War of the Worlds

Continuity mistake: On the ferry, Rachel wears the purple/pink camouflage hoodie OVER her orange knit sweater with the colorful stripe sleeves, as usual. Now this is where things become strange. In the first shot as the trio come ashore, she is only wearing her orange sweater, she is not wearing the purple/pink hoodie – note the clear lack of fur hood. In the very next shot as they climb a bit more and then rest, Rachel is wearing the purple/pink hoodie – note the hood, but now it's on UNDER her orange sweater. In the underwater shots she is also wearing it under the orange sweater. (This odd mistake has absolutely nothing to do with the very long wool cloak that Rachel wears in the next scene.)

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Super Grover

Continuity mistake: When the ferry casts off in the wideshot, there are only six people hanging off the outer edge of the ramp as it's being raised. When Robbie and another gentleman help these people over, in the close-up one of them wears tan pants, a long blue coat and knit hat, but this person was not amongst the six in the previous shot.

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Super Grover

Continuity mistake: When Ray and the kids are hiding out in the mom's basement, they take cover in a small utility room that goes pitch black when Ray shuts the door - even though there are windows above the girl's head that emit light before he shuts the door and after he opens it to leave.

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Kristal

Continuity mistake: When the van is parked at the side of the road, as Rachel heads off Ray shouts, "Every time you guys don't listen to me I'm telling your mother..." In the next shot the van is seen quite a distance away as Rachel reaches the shoreline. After seeing the floating bodies Ray picks her up, turns around and as he begins to run the van is seen, only this time is much, much closer. Ray never moved the van, as shown in the following shots.

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Super Grover

Continuity mistake: In the exterior shot of Mary Ann's house, there are three large windows of the same size over the front door, and large bay widows on both sides of the door. In the interior shot, when Ray remarks, "They're never here," the window over the door is visible and it is one large center window with very small windows on each side. In the dining room there are two windows with wall in between, certainly not a large bay window. (Additionally, in the living room there is a fireplace, where there were two windows in the exterior shot - but some could say that those windows were boarded up and a fireplace was built in front of it.)

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Super Grover

Continuity mistake: In Mary Ann's basement, when Ray and Robbie are looking out the small window, as the aliens begin their attack, Rachel runs over and Robbie hugs her tightly. However, in the next shot of Robbie and Ray, Rachel is gone, yet in the very next close-up Robbie is still hugging Rachel. (The shot of Ray and Robbie without Rachel is cut from a previous shot, before she runs to them.)

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Super Grover

Continuity mistake: When Ray parks the van at the side of the road, the van is about 60-70 ft away from the tall wood post, at the road intersection up ahead. However, in the first shot of the military vehicles approaching, the van is parked directly in front of that wood post at the intersection, and this also occurs in the shot as Ray shouts, "Robbie! You wanna go in that direction?"

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Super Grover

Continuity mistake: As Ray heads to the 26 strikes spot, while speaking with the two guys, he passes many stalled cars, some of which change entirely between shots. For example: In the close-ups he passes a red car in front of the restaurant, with a grey double parked car, and a white car at the street corner in front of the red, yet in the overhead shot a red car is at the street corner, with a grey car behind, in front of the restaurant.

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Super Grover
War of the Worlds mistake picture

Continuity mistake: When they stop so the kids can go to the toilet, in a long shot of Ray trying to persuade Rachel not to go too far, we see him start to open the boot (trunk) of the car. When it cuts to a closeup he's not.

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Jon Sandys

Continuity mistake: As Ray speeds away when Manny's shop blows up, Robbie shouts, "Holy s**t!!" and ducks. The rearview mirror on the van's windshield, in this close-up, is entirely different to the one seen a few shots later, when they're on the freeway. The mirror changes yet again later.

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Super Grover

Continuity mistake: While in his bed Robbie watches TV, as he leans against the wall behind him. Yet, in the close-up of the TV when Ray clicks it off, Robbie is clearly reflected on the TV screen leaning near the window, which is a good few feet away from where he was in the previous shot. In the next shot he's back to where he was in the first shot.

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Super Grover

Continuity mistake: When Ray runs to catch the ferry, Sheryl loses her grip of him and when the soldier abruptly stops her the green hat falls behind her. Yet as the ramp rises, when Ray shouts, "There's room on the boat," Sheryl's hat is back on her head.

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Super Grover

Continuity mistake: In the beginning of the film, when the first tripod began to rise from the earth, there is a cut showing two men standing on top of their scissor lift, which is swaying dangerously back and forth because of the earthquake the tripod is causing. In the very next cut, showing the entire area, the scissor lift is very apparent in the foreground, not only is it not swaying (while everything else in the area is shaking dangerously) , but one of the men is suddenly in a kneeling position, whereas he had just been standing up.

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War of the Worlds mistake picture

Continuity mistake: When Ray and Robbie are throwing the ball near the start, check the wall behind Robbie. In closer shots of him there's sunlight on the wall and the shadow of a nearby satellite dish is visible, but in wider shots the whole wall's in shadow.

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Jon Sandys
War of the Worlds mistake picture

Continuity mistake: When Ray steals the van and speeds away there is a registration sticker at the corner of the windshield, on the driver's side. The sticker is gone when Ray starts shouting, "You saw! We're under attack!" when they're on the freeway.

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Super Grover

Continuity mistake: When Ray is outside at the beginning of the movie during the lightning storm, he says to himself that the wind is moving in the direction of the storm. Yet when he calls to Rachel to come outside and take a look, her hair is blowing away from her face, in the opposite direction it should be blowing.

Add time

Continuity mistake: When Ray speeds home in his car he passes Manny's shop and directly in front of the left garage door, beside the gas pump, is a large tree surrounded by bricks at the trunk base. Later, when Ray speaks with Manny the tree and surrounding bricks are gone.

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Super Grover

Continuity mistake: In the interior shot, the Hudson Ferry captain walks toward and then stands at the doorway (seen clearly when he cast off earlier), as he stares at the growing whirlpool. However, in the next exterior shot he is standing at an open porthole window, staring at the water.

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Super Grover

Continuity mistake: When Ray, Robbie and Rachel arrive at Mary Ann's house, as the kids shout for their mom and Tim, the door to the basement under the stairs, as well as the den further up (beside the kitchen), are all perfectly visible. Later, after the house is destroyed, when Ray walks through the basement doorway, the walls, moldings, and so on are entirely different, and now there is an extra wall (perpendicular to the camera) to the left (viewer's) where there was none before.

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Super Grover

Continuity mistake: When Ray heads home after work, he speeds past Manny's shop, and in the first shot there is a large white sign on the brick wall, to the left of the door (not the one over the door), which is seen later as well. However, in the next shot as Ray pulls into his driveway and when Mary Ann carries Rachel's backpack up the steps, Manny's is at the end of the street and that white sign is gone.

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Super Grover

Continuity mistake: When Ray empties the bag of bread, nine of its slices fall out, and he drops the plastic bag (the rest don't fall out). In the next shot there are seven slices total (not nine), and Ray tosses one of them near the box, since he needs only six. But a few shots later two slices appear near the box, together with the six that Ray uses to prepare for sandwiches, totaling eight.

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Super Grover

Continuity mistake: In the scene where Ray, Robbie and Rachel are going outside of the house to find the remains of the airplane, as Ray is putting Rachel in the car, in the right hand side of the shot you see Robbie walking towards the wreckage, and he puts his hands over his head. In the next shot, it's a close up of him and his hands are at his sides, where he then proceeds to put his hands in the position they were in in the previous shot.

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Continuity mistake: In the overhead shot when Robbie (Justin Chatwin) is helping people get over the top of the ramp of the ferry the water in the back of the ferry is calm. A few seconds before the captain had gone all ahead full, created a water spray and even ripped off the moorings. The water should have been churned by the screws.

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War of the Worlds mistake picture

Continuity mistake: When Ray places the silver garbage can at the curb, he places it parallel to the other cans, but in the following shots they form a triangle. They also change position, such as the blue recycling can being directly in front of Tim's back car, yet when Robbie gets out the can is far enough away from the car to allow the back door to open freely.

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Super Grover

Continuity mistake: When Rachel's still in the back seat of the van, while everyone is attacking Ray and Robbie in order to steal the vehicle, a large shard of glass hanging in the backseat window-frame disappears between shots.

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Hamster

Continuity mistake: When Ray runs into the street he realizes that everyone is looking behind him, towards his house, so he turns to the right and looks over his right shoulder, but in the next shot facing his house, he's turning to the left and looks over his left shoulder.

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Super Grover

Continuity mistake: Ray walks into the living room when Rachel watches TV, sits down, asks about the splinter while still holding a coffee mug with his outstretched arm leaning on his leg and his feet on the floor, in the shot facing him. In the next shot from behind, his leg is now on the footrest, his arm lies on the chair arm, and he's not holding the mug. Then moments later something similar happens.

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Super Grover
War of the Worlds mistake picture

Continuity mistake: In Boston, Ray and Rachel discover dead red weed on a statue. If you look behind them, you can see a space between two buildings that is clear, only sky. In the next shot, when the crashed tripod is being shown, the spot where there was just sky now has the tripod legs. Compositors forgot to add the tripod in the previous shot.

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War of the Worlds mistake picture

Continuity mistake: When Ray and Rachel crawl under the kitchen table during the lightning strikes, in the first shot Ray's entire body is behind the leg base, yet in the next shot his arms and upper body are in front of it.

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Continuity mistake: When Ogilvy shouts, "Ray! Ray! Ray..." in his cellar, Ray runs to him and there's blood splattered all over Ogilvy's face, but in the next shot the amount and pattern of the blood differs.

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Super Grover

Continuity mistake: In the kids' bedroom, while Mary Ann speaks, Ray sits with the baseball cap in his hand. When the shot faces him he holds the brim with the cap facing out, but when the shot faces Mary Ann he holds the back of the cap with the brim hanging down.

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Super Grover

Continuity mistake: After losing the van the trio sit in the diner, and things on their table repeatedly change, such as when the gunshot rings out. Robbie first flips the coffee cup upside down, but in the next shot when Robbie turns the cup is upright, only to be upside down again when Rachel runs into his arms.

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Super Grover

Continuity mistake: When Ray tries to quiet Ogilvy, and then decides to kill him, the pattern and size of the sweat stain on Ray's shirt differs repeatedly in the following shots.

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Super Grover

Continuity mistake: When Ray speeds past Manny's there are long shadows cast, but in the next shot when he pulls into the driveway shadows are gone. When he, Mary Ann and Tim speak the shadows are back only to disappear in the next shot, and so on, all depending on camera angle.

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Super Grover

Continuity mistake: On his way home, when Ray's car turns the corner, in the first shot as he passes the parked cars across from Manny's, the last of which is a red pickup, but in the next shot it's a white pickup.

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Super Grover

Continuity mistake: While the aliens rummage through Ogilvy's cellar, Ray and Ogilvy have a tense, silent tug-of-war with Ogilvy's gun, and their arm and hand positions differ between consecutive shots.

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Super Grover

Continuity mistake: In the first shot as the church sustains damage, a long massive crack rips up the asphalt and concrete sidewalk under the streetlight then makes its way up the building. However, in the next shot, even as the church receives more damage, the previous damage to the asphalt and concrete is gone and there are actually people standing around that streetlight.

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Super Grover

Continuity mistake: After the ferry disaster, the trio swim to shore and climb up the bank. In the side shot Ray holds Rachel's left arm and Robbie holds her right arm. However, in the next back shot Ray holds Rachel's right arm, and Robbie holds her left.

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Super Grover

Continuity mistake: When Mary Ann is speaking in the kids' bedroom, her body is facing Robbie, and when she says, "It would be nice if he were done…" in the close-up of Ray her entire body is turned the opposite way, facing the TV, but in the next shot she's turned toward Robbie again. Additionally, the amount of blue sweater visible under her grey coat changes in consecutive shots, during her visit.

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Super Grover
War of the Worlds mistake picture

Continuity mistake: In one of the earlier scenes where they are in the dad's house, just before Rachel tells Ray that Robbie took the car, Rachel is slouching on the couch with her left leg crossed over her right. In the next shot she is sitting up with her hands on her face, and now her right leg is crossed over her left.

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dizzle

Continuity mistake: When Ray steals the van the front windshield is dirty and has water spots all over. Then in the following shots, it alternates between being entirely clean, or clean only in the area that wipers swipe clean.

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Super Grover

Continuity mistake: In the scene right after Ray kills Ogilvy, Rachel finishes singing her song and as she's taking off her blindfold you can see that her hair is all messy and dry. In the very next shot her hair is all wet and neat.

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Continuity mistake: In the end of the movie before his son runs to him Tom Cruise is standing in the sunlight. In the next shot there is no direct sunlight.

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????

Continuity mistake: When Rachel watches TV, there are things such as books and take-out food on the coffee table, which change position in following shots.

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Super Grover

Continuity mistake: When Ray runs across the street shouting, "Manny! Manny!" a guy with a hat and plaid jacket passes by, as the shot ends. At the start of the next shot, the same guy is now near Manny's garage door and air hose.

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Super Grover

Continuity mistake: After their long drive into the country, Robby and Ray begin arguing at the side of the road. In one shot as Robbie waves his arms, Robbie's blue boxers and pants are on so only the boxer's red waistband is seen. In the next shot, as Robbie still waves his arms, both the pants and boxers are pulled higher up, so now only a bit of the blue boxers are seen.

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Continuity mistake: When Ray is taking the van he's having a heated exchange with Manny, and Robbie's window is closed. However, just as Ray anxiously speeds away Robbie's window is wide open, for the dramatic close-up on Robbie's side view mirror, showing Manny's vaporizing demise, and when Robbie ducks his window is closed again.

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Super Grover

Continuity mistake: When they leave Mary Ann's house in the minivan, Ray has Rachel in his arms, and the pink cord on Rachel's sweater disappears between shots. It's hanging on her arm, under Ray's chin, the first time he tells his son to get in the van, but it's not there the second time, and it's back on the third.

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Continuity mistake: In the van, when Ray says to Manny "Get in, or you're gonna die," the next shot shows Rachel's face with tears in her eyes saying "What do you mean?" with a very distressed look. In next shot from the left side of the van, you can see Rachel on the right side of the screen with a different expression on her face, looking more calm, yet, in the next shot the look on her face is distressed with the look of crying again.

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Continuity mistake: When the tripod tosses the pickup truck, with Ray in it, it lands upside down and the windshield shatters. The size, shape, and characteristics of the hole and breakage greatly differ between shots.

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Super Grover

Continuity mistake: When Ray finally arrives at his ex in-laws' house, in the shot from behind Mary Ann, Ray passes the two cars on his right and is near the corner, but a few shots later, when Ray puts Rachel down, he is standing beside the first car, back up the street.

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Super Grover

Continuity mistake: The airplane wreckage and debris all around Mary Ann's house differs between shots.

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Super Grover

Continuity mistake: After Ray walks out of Mary Ann's destroyed house, he sees Max on the airplane wreckage. In the first shot Max's body faces out, towards Ray, as he drags the food locker, but in the next overhead shot Max's body faces the seats. His position and things on the plane also differ.

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Super Grover

Continuity mistake: Ray places the box of groceries down on the island counter in Mary Ann's kitchen. In the following shots the box (and goods inside), ceramic pitcher with utensils, tray of napkins, peanut butter, bread and bag, repeatedly, and very noticeably, change positions.

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Super Grover

Continuity mistake: As the tripod is attempting to have Ray sucked up, the soldier begins pulling Ray's arm down, trying to free him while he himself is being raised in the air. In the following shots, Ray's rescue is shown from three different angles, and each angle is distinctly different from the others.

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Super Grover

Continuity mistake: After Ray finds out that Robbie took the car, he runs into the street. In the first shot he stops at least 6-8 ft away from the solid double street lines to turn, yet in the next shot he's standing right on the double lines.

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Super Grover

Continuity mistake: Just before the first alien tripod breaks free from the ground and cracks are appearing in the street, the front of the church cracks, and rocks away from its second half. In that shot, in the view from behind Ray, he places his right foot on the curb, while his left foot is on the road. In the next shot facing Ray, both his feet are on the curb.

Add time

Continuity mistake: When Ogilvy shouts Ray's name half a dozen times, Ray runs to him to quiet him down. The broken cellar window behind Ogilvy has shards of glass and red roots growing on it. Then in the next exterior shot, the shards of bloody glass are different size and shape, and the roots differ as well.

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Super Grover
War of the Worlds mistake picture

Continuity mistake: Mary Ann pulls the cord out of the iPod and holds it with the screen facing her palm, as she explains about Robbie's Algeria report. However, in the next shot the iPod is held in her hand the opposite way.

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Super Grover

Continuity mistake: In Ogilvy's cellar, in the close-up of Ray's hand, he holds it up to the red mist blowing through the two broken windows. In the next shot however, as Ray looks at his hand and realizes it's blood, the right window is suddenly blocked with a broken shutter and two pieces of wood.

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Super Grover

Continuity mistake: After speaking with Robbie, when Ray runs across the street to speak with Manny some are entirely different cars from the previous shots and in one case a car jumps sideways from one lane to the next. Ray also runs beside the crosswalk in the close-up, but in the next shot he's much farther away, and the crowd differs.

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Super Grover

Continuity mistake: The Hudson Ferry employee runs to the two soldiers and shouts, "Get that ramp up. Cast off. No more people…" In the next semi close-up of the crowd converging on the ferry, there is a large grey car on the dock at the base of the ramp. In the next shot that car is inexplicably gone.

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Super Grover

Continuity mistake: When the hole cracks the asphalt in the first shot, the crack makes its way to Santo's Florist cracking the side of the brick building. A few shots later, when the Portuguese restaurant windows shatter, as the camera pans toward the church Santo's is seen on the street corner and the massive damage to the building is gone. The long crack in the asphalt leading from the hole to the florist is gone too.

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Super Grover

Continuity mistake: When Mary Ann carries Rachel's backpack into Ray's kitchen, she places the backpack down on the floor to her left, with her left hand and then steps away. However, in the next shot, she is still holding it and then places it down to her right, with her right hand.

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Super Grover

Continuity mistake: In Boston, when Ray breaks off a piece of the dried up root from the statue, the piece he holds in the next shot is completely different.

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Super Grover

Continuity mistake: When Rachel runs to her mom, in Boston, in the side shot of Mary Ann she's already gone down the stairs and crossed the sidewalk towards her daughter, yet in the next shot it's Rachel who crosses the sidewalk towards her mom, who is still up at the center of the stairs.

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Super Grover

Continuity mistake: When Ray throws the bread with peanut butter at the window it lands dead center. However, in the next close-up it's off to the side of the glass, in order for Ray's and Rachel's reflections to be seen clearly. The slice of bread differs as well.

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Super Grover

Continuity mistake: When Ray carries the Pennzoil box of groceries into Mary Ann's house, the goods change position between shots.

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Super Grover

Continuity mistake: In the scene when the intersection is rotating, the camera is aimed up towards the church and starts to pan down. Tom Cruise runs into the scene and gets behind a car. The movement of the church shows the intersection is turning counter-clockwise but as it pans to the ground, the intersection is turning clockwise.

Add time

Continuity mistake: When Ray places the blindfold on Rachel's eyes, while in Ogilvy's cellar, its position and folds differ in consecutive shots.

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Super Grover

Continuity mistake: When Robbie shouts at the soldiers driving by, puddle water splashes all over him, and the pattern and/or amount of water all over Robbie's jacket varies shot to shot. For example: when Ray shouts, "You're in charge now, you tell me..." there are many water spots on both sides of Robbie's jacket, but two shots later as Robbie shouts, "We get back at them!" only his left side is wet. Quick drying.

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Super Grover

Continuity mistake: When Ray and the two guys head to the spot with 26 strikes, there is a crowd of people walking behind them in all the close-ups, yet, in the overhead shot hardly anyone is behind them as they approach the hole, and there was no time for the crowd to move ahead or disperse.Additionally, some of those people who are already positioned at the center of the crowd, around the hole, were just behind Ray in the previous shots.

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Super Grover

Continuity mistake: When Mary Ann and Ray walk into the kids bedroom, Robbie is lying on his bed with books, etc. In the next shot his position, pillow, etc., differ, and there are different books on his bed.

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Super Grover

Continuity mistake: When Ray and Rachel are in the backyard, just before the lightening starts, she says, "I don't wanna go by myself," and there are no leaves on the barbeque. In the next close-up, as they stand near it, there are leaves on it. (Not due to wind.)

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Super Grover

Continuity mistake: When Ray is in his backyard and says, "That is so weird," he's standing well away from the fence that is near the female neighbor holding the baby, but in the next shot he's right beside the fence talking to her.

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Super Grover

Continuity mistake: After Rachel tells Ray that Robbie took the car, when Ray runs down the steps long shadows are cast. When Ray turns around to see what everyone is looking at, all shadows are gone, only to reappear in the next shot. Then when Ray runs to his yard, the angle of his shadow is entirely different.

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Super Grover

Continuity mistake: Just before the news van leaves, in the shot facing the News Producer she asks Ray, "Hey were you on that plane?" then extends her left arm to touch Ray with her left hand. However, in the shot facing Ray, she has her right arm extended to touch Ray.

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Super Grover
War of the Worlds mistake picture

Continuity mistake: When Ray breaks the window with the baseball, the characteristics of the hole differ between exterior and interior shots.

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Super Grover

Continuity mistake: While up in the tripod's "holding cell" for humans, Ray spits the circular grenade pins into his hand, and their positions on his palm differ between the two consecutive close-ups.

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Super Grover

Continuity mistake: When Ray runs out of the house and meets up with Robbie, the cars and pedestrians very noticeably differ between consecutive shots while they talk. (Not due to cars being pushed.)

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Super Grover

Continuity mistake: Once Ray takes the piece of pita with hummus and eats some of it, the rest of the pita and the way he holds it differs in following shots.

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Super Grover

Continuity mistake: As the News Producer speaks with Ray amidst the plane wreckage, her black bag, her actions, and how she hold things such as food trays, change abruptly in consecutive shots, while Max searches for food in the locker.

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Super Grover

Continuity mistake: As the hole begins to crack in the overhead wideshot the crowd moves back, and the florist is at the top center of the screen with hardly anyone near it. Yet, in the next close-up, suddenly there are dozens of people standing in its path, as the crack dramatically approaches the florist.

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Super Grover

Continuity mistake: When the asphalt quakes in front of the church in the overhead shot, just as the huge gush of water shoots up from the ground, in the foreground a person is leaning way out their window aghast at the goings on. In the next shot that person is gone and the window is shut.

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Super Grover

Continuity mistake: Whilst Robbie is helping the people onto the ferry in the overhead shot, Ray holds Rachel beside a red car down below as they are both avidly watching Robbie's heroism. However, in the next close-up Ray is just now approaching the car, amongst a greater crowd of people.

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Super Grover

Continuity mistake: As Ray says, "Next time you take my car with no driver's license…" he walks a good distance away from Robbie. Yet in the next close-up of Robbie, Ray's arm is still pointing up near Robbie's face.

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Super Grover

Continuity mistake: When Ray heads upstairs from Mary Ann's wrecked basement, there is a mess beside the stairs. However, in the next shot looking down, there's no mess near the stairs, furniture differs, and now there's a wicker hamper that appears out of nowhere.

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Super Grover

Continuity mistake: As the asphalt begins to burst open, the Portuguese restaurant's windows shatter, and when the camera pans to the church there are very few people on the street in front of it. In the next shot, however, there is a huge crowd in front of it.

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Super Grover

Continuity mistake: In Boston, when Mary Ann lifts Rachel, she holds her daughter then turns to face Ray and says, "Thank you." Behind them, up the stairs, the left front door is already wide open, yet in the next shot both doors are closed until her parents dramatically open them.

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Super Grover

Continuity mistake: When Ray is at the News Producer's van, she grips and starts to push the videotape with her palm up, but in the next close-up it's the opposite, she's pushing it with her palm down.

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Super Grover

Continuity mistake: When Ray and the kids are driving down the freeway, there are several cars stopped randomly so they have to swerve a lot. But when it shows them inside the car, talking, they are driving perfectly straight. When it shows them from the outside again, the random cars are back and they start swerving again.

Add time

Continuity mistake: Ray and Rachel are about to walk down into the basement at Harlan's house, the door on the right of the bulkhead is open and the door on the left is closed. In the view from the basement you will notice that the door on the left is open and the door on the right is closed.

Add time

Stephen Edmonds 1

Continuity mistake: Whilst Ray is trapped in the upside down pickup, he looks through the windshield hole directly at Rachel, who stands on higher ground. In the next shot from behind Rachel, the landscape, wood fence, etc., to her sides are entirely different from the previous shot.

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Super Grover

Continuity mistake: When Ray and others are crouched beside the hole in the asphalt, the guys around him and the way he holds the freezing piece of asphalt, differ between consecutive shots.

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Super Grover

Continuity mistake: When Ray reaches the red church at the beginning of the film, the sun changes positions three or four times behind the tower of the church.

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Continuity mistake: As Mary Ann's house shakes during the alien attack, when Ray shouts, "Where do we go? Robbie, this is your house. Where do we go?" Robbie is hugging Rachel. In this shot Rachel's hair is extremely curly, whereas in previous and following shots it's barely even wavy. (Most likely she's the body double.)

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Super Grover

Continuity mistake: As the boy runs up the stairs to the second level of the ferry Tom Cruise yells, "Robbie". If look closely there's a large speaker in front of him that can be seen in the first two shots but then disappears for the rest.

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????

Continuity mistake: When Rachel says Ray should get TiVo, she is looking at her hand. When it cuts she is suddenly resting her head on her hand.

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Mortug

Continuity mistake: When Ray runs behind his house to have a better view of the sky we can see from behind that his hood is blowing in the wind. When it cuts to a shot in front of him his hood is still.

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Mortug

Continuity mistake: Ray leaves Ogilvy's house to search for Rachel and soon runs into the pickup truck, just before the tripod's tentacle lifts it. The massive red roots growing all over the pickup are very different in the next shot, as it's lifted in the air.

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Super Grover

Continuity mistake: Right after the Hudson-Athens ferry boat captain guns the engines you can see there are no ropes between the boat and the pier. In the next shot there are as the pilings are ripped off into the water.

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????

Continuity mistake: When we see the Hudson-Athens ferry boat captain from outside of his bridge, the video screens in each window above his head are positioned well below the tops of each window. In the next shot they're higher and we barely see them.

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????

Continuity mistake: When the movie ends, Rachel runs to hug her mother and a strong wind blows large amounts of leaves a meter up. A frame later, from a different angle, the wind is milder and the leaves barely move.

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Sacha

Continuity mistake: Ray runs out of the house looking for Rachel and moves away some weeds blocking the door. When the angle changes the door is spotless.

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Sacha

Continuity mistake: When Rachel is watching the floating corpses in the river, the shots alternate back and forth between a wide angle where she is standing still and wind is not blowing, to a close-up where she is sobbing, moving her shoulders up and down rhythmically and her hair is moving rapidly.

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Sacha

Continuity mistake: When the movie ends and Ray meets his family, the street keeps swapping from sunny to shadowy back and forth.

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Sacha

Continuity mistake: When Ray looks at the tripod, he stands beside a car that's plain and labeled Maxium. But when Ray runs away, that car is now covered with droplets of water.

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rockmandrum

Continuity mistake: After the tripod appears from the hole in the ground, it bellows and pulls out its rays. In the next shot in the window's reflection, the tripod is seen pulling it out again.

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rockmandrum

Continuity mistake: When the intersection moves, a van is parked five feet away. When the intersection is destroyed forming a hole, the van is parked closer to the hole, allowing it to be thrown in.

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rockmandrum

Continuity mistake: When Ray puts his feet on the sidewalk when the intersection moves, there is a blue car in front of him that is on the side of the moving intersection. Three shots later, when we are shown the moving intersection, the blue car disappears.

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rockmandrum

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Quotes

Ray: They came from someplace else.
Robbie: What do you mean, like, Europe?
Ray: No, Robbie, not like Europe!

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Mistakes

On the ferry, Rachel wears the purple/pink camouflage hoodie OVER her orange knit sweater with the colorful stripe sleeves, as usual. Now this is where things become strange. In the first shot as the trio come ashore, she is only wearing her orange sweater, she is not wearing the purple/pink hoodie – note the clear lack of fur hood. In the very next shot as they climb a bit more and then rest, Rachel is wearing the purple/pink hoodie – note the hood, but now it's on UNDER her orange sweater. In the underwater shots she is also wearing it under the orange sweater. (This odd mistake has absolutely nothing to do with the very long wool cloak that Rachel wears in the next scene.)

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Trivia

Gene Barry and Ann Robinson, stars of the 1953 version of this movie, make a small cameo in this movie as Mary Ann's parents. You can see them at the end when the whole family is reunited.

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