Continuity mistake: At the end of the film, Mary Poppins flies away from the Banks's house (supposedly within a short distance of the City of London), however, she is then shown flying towards the City on a route that would take her over the Banks's house on the way, had she not already flown over it.
Continuity mistake: When Mr. Banks takes the children to the bank, and they meet the directors, first the children are standing close together, with Mr. Banks right behind them. Later, when the elder Mr. Doors is talking to them, Mr. Banks is next to Michael and the children are farther apart. Later still, when we see Michael close up, Jane is out of the shot altogether, meaning that she is even farther away from him than previously.
Continuity mistake: When the bank executives are basically harassing Michael to give them his money, there is a shot where they are singing and marching forward and force the children to back into the wall. There is a pattern of large squares on the floor, and the men in the back are on the inside edge of the square. Then the camera goes out for a long shot so Mr. Dawes can talk about the banks of England. Now he is standing on the edge of the square. When he finishes his little speech, in the next shot they are standing back in the original position.
Continuity mistake: When Admiral Boom makes his appearance, and asks about the time gun, he states "Three minutes and Six seconds" until the hour. However, the argument between Katie Nanna, the maid and cook, and Mrs. Banks' "Sister Suffragette" number, and Nanna's announcement of departure take a total of five minutes and ten seconds until the gun is fired.
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Continuity mistake: When Bert is showing Jane and Michael his chalk sketches and doing his tightrope demonstration, you can see the pigeons in the corner on the far side of the bench. In the next shot when Jane points out the English countryside, the pigeons are right behind Bert again and walking away.
Continuity mistake: When Mary, Bert, and the children enter the tea parlor and see Uncle Albert floating by the ceiling, the camera cuts to Bert behind Mary, then Bert in front of Mary (Bert preparing to laugh and levitate), then a shot of the children shows Bert behind Mary again. Bert cannot move this fast in a split second.
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