Continuity mistake: An exterior view of the window in the building across the street that the Virtuoso plans on shooting from shows it is comprised of three square panes stacked vertically. When the Virtuoso is inside behind the window, it is one large vertical pane. (00:10:27)
Continuity mistake: At the cemetery, the Virtuoso was facing a headstone (grave marker) and the screen. There was an American flag to his right. The Mentor approached from behind him. When the Virtuoso stood up and turned to face the Mentor, the flag was now on the other side of the headstone. Also, no printing/etching could be seen on either side of the headstone. (00:14:49 - 00:15:17)
Continuity mistake: The Mentor passes (slides along his desk) the Virtuoso a piece of paper folded lengthwise with the crease toward the Virtuoso. When the Virtuoso reaches for the note, the crease is still facing him, but the fold has changed to the adjacent side. "White Rivers" is written near the bottom of the paper, with the crease above. (00:25:03)
Suggested correction: When The Vitruso reaches for the note, the crease is still facing but the fold did not change to the other side. The note has "the hit" info on the outside and "White Rivers" on the inside.
Continuity mistake: The "White Rivers" note that the Mentor gave the Virtuoso at his home is different when the Virtuoso goes home and is placing it in the fireplace. "White Rivers" is now written in the upper portion of the folded paper. Instead of "White Rivers" being written on the same line, the words are written diagonally with "Rivers" indented below "White." Unlike the original note, "WHITE RIVERS" is in all capital letters. (00:25:05 - 00:25:26)
Continuity mistake: A pickup truck, brown/tan car, and a gray car (in that order) are parked facing the front of Rosie's Cafe when the Virtuoso arrives. The Virtuoso parks perpendicular to the vehicles (but different angles are shown) and it looks like his car would be blocking the others - the front driver's side bumper is close to the brown car's rear bumper. The pickup truck is NOT there. When the Virtuoso gets out of his car, it is further back (away from the brown car's bumper) and the truck IS there. (00:29:56)
Continuity mistake: The chairs at the counter in Rosie's Cafe are neatly paced with their backs against the counter (with the one on the far right out a little) when the Virtuoso enters, but some positions change during his stay. For example, the middle one and the last one are pulled back at different times. No one at the cafe is moving them. (00:31:17 - 00:31:55)
Continuity mistake: At Rosie's Cafe, the Virtuoso tells the Waitress to "leave the [coffee] pot", and she does. After the Sheriff enters, he looks toward the Virtuoso and the coffee pot is on the table. When the Sheriff looks a second time, the coffee pot is no longer on the Virtuoso's table. (00:32:58 - 00:34:30)
Continuity mistake: When the Virtuoso goes into the kitchen at Rosie's Cafe, he sees three knives - two almost side-by-side with a third one between but below the two. When the Virtuoso goes to pick up a knife, there are now three knives side-by-side with a fourth one below the middle knife. (00:53:16)
Continuity mistake: The Virtuoso backed his car against the stable at the farmhouse, and the passenger side was aligned approximately with the inner side of the white support beam. After the Virtuoso removed weapons from his trunk, the car was further to his right - about a foot away from the white support beam. (01:05:07 - 01:05:38)
Continuity mistake: When the Virtuoso returns to his car parked behind the stable, it is once again not how he parked it. The passenger side is no longer aligned with the inner side of the white support beam - it extends slightly beyond the outer side of the beam, and the passenger side mirror is entirely outside of the beam's edge. (01:18:21)
Continuity mistake: The Mentor slid a folded piece of paper across the desk to the Waitress; the crease was to her left. When the Waitress picked up the paper, the crease was facing her and the note opened toward the Mentor. (01:38:31)
