Factual error: While the tidal wave is enveloping Manhattan, there is a scene where Washington Square Park is destroyed. A large arch is hit by the wave before reaching the rest of the park. The problem is the arch is on the UPTOWN side of the park, not the DOWNTOWN side which according to the movie was the direction the wave was coming from.
Continuity mistake: At the end of the film, when the comet hits, the tidal wave washes over New York City, smashing first into the Statue of Liberty, then Downtown and the World Trade Centre, then sweeping uptown, depositing Lady Liberty's head somewhere in Midtown. The only problem with this is the fact that Manhattan Island doesn't face East. It doesn't even face the South. It lies on an angle in a Northeast/Southwest direction, top to bottom (1:00 to 7:00 on a clock face). That means a wave that started in the middle of the Atlantic would have to take a pretty sharp right turn at Brooklyn (over 90 degrees) to travel uptown in a North-easterly direction.
Factual error: Leelee and Elijah are supposed to live in Richmond, Virginia. However, the hill supposedly behind Elijah's house is too high and too open for the Virginia piedmont and clearly looks like California. (Similarly, the hills around the Ark project, supposedly located in the Missouri Ozarks, also look very Californian.) When the couple are escaping the tidal wave on the motorcycle through the woods in the mountains to the west, they are going through a very open forest of what appears to be some kind of western pine trees found in semi-arid areas. In reality, the underbrush in the moist Virginia Blue Ridge would be too thick to drive through outside of a road or wide trail.
Plot hole: The government would have no chance of hiding the existence of the comet for a year. Most comets are discovered when they are very faint, literally thousands of times fainter than Wolf-Beiderman when Leo found it. Long before the events in the film take place, probably even before the government itself would be notified, the comet would have been discovered, an orbit calculated, and people panicked. The whole premise of the first half of the movie is thus based on flawed logic.
Continuity mistake: Just after Jenny Lerner talks to her Dad in the rain, she hails a taxi with her left hand, in the very next shot she is hailing the taxi with her right hand.
Continuity mistake: When they are launched into space and change over to the other space craft they are all wearing street clothes, and then in a scene when they are getting closer to the comet they are all wearing NASA shirts.
Visible crew/equipment: When the kid is on the motorcycle looking for his wife, you quite clearly see a camera and crew filming another scene. It's when we see the traffic jam and the rental van shot.
Continuity mistake: When Leelee Sobiesksi gets on the motorcycle with her husband, the baby's head cushion moves from full coverage of the baby's head to partial coverage, to full coverage, back and forth, several times.
Factual error: Otis Hefter is introduced as the Director of the mission and prior to the launch of the Space Shuttle, greets someone with, "Welcome to Houston!" Hefter is then portrayed as the person "in command" of the mission, including the countdown and lift off. This is incorrect as Ground Control at Cape Canaveral, Florida commands the mission until the spacecraft has cleared the launch tower and actually begins its flight and mission. It is only then that the command of the mission who be handed over to Hefter and the crew in Houston.
Continuity mistake: When the astronauts start drilling on the comet, they ask Spurgin Tanner how they are looking for time until the sunrise cooks them all, to which he replies "it's getting tight... 1:36:30." A few seconds later they show the display in the ship and in the bottom corner you can see "SUNRISE CLOCK 00:44:11." Moments later the camera zooms fully on the corner of the display and it shows "SUNRISE CLOCK 01:36:00".
Continuity mistake: During the scene where Jenny is on the dock trying to interview Secretary Rittenhouse, the sun changes position a few times during the scene. When Jenny is talking to the little girl, the sun is behind Jenny appearing to be the middle of the afternoon. When Jenny walks to look over at the cargo, the sun is now ahead of her to the west, getting closer to sunset. When Rittenhouse appears on the boat, the sun is back to the previous position, for a second until the camera pans back to Jenny with the sun out west again. Rittenhouse ushers off his daughter & she walks off as Jenny tries to talk to him, all the while the sun is now behind Jenny to the mid afternoon setting. When Rittenhouse walks off, the camera pans around and now the sun is in the west again near sunset and remains this way until the end of the scene.mike2574
Factual error: Many scenes showing the tidal wave approaching land and buildings is factually inaccurate. Its already stated that the tidal wave will be moving faster than the speed of sound, and reach a height of over 1000 ft by the time it hits land. That being the case, there would be a massive pressure wave of air in front of the tidal wave, that would clear a path long before the tidal wave hits. Buildings would start to topple and crumble before the water struck, and certainly people would not be able to stand in the path of the tidal wave, because the air pressure would blow them away.GalahadFairlight
Factual error: When the comet is passing through the atmosphere it shines about as bright as your average bike-light, and the shot shows thousands of people looking directly at it without shutting their eyes. When a comet of that size goes through the atmosphere it does so at an incredible speed. The friction between the air molecules and the comet produces a light many times brighter than the sun, anyone looking at it would be blinded instantly.