Visible crew/equipment: When Frank comes back to the hotel room after the beating in the hotel kitchen Delaney informs him that Rachel had received another call from the stalker. In the scene there is a reflection of the mike in the window, and we even see how it's turned around when the take is over. (01:12:00)NancyFelix
Continuity mistake: In the scene where Frank puts Rachel to bed. He moves some dolls aside by pushing them, and the dolls fall over. In the following shot, where Rachel is in bed, one of the dolls is sat up straight. (00:40:00)
Continuity mistake: In the scene at the Miami hotel, when Rachel and Portman are in her bedroom, someone gives Frank a fresh drink of orange juice. He takes a deep sip, the camera cuts to Rachel's bedroom door, and when it cuts back to Frank the glass is even fuller than when he got it. (01:05:20)NancyFelix
Continuity mistake: After Frank has moved into Rachel's garden house he comes to check Nicki's apartment. When he looks at a wall with some photographs there's a close-up of an old picture of Rachel and Nicki performing. In the close-up there is a pattern of light and shadows on the wall which was not only not there in the previous wide shot but which is also only visible on the wall and not on the photograph. (00:20:45)NancyFelix
Continuity mistake: The bar scene of Rachel's and Frank's date contains a lot of editing flaws: 1) Rachels position switches between both arms down and chin rested in hand, 2) in one shot from the back we see her lifting her glass to her mouth, but when the camera angle changes she's not drinking, 3) the way Frank holds his glass switches between full hand and thumb plus two fingers, 4) Rachel's bangs change between straggly and fluffy. (00:47:30)NancyFelix
Continuity mistake: At the end of their date Rachel and Frank come to his place. We see her checking out his basement with a wine glass in her right hand. When she picks up a picture from a shelf she holds it in both hands without having put down the glass before. A little later we see the glass standing on the left side of the shelf where she obviously couldn't have put it down. Finally, when she takes the sword from the wall the glass has miraculously moved to another shelf. (00:52:25)NancyFelix
Continuity mistake: At the end of Rachel's and Frank's date the camera pans from the sword over some of his basement items on the shelves to the couple nestled between the sheets on the sofa, where Rachel states that never in her life she has felt as safe. However, when they wake up in the morning they are lying in his bed upstairs, and Frank opens a window that overlooks the garden. Considering their obvious comfiness downstairs this change of location can't be explained. (00:55:45)NancyFelix
Continuity mistake: The birthmark on Rachel's upper lip undergoes some make-up related changes throughout the movie. However, it shouldn't have disappeared completely between the moment she says good-bye to Frank on the airport and when she sits in the plane a few seconds later. (01:56:45)NancyFelix
Visible crew/equipment: Towards the end of the fight in Frank's kitchen, when Tony pulls the knife out of the holder, look at the bottom right side of the glass front of the cupboard in front of a pile of plates: There is a beautiful reflection of a crew member in a white shirt giving signs with his arm. (00:41:40)NancyFelix
Continuity mistake: When Frank is in the pool house watching Rachel's music video, one minute he is leaning forward in his chair to watch it, and the next you see him sat back in the chair and then he starts to lean forward. (00:29:40)
Factual error: Outside the Oscars, the camera pans around to show the crowds and the security guards on the surrounding rooftops. One is holding a rifle which he should be, however there is another guard standing next to him overlooking the crowd holding a shotgun. This makes no sense at all, if he were to ever use that weapon from his position he would hit dozens of people.mboeker
Continuity mistake: In the scene where she takes him into the boutique, she goes into a dressing room with a curtain across the opening. The shot pans from looking over the curtain, where it has 5 ruffles, to Kevin Costner and then back over the curtain which now only has 3 ruffles even though she hasn't come out. (00:27:45)
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