Corrected entry: Highly unlikely a man would be charged with murder just because someone tells her lawyer that she's scared of him and messed up a hotel room.


Correction: There could have been more evidence that Mal did not tell Cobb about. Even then, there would have been some evidence to put Cobb as the main suspect, and using other evidence not shown on screen, he could have been convicted. We just didn't see it.

Corrected entry: During the scene at dream level three, when the team misses the first kick of the van falling off the bridge, Cobb says that they have time till the second kick of van hitting the water. How is that possible when he is at the third level of dream and the van got in the accident at the first level, where he is in sleep and unaware of what's happening around him? How could he have known that the van went of the bridge and into the water?

Correction: Presumably, they planned the kick beforehand and Cobb knew Yusuf would drive the van off the bridge for the kick.

Corrected entry: Mal shoots Fischer once. But as Fischer falls to the ground after one shot, you can see there are somehow two bullet wounds.

Casual Person

Correction: You can hear two gun shots.

Corrected entry: When the van rides off the bridge in level 1 this creates the first shock, which would normally bring the characters back from the second level, but this doesn't happen because they are still in the third level of the dream. Cobb states: "We missed the shock, but there's a second shock when the van will hit the water." But what about Arthur (the character left behind in the second level to get them back from the third), since he was in the second level when the first shock occurred, shouldn't he have woken up in the first level? If this is true it would mean that he couldn't create the shock with the elevators, meaning the other characters would be stuck in the third (or fourth) level.

Correction: He couldn't wake up because the hotel was his dream, and all the others' were still in it, stuck a level down in the snow fortress dream. He was incapable of leaving the dream, by waking up out of it or by sleeping within in, because it was still being occupied by other people's consciousnesses. In the van, he was basically in a coma until everyone else woke up from within his dream.

Phixius Premium member

Corrected entry: Saito ages but Cobb doesn't. In level 3, Fisher dies before Saito. Cobb gets to level 4 while Fisher is still young, so, Saito must still be young as well. Yet in later scene, Saito is aged, but not Cobb.


Correction: When Cobb goes to Limbo to find Fischer, it can be thought of as level four, as you said. Cobb deliberately entered Limbo, because it is only possible to have three stable levels of dream. He hadn't actually died in any level yet. Time moves 20x faster in dreams, and has a compound effect, so time in Limbo is moving 80x faster then reality when the first level is only moving 20x faster. So Saito has been aging in Limbo for a long time when Cobb drowns in the van and "re-enters" Limbo (wakes up on the beach).

Corrected entry: The machines which allow individuals to dream the same lucid dream are equipped with timers which wake the dreamers after a predetermined amount time without them having to receive a physical kick. So all the drama in the hotel and in the van about how to make the kicks happen was entirely superfluous since the dream machines they were hooked up to could have simply woken them at a predetermined time without needing to blow anything up, or crash any vehicles into any rivers.

Phixius Premium member

Correction: It's stated that the passage of time in each level is compounded exponentially the further in the dream levels you go. For example, one week in the first level is equal to 6 months in the second level is equal to 10 years in the third level. Without being sure how long was needed at each level, a timer could wake them too early, ruining the mission. The kicks could simply be so that the people in the deeper levels don't have to endure long passages of time before finally waking up.

Phaneron Premium member

Corrected entry: At the beginning of the movie, we are shown that a person can be woken from a dream by giving them a "kick" OUTSIDE of their dream. This is demonstrated by Cobb being woken up from his Japanese temple dream by being dunked in the bathtub in the South America dream (Japan was dream level 2 and South America was dream level 1). However, the final "riding the kicks" sequence contradicts this by showing everyone getting a kick WITHIN a dream to wake up to the previous dream. Example: When Ariadne was inside Cobb's apartment (dream level 4), she jumped off the building which woke her up to the snow fortress (dream level 3). As she fell through the collapsing floor of the fortress, she woke up in the elevator (dream level 2), and she returned to the van (dream level 1) by falling inside the elevator. If the movie was consistent in its logic, Adriadne and the others should have been woken up from each internal dream by falling in the outer dream. The most likely reason why the writers couldn't keep this logic was because it would have prevented Cobb from staying in Limbo (i.e. the falling snow fortress would have woken him up).


Correction: You've got it backward. Yes, Ariadne woke out of limbo by jumping off the building, but that's because she died within that dream, not because the fall gave her a kick. The elevator crashing woke the team out of the snow fortress, the van crashing woke the team out of the hotel, and the timer on the machine woke them out of the rainy city. Remember how they mentioned that the first attempted kick in the van must have failed (a fact they were aware of because they were still in the hotel) and so they'd have to wait for the van to hit the water to get the next kick?

Phixius Premium member

Corrected entry: When Ariadne and Cobb arrive in limbo, they are both soaking wet. But when they are riding the elevator up you can see that Ariadne's hair is dry.

Correction: This is irrelevant because the film cuts to several long sequences in the outer dream levels. The time in limbo is exponentially more compared to the other dream levels, so several hours will have gone by.

Corrected entry: "The kick" is the feeling of falling that is supposed to jolt a person awake. As demonstrated by Yusuf, even with heavy sedation Arthur woke up every time he started falling from his chair. Yet at the start of the movie, Cobb fell all the way into the bathtub before waking up. And it wasn't the fall as much as the water that woke up Cobb (water began to spray inside the Japanese temple, meaning that Cobb was still dreaming when he hit the water and was incorporating the sensation of the water into his dream). In fact, why was the bathtub even needed if all it takes is a fall to wake someone up? Wouldn't it have been safer to place Cobb's chair on a padded carpet to soften his fall, rather than have him choke on water and risk drowning?


Correction: It is evident that the kick doesn't always work in the initial sensation. Like in the dream part towards the end when the van smacked against the bridge. That was supposed to be the kick, but it failed. It is also stated that the sedative they are using in the main part of the movie when on the jet is "a very powerful sedative". And the chemist even said he specially engineered it. So it is logical to assume that there are different types, powers, and effects of different sedatives. the one Cobb was on in the beginning was likely one that needed the water as insurance that a fall didn't work or was suppose to be lifted by water anyways.

Quantom X Premium member

Corrected entry: Cobb says that he can't see the faces of his children in his dreams because the last image he saw of them in real life was from behind. This doesn't make sense because his mind could easily reproduce their faces from his numerous memories of them. If his dreams were limited to the last image he ever saw, then everyone he dreams about should only be represented exactly the way he last saw them, which would mean Mal should look dead in all his dreams.


Correction: Ah, if only sub-conscious minds worked that predictably. There are no strict rules like that when dealing with our dreaming minds. In Cobb's case, he's simply plagued by guilt, hence his sub-conscious won't let go of Mal, constantly inserting her into his dream and torturing him with a lost love that he can't stop blaming himself for. But that same sub-conscious self torture won't let him see the faces of his kids because that would provide him a comfort that deep down he doesn't feel he deserves. There are rules for our sub-conscious selves, but they're not as cut and dried as you're trying to make them.

Garlonuss Premium member

Corrected entry: When Eames clings to the back of the snowmobile, he knocks out the driver by smacking his head on the handlebars. But the driver is wearing a helmet, which smashes on the handlebars with a very distinct clunk, this wouldn't harm him in any way.


Correction: While the helmet would protect the driver from any significant damage, the impact force is still considerable and could easily stun the driver for long enough for Eames to push him off the snowmobile.

Tailkinker Premium member

Corrected entry: In the staircase paradox scene, when Ariadna and Arthur were at the end of the staircase, it seems that the staircase is moving upwards but in real the staircase is static its just the camerawork. You can also see that the railings of the upper part of staircase is not matching with the railings of the lower part.


Correction: This scene shows Arthur explaining to Ariadne how the trick is created within a dream; it's all done within the context of the film's world. It's not accidentally revealing how the shot was created for the movie because even for the characters in the film the staircase was meant to be an optical illusion.

Phixius Premium member

Corrected entry: At the very end when Cobb finally gets home, Michael Caine goes outside to get the children and says, "Look who's here." When the children come in, Cobb pick ups up his daughter first and the son is on the ground. The camera then goes to Michael Caine for a second. When it goes back, Cobb's daughter is on the ground and Cobb's son is in his arms.


Correction: He put down his daughter and took his son with him on the way back to standing up straight. Quick and easy.

Phixius Premium member

Corrected entry: Towards the end of the movie Ariadne is riding the kicks through the dreams, while waking in dream 4 we can see in the wide shot that there are no gloves near her but in a close-up shot we can see gloves next to her head.

Correction: You can not see the gloves next to her but you can see them slide of the edge.

Corrected entry: In the scene were Cobb is in the first dream level the train tears the ground behind it leaving tracks but as the scene continues the tracks disappear.


Correction: Cobb drives over the torn up tracks and onto another street. They don't disappear, he drives away from them. The train was only on that one street so there shouldn't be any damage on any other road.

Phixius Premium member

Corrected entry: In the dream level where they are in the snow after the forger fights the guard and shoots him he is seen sliding down the hill past the main building however in the next shot he is standing next to it planting the bomb on that same building he just slid past.

Correction: He obviously stopped himself and went over to the building to place the bomb.


Corrected entry: In 1st layer of the dream, Cobb pulls over so Ariadne could leap into the car, then it gets slammed by the train. The car stops perpendicular to the street, but in next shot it gets slammed in its side.

Correction: That makes perfect sense. If the car is perpendicular to the road, its side would be facing the oncoming train which is running parallel to the road.

Phixius Premium member

Corrected entry: In the scene where the Van is rolling, whilst Arthur is about to fight the black security guard with the gun, he forces the gun out of his hand as he gets it out and it is left further down the corridor. Next when they slide into the room the gun slides in with them through the door even though it was dropped much further up the corridor.


Correction: Actually, there are two guns in the hallway; when Arthur goes to hide, he pulls out a gun but is disarmed, when he and the black guy are fighting you can actually see both guns for a brief second. Obviously the second gun is closer than it should be, but I think Arthur's gun is the one that enters the room with them.


Corrected entry: When the team begins Inception, in the first level, Saito and Arthur pull over in a taxi to pick up Fischer, this is when Eames is seen running up to the taxi. But, half of Eames' suit shouldn't be soaked because he wasn't in the rain for very long.

Correction: The film already stated that when you first go into the dream it is somewhere in the middle and you are already doing someting as you enter it (as in the second level of dreaming where Fischer was sitting as a table talking to a girl (Eames).

Corrected entry: When Cobb, Saito and Eames meet Yusuf, Cobb tells him that there are five of them who will be entering the shared dream, and Saito corrects him that there will be six. The only way that either number could have been reached is by including Ariadne, and it is subsequently made clear that she was never intended as a participant, and only enters the team when Cobb refuses to tell Arthur about his own subconscious.


Correction: There are five intended to go into the dream - Cobb, Arthur, Eames, Yusuf and their target, Fischer. Saito adds himself, making six. Ariadne is added at the last minute for a total of seven.

Corrected entry: The music heard in the dream(s) played on characters' earphones, to give them a hint the jerk was coming, should be time-distorted. If 5 minutes of reality is much more minutes of dream-life then the time of music played in reality and the time of music played in dreams should differ likewise. The music in the dream would be heard at slower tempo, and the music in the dream within a dream (or the dream within a dream within a dream) would be distorted massively and perceived probably only as a widespread rumble.


Correction: You're assuming that things work that neatly. They don't. It's clear that outside stimuli are incorporated into the lower level dream, but there's no particular suggestion that the time distortion consistently comes into play. For example, Cobb being slapped in the face at one level sends him flying to the ground in a lower one. If the time distortion applied, that wouldn't happen - Cobb would feel pressure on his face drawn out over a period of time, not a sudden slap sending him to the ground. Some form of stimuli occurs at one level - the dreamer's brain picks it up and manifests it in the lower-level dream. How it manifests can vary. That's just how it works.

Tailkinker Premium member

Corrected entry: The scene when Arthur and the projection are fighting in the hallway and then in the hotel room is being called "zero gravity", when really, if there was absolutely no gravity, Arthur and the projection would be floating just as Arthur is doing when the van goes off the bridge in the first dream level.

Correction: The van wasn't in freefall at that moment. It was rolling sideways down a hill. The image of the dream "rolling" sideways as well is perfectly accurate.


Corrected entry: In Arthur's dream, everyone keeps making the point that there's no gravity. This is false, as even if you were a million miles from the nearest particle, gravity would still be affecting you. Technically, they are not even in free-fall, since wind resistance is still applicable. On a non-anal note: When Arthur is fighting the projection in the hotel hallway, gravity appears to shift multiple times, throwing the two against the ceiling and wall. After Arthur defeats the projection, he enters the hotel room and he is again floating.

Correction: While it may not be technically accurate, saying "no gravity" works perfectly well for the characters to explain their situation and is a reasonable statement to make.

Jason Hoffman

Corrected entry: The totems let you check if you are dreaming and if someone is constructing your dream, like the Fulham, that no one would construct like it really behaves. But how can you use a normal top as a totem then, which every constructor would construct toppling over. In every constructed dream it would topple over, except your own real dreams, which are not dangerous.

Correction: The Fulham, in dreams, never stops spinning. That's an strange behaviour, which proves that you're in a dream. The normal-top totems would act strangely too, not in the same way, but strangely. For example, a dice. If you threw a dice in a dream, it would never stop rolling, or something like that. It doesn't have to be a non-normal top to be a totem, it could be anything. You just have to prove that it doesn't behave normally.

Corrected entry: In the scene within the "dream limbo", Cobb convinces his wife to kill themselves by lying down on the railway track and getting by a train. This would be impossible because they were in limbo, there should have been no one else there to drive the train.


Correction: It's a dream, where they've been creating entire elaborate buildings that simply spring into existence according to their whim. Creating a train that runs on automatic would be a simple task by comparison.

Tailkinker Premium member

Corrected entry: In the scene where Saito is shot and he is laying on the ground, his shirt is unbuttoned, and you can see the edges of the blood pack that is underneath his shirt.


Correction: This is not a bloodpack, it would be a form of plaster - you can hear Arthur ask for anyone on the team who has First Aid training, therefore they would not simply let Saito bleed out - they would try and help stem the flow of blood. Otherwise why would his shirt be unbuttoned?

Corrected entry: When the helicopter lands on the roof top and Cobb and Arthur leave, the rotors are still heard rotating, yet there is no wind blowing (Cobb's hair, clothes) on the outside of the helicopter.

Correction: When the helicopter's collector lever or "throttle" if you will is put at it's lowest power setting it will not produce any downdraft or "blowing" from the blades. It's not a mistake.

Corrected entry: As the first layer dream was in zero-gravity (i.e: the van falling off the bridge), the second layer was also in zero-gravity (i.e: the hotel room). But the zero-gravity effect did not continue to the third layer dream (i.e: the snowy mountains).

Correction: They were not in zero-g in the first level. They were in normal gravity. That's why the van was falling. It was zero-g in the second level because their bodies felt zero-g as the van was falling. The third level was also not affected because the second level wasn't doing anything to make them feel like they were in zero-g. The van only looked like that because the filming was slowed down to remind people that dream time goes by much slower than real time. Basically, a dream level is only affected by the level directly above it.


Corrected entry: The kick of the van going off the bridge should have woken up Joseph Gordon-Levitt's character in the hotel dream level since he was awake in that level and in the level above he was falling.

Correction: It has been explained that there are two ways of waking up from dreams: either by dying in the dream or through a kick on the previous level. You can see that during the first dream experience: Cobb shoots Arthur and he wakes up in the previous level; Cobb himself is pushed into the bathtub in the previous level and he wakes up. As we know, the rules change when you're using the special sedative, as it is much more powerful. We can therefore assume that a kick in the previous level isn't enough, there needs to be a kick in the level you're in as well. Think about it: why does Ariadne throw herself and Fischer off the balcony? If a kick in the previous level was enough, then they would have woken up when Eames used the defibrillator. Also, Eames didn't know that Cobb wouldn't come back, so we can assume that he used the defibrillator on him too, yet Cobb didn't come back because he did not have the kick on the level he was in. So, the fall from the balcony on the level Cobb, Ariadne and Fischer are in combined with the defibrillator on Level 3 [Eames's dream], brings Ariadne and Fischer back to Level 3; the explosion of the snow fortress on Level 3 combined with the elevator fall on Level 2 [Arthur's dream] brings Ariadne, Fischer and Eames back to Level 2; the elevator fall on Level 2 combined with the van hitting the water on Level 1 [Yusuf's dream] brings Ariadne, Fischer, Eames and Arthur back to Level 1. The kick in Level 1 isn't enough for Arthur to come back: he needs the kick on Level 2 as well. That's why he said "It's too soon!, because he didn't have that kick ready yet. It's also why Cobb says "We missed the first kick."

Corrected entry: When first talking about totems, Arthur (Joseph Gordon-Levitt) shows Ariadne his totem, but won't let her touch it, saying that defeats the purpose of the totem. Later Cobb reveals that his totem used to be Maul's.

Correction: The point is that the owner should be the only one who knows the precise physical characteristics of the totem. As Mal is dead, she's out of the equation, so there's nothing to stop Dom from using it.

Tailkinker Premium member

Corrected entry: In the scene where Arthur is in the elevator shaft, the wires from the top of the elevator recoil wildly despite there being no gravity, which could not occur unless gravity was present.


Correction: You can see that there is no slack on the cable. Which implies that the elevator maybe moving in the opposite direction (inertia) in zero gravity. Hence, the cables are still experiencing a good degree of tension. If you cut it, then it will definitely recoil wildly.

Corrected entry: In the level one dream when everyone is driving in the city, it is raining during the entire scene. But if you look at the sky during any of these shots, you can see that it is basically cloud-free.

Correction: It's a dream. This may have been entirely deliberate, and if not, is still believable.

Corrected entry: After Cob and Arthur leave the helicopter towards the start of the movie, there is an overhead shot of a city at night. In this shot there is the Eiffel Tower implying they are in Paris. Soon after, Cob says he is going to Paris to get an Architect yet this is where he already seems to be.

Correction: It's not the Eiffel Tower: it's Tokyo Tower.


Corrected entry: In the first layer of the dream, you have the car flipping repeatedly. In the second layer, the whole world is also spinning. But in the third layer, they are not spinning, even though they would also be spinning in the second layer. To be put briefly, the effects from the first layer carry on to the second layer, but not the third.

Correction: Now explain why that's a mistake. As far as can be told from observing the film, that's simply how things happen, that events occurring in one level can be felt on the level immediately below it, but the effect doesn't continue further down (potentially due to the time distortion, but that's conjecture, and the cause is irrelevant anyway). If you feel that that's incorrect, then I suggest that you resubmit, with evidence taken from the film rather than your own opinion.

Tailkinker Premium member

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Cobb: We need the heir of a major corporation to dissolve his father's empire.
Eames: Well, you see, right there you have various political motivations and anti-monopolistic sentiment and so forth, but all that stuff is at the mercy of your subjects own prejudice. What you have to do is start at the absolute basic.
Cobb: Which is what?
Eames: The relationship with the father.



When Ariadne wakes in the Snow Fortress and the floor goes from under her, we can see her gloves fall in to the crack but in a different camera shot of her we can see the gloves are now back near her head again.



The name of the "architect" Ariadne: The mythical character that gives the thread (way) to Theseus is able to get out of the Minotaur labyrinth.