is just a front he used to be employed at Cathedral School, and in the first conversation with Cross he said about the Soneji name "That'll do for now." It's obvious to anyone then that he wants his real name and self to emerge from obscurity and drop the alias, and if Cross really wanted to please the kidnapper, he should have used his real name, Jonathan Mercusio. Despite these clear elements, that name is never used or referenced in the movie again.

Sammo ★

The Double Clue - S3-E7

Plot hole: Since the Countess was the only person to be at every dinner when the jewelry thief was in action, it takes a very special kind of idiot to not identify her as the culprit. Japp here did not need at all Poirot's acumen, but simple due diligence cross-checking the guest lists, something there is absolutely no reason he wouldn't do, and yet she is never treated as a special suspect. Also, Japp's job is described as being in jeopardy after the first 3 thefts, a 4th happens, he does not quite solve it (but retrieves at least the necklace), but he's off the hook despite the thief being unidentified, at large and with still the jewelry stolen from the first 3.

Sammo ★

The Tragedy at Marsdon Manor - S3-E6

Factual error: It is well established that the episode takes place in 1935 (Nairobi Daily Press dated Saturday July 27 1935, the poster in town advertises the meeting for "Today, Wednesday September 4th", day of the week consistent with the year), but Poirot and Hastings are stopped on their way to the train station by a Wolseley Series II - 14/56, a model that entered production in mid 1936. (00:17:00)

Sammo ★

The Double Clue - S3-E7

Factual error: At the party, Marcus Hardman tells Bernard that the Countess recently arrived from Russia, and she describes herself as being in exile. Which made sense in the source material, set right after the Russian Revolution, but less sense in this adaptation, set in the mid 1930s. If she stayed in Russia that long, she would have spent 15-20 years with zero privileges from her rank at that point, and nothing from her old wealth, seized by the communist government.

Sammo ★

The Tragedy at Marsdon Manor - S3-E6

Plot hole: The murderer is in possession of chloroform from the doctor's cabinet, but there's no realistic timeframe when they could have done it, nor any explanation why the doctor notices it completely at random when Poirot visits, just approaching the medicine cabinet, something he routinely opens and looks through during the day.

Sammo ★

The Tragedy at Marsdon Manor - S3-E6

Other mistake: Investigating Poirot's investigation, the clumsy constable crushes a tiny egg under his foot. Poirot crawls to him and points with his cane at the other eggs in the bush. But he points practically at his shoe, and the eggs are in a different spot to the left. (00:20:10)

Sammo ★

The Tragedy at Marsdon Manor - S3-E6

Plot hole: The murderer planned everything making it seems accidental. They perfectly managed to fool the coroner and need only to be alone at the mansion to get rid of the murder weapon. So what they do is...they go through great risks to make everyone know someone tried to murder the wife too, making it obvious that there is a killer at large, which only makes the investigation more stringent and most importantly, keeps the police on the premises for surveillance preventing them from disposing of the weapon (like almost everything in this episode's plot it is not a flaw of the original story, but of the dramatization, who added practically every minor character).

Sammo ★

The Double Clue - S3-E7

Continuity mistake: The Countess arrives at the hotel at the beginning of the episode. In the overhead shot she reaches the top of the stairs with nobody close to her, just the porters behind her, but in the next shot there are other people in the lobby, who at the next cut are even closer to her to fit in frame. (00:02:10)

Sammo ★

The Mystery of the Spanish Chest - S3-E8

Continuity mistake: When Poirot pulls out of the drill hidden in the handle, he holds it triumphantly in his right hand. In the next shot he mounts it on the handle starting the motion with the drill already in the left hand and the rest of the gimlet in the right. (00:40:00)

Sammo ★

The Double Clue - S3-E7

Continuity mistake: At the end of the 'lovely day' with the Countess, Poirot stops a cab and opens the door for her. Just before the cut, notice a woman with a white dress and a brown hat crossing the street in front of the taxi. The extra crosses the street again in the same direction when he says "Oui" in the following shot. (00:28:50)

Sammo ★

The Double Clue - S3-E7

Continuity mistake: During the exhibition of the much acclaimed contralto, at one point it is shown that Lady Runcorn is going upstairs and is looking at the smoking person. Back to the host who is on his own at his table. At the first cut, suddenly there are more people standing in attendance in the background (pretty much everyone was seated earlier) and his glass has also refilled. (00:10:15)

Sammo ★

The Tragedy at Marsdon Manor - S3-E6

Plot hole: It is revealed towards the end of the episode that the painting Mrs. Maltravers did when the murder took place was not painted that day and that time of the day, because it had the wrong shadows. But we actually saw what was on the canvas when the secretary was leaving to go to the bank, and it was that exact painting in an early state. She also came up with the idea for the murder the night before, making even more unbelievable that she'd just have the alibi painting ready and waiting the morning after. That without mentioning the fact that the murder itself as described is not something that would have required an amount of time needed to make a whole painting, and that she could have finished it later anyway (she gave it to Hastings a day later, after all).

Sammo ★

The Mystery of the Spanish Chest - S3-E8

Continuity mistake: During the party, the colonel expresses to Poirot his disappointment for the jazz record being played, music "from the inferior races." He puts a tart in his mouth, closing his lips past the piece of fruit. Cut to the wider shot, and he is still holding a tart that sports the strawberry he just chewed on. (00:19:00)

Sammo ★

The Double Clue - S3-E7

Factual error: Poirot is visiting an art exhibition with the Countess, and expresses his admiration for a painting by Marc Chagall. Amazingly enough, that painting is "Les Plumes en Fleurs", something Chagall will create in 1943, years after the time when this pre-WW2 episode takes place. (00:24:50)

Sammo ★

The Mystery of the Spanish Chest - S3-E8

Continuity mistake: Poirot enters Japp's office when the inspector is dealing with the tribulations of modern machinery. As Poirot sits down, you can notice the crumpled paper by the phone being different in the reverse shot, when you can also see Japp's hand being at the corner of the typewriter. But he brings it up from his lap in the next shot. (00:38:15)

Sammo ★

The Double Clue - S3-E7

Factual error: Attention to detail in props is always extremely high in this series, and tubular flashlights have been in circulation since the beginning of the century. However the one that the supposed burglar is holding as they make their way through the top floor of the villa looks perfectly modern and unlike any model compatible with the 30s. (00:10:20)

Sammo ★

The Tragedy at Marsdon Manor - S3-E6

Continuity mistake: Poirot and Hastings are in front of the corpse at Marsdon Manor. When Miss Rawlinson makes her comment about him taking advice, she is almost with her back against Hastings and in a dramatic light totally different from what shown in establishing shot. (00:17:45)

Sammo ★