Continuity mistake: When Ness is "escorting" Nitti off the roof of the courthouse, watch the proximity of the two to the rooftop door. When the camera cuts from the edge of the roof to Nitti and Ness and then back to the edge of the roof, you can see that they went from close to the rooftop door to really far away from it.
Factual error: In the warehouse scene with the wooden crates with maple leaves, even though a correction has been submitted saying a maple leaf was valid, the real mistake is the type of maple leaf used. The film shows a modern graphic style of leaf that did not come into use until the 1960s and appeared on the new Canadian flag in 1965. In the time of Capone, the maple leaves used to depict things Canadian looked like actual maple leaves and not like a stylized graphic.
Continuity mistake: In the train station, where Ness is trying to catch the baby carriage, he shoots a gangster when the man makes a charge from behind the pillar. The bullet clearly hits the gangster's left arm (at least blood squirts from there), but when in close-up the gunshot wound is in his chest.
Continuity mistake: When Al Capone has sent hit men to murder Malone, he is shown going from one room to another, alternately, from outside and then from within his apartment. When the shots are taken from outside, the camera pulls up tight to the outside window. You can see the cameraman on the crane.
Continuity mistake: After the death of Wallace, when the three remaining Untouchables are gathered, Stone says to Ness that he requests to stay (or something similar). Then he walks off several steps away from Ness and passes into the kitchen. The shot changes and suddenly he's only a step away from Ness.
Factual error: We see a British double decker bus on the streets of Chicago. The first Routemaster double decker bus was first introduced in 1956 so the existence of such a bus in the 1920's is impossible. Also, given its UK layout, designed for travel on the left side of the road, any passengers getting off would do so into the middle of the traffic.
Factual error: The film shows government agent Eliot Ness throwing Al Capone's right-hand man, gangster Frank Nitti, to his death from the roof of the Chicago courthouse in 1929. It never happened. Frank Nitti died of a self-inflicted gunshot wound in 1943.
Continuity mistake: Ness has been leaning over Malone who was laying on the floor of his apartment shot up and bleeding profusely. Some blood shows up on Ness' overcoat but when they go to the train depot there is no sign of blood anywhere. Since there was no time to change where did the blood go?
Continuity mistake: When Nitti approaches Malone's house he checks the address in his match-book, and there are no matches on the right side. In a later scene in the courtroom, Ness takes a book of matches from Nitti, opens it and sees the incriminating address. This time there are matches on the right.
Other mistake: When Nitti (Billy Drago) kills Oscar in the elevator, not only is there not nearly enough time for him to write "Touchables" on the wall, but the writing looks like it was done with the aid of a ruler. If he had actually written it in the minute it took the elevator to reach the bottom floor, it would be smeared all over the place.
Continuity mistake: Just after Ness sends his wife and daughter to a hidden place, he and Wallace are standing in the middle of the street, when a car approaches with Malone and Stone in it. They both get off the car and run to join Ness and Wallace, who are about five steps away. When the four agents go back to the car, they have to run about twenty steps, when they were supposed to be only five steps away from it.
Continuity mistake: In the scene where George and Wallace enter the elevator with Nitti, the elevator doors are facing the interior of the police station. There is no visible second set of doors on the back (exterior side) of the elevator, or a second set of buttons. Nitti turns and shoots George and Wallace, leaving their bodies slumped against the back (exterior side) of the elevator. By the time the elevator arrives at street level, it has done a 180 degree turn, with the doors then facing the exterior of the building, where Nitti can exit directly to the street. The doors are not just hidden when closed, because the bodies are then slumped against what would be the interior side of the elevator, and the only set of buttons is now on the exterior side.
Continuity mistake: When Ness is chasing Nitti across the roof (just after he has blown his hat off) there is a close-up shot of Nitti running towards the camera (the camera is moving backwards) and Ness can just be seen in the background running after him. He then climbs over a wall and runs down some steps. As he climbs over the wall the sun is shining on his back and when he is shown running down the steps on the other side of the wall the sun is now shining on the building from the opposite side.
Continuity mistake: During the scene where Ness kills the Italian mobster in the lodge near the border, the moment he shoots him the wooden rail behind has two sticks underneath, half a second later, when the mobster is flying backwards dead, the sticks disappear, and a second afterwards, when he is laying dead, the rail's appearance has nothing to do with the previous two.
Continuity mistake: The hand written note with the "I'm very proud of you" is different between the two times it's shown, even though it's meant to look like the same paper. The second time the "V" is capitalised, the writing is not slanted, and all the rectangular foldings from before have disappeared.
Continuity mistake: In the final court case, as Eliot Ness escorts out Nitti, Ness's wife watches them leave and is wearing a brown and cream hat, with a brown jacket. When the case finally resumes and the guilt plea is changed, Ness's wife is again shown, except this time she's wearing a light blue hat with dark blue ribbon, a blue jacket, with a floral green and blue blouse.
Continuity mistake: When Malone takes the Untouchables to the post office on a liquor raid, he gives his shotgun to Stone and uses an axe to break down the door. When he reaches through the door to open it, the view switches to inside the room. Malone comes through the door with his shotgun again. There is no time for him to drop the axe and retrieve his shotgun.
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