Trivia: Both director Stanley Kubrick and author Arthur C. Clarke originally chose Jupiter as the Discovery's destination, and production of the Jupiter sequences and elaborate special effects were already finished ("in the can") when Kubrick abruptly decided to change the destination to Saturn. Kubrick thought Saturn with its rings would be more visually exciting than the Jupiter footage that he had already finished, so he ordered his special effects team to begin work on the Saturn effects. At the same time, Arthur C. Clarke changed the destination to Saturn in his "2001" novel that he was writing concurrent with the movie's production. Stanley Kubrick was well known for making such sudden and costly changes in the middle of production, but money wasn't really an issue; in fact, when Kubrick showed MGM studio heads and investors his early special effects footage, they were so awe-struck that they all agreed to pay any price for the finished film. The real reason that Kubrick didn't go to Saturn was the protest of his exasperated special effects team, who had spent an enormous amount of time and effort on the already-completed Jupiter footage and had stretched their ingenuity to the point of exhaustion. The FX artists and technicians were extremely proud of their work and argued against simply discarding it to the cutting room floor. Kubrick, in typical fashion, abruptly dropped the Saturn idea without a second thought and stayed with Jupiter. (Strangely enough, Arthur C. Clarke still thought Saturn was a better destination, so he kept it in his novel, which published shortly after the movie premiered).
Add timeCharles Austin Miller
Trivia: Originally the film was going to end with the Starchild activating the nuclear launch platforms orbiting Earth, using the planet's destruction as a means to accelerate the evolution of mankind into it's new universally intelligent form. Stanley Kubrick eventually decided against this as it was too similar to the ending of his previous film "Dr. Strangelove".
Trivia: To film Dave Bowman's explosive transition from the pod into the Discovery, a vertical airlock set was constructed. Keir Dullea was suspended on wires and pulled to the top of the set as the camera shot upwards from below. This, combined with the establishing shot of the pod lined up with the airlock door, gave the illusion that he was floating horizontally into the ship - the wires suspending him from the ceiling were hidden behind his body.
Trivia: Much has been written about the scene where Bowman enters the air lock without his helmet. Studies done by NASA have shown that humans can survive in vacuum for brief periods if they do not hold their breath. Some have commented that Dave appears to hold his breath before blowing the hatch, but careful study of the scene does not show this, as it seems he is simply grimacing, bracing himself for the coming effort. When the film was first shown in theaters, many of them handed out souvenir booklets which included references to this study.
You may like...
Join the mailing list
Addresses are not passed on to any third party, and are used solely for direct communication from this site. You can unsubscribe at any time.