Kingdom of Heaven

Continuity mistake: At the battle of Jerusalem, the Muslims walk past 2 piles of rocks painted white, but both piles are the same pile - shot reused. Another reused shot was the firing of harpoon arrows with ropes attached, into the siege towers, all harpoons are the same harpoon.

Factual error: Balian is depicted in the start of the film to be from France. He was actually a Poulain, a Frank having been born in Outremer.

Factual error: In the beginning of the movie during the burial scene, it looks like a modern community in the background.

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Suggested correction: You don't see a "modern" community in the background. You see a few houses, but nothing to indicate anything that it's not part of that time period.

lionhead

Factual error: When Balian arrives in Ibelin, on the wall inside the manor house, he's watching the painting depicting the Dance of Death, with the writing 'quod sumus hoc eritis'. However, the earliest known Dance of Death (Danse Macabre) paintings are from the first half of the 15th century. This motif developed during the late medieval period, inspired by the memory of the Black Death.

Hospitaler: I put no stock in religion. By the word "religion" I have seen the lunacy of fanatics of every denomination be called the 'Will of God.' Holiness is in right action, and courage on behalf of those who cannot defend themselves, and goodness. What God desires is here [points to head], and here [points to heart], and by what you decide to do every day, you will be a good man. Or not.

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Trivia: When the Christians fire their first volley at the Muslims, one of the guys screams a Wilhelm as he falls.

SexyIrishLeprechaun

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Question: In the scene where Balian arrives at Jerusalem, at the peak where Jesus was crucified, as he sits there, is there a strange shadow of a man crossing in the background or did I see wrong?

Answer: When Balian thinks to himself, "God, what is it you want of me?" in the next shot it is not a "strange shadow" of just one man, there are a few people who walk from left to right or right to left. The cinematographic effects of this specific shot gives an ethereal quality to the movements of these people.

Super Grover

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