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Phil Phillips: What are you, fucking Houdini now?
Connie Edwards: Maybe I am Houdini!
Phil Phillips: I'd like to see you disappear. (00:21:35)

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Connie Edwards: Well if the shoe fits.
Phil Phillips: Fuck you.
Connie Edwards: Yeah? Fuck you too.
Phil Phillips: Fuck you more. (00:12:45)

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Phil Phillips: Listen, um. Do you keep a record of which customers bought what magazines?
Vinny: Yeah of course, Phil. We're fully NSA compliant. (00:08:05)

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Phil Philips: Yeah? What'd she say?
Bubbles: She said I'd like to sew your asshole shut, and just keep feeding you, and feeding you, and feeding you.
Phil Philips: Well that's a new one. (00:04:15)

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Continuity mistake: When Connie and Bubbles are talking in her apparent, there is a sudden abrupt cut where Bubbles goes from standing still facing Connie to suddenly turning to lean closer and say she's been searching the records on Sandra White. It's apparent they spliced the scene together weirdly here and it just doesn't match up. (01:02:10)

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Continuity mistake: When Phil and Sandra are having sex in his office he starts to shoot his... "silly string" at the door. It cuts to a reaction shot of the cops in the next room then back to him again. Suddenly the string is gone from the door, only for him to be shooting it again and in a different pattern. (00:36:50)

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Continuity mistake: A cop walks up to the Lieutenant and tells him the press is here. He says "wonderful" facing that direction. But in the next shot when Phil is asking if he's free to go, the Lieutenant is instantly facing towards him. (00:12:20)

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Continuity mistake: When Phil heads to the Puppet Pleasure place early in the film, the positions of the shadows change around the vehicle parked out front in the close up, revealing the time laps between filming each shot. (00:06:30)

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