Continuity mistake: As Michael Douglas and his partner drive Sharon Stone to the police station for questioning in the shots of her she's sitting on the left of the rear window. When Gus Moran looks at her in the rear view mirror she's on the other side next to a large police light. Throughout the scene she moves left and right between shots on the back seat. (00:23:00)????
Continuity mistake: Michael Douglas goes back to Sharon Stone's house where she invites him upstairs as he watches her break up ice cubes with an ice pick. If you look closely at the painting above her fireplace, you can watch the different times of day go by between shots in the reflection of sunlight off of the pool and onto the picture. (00:47:10)????
Continuity mistake: Sharon Stone leaves the top of Michael Douglas' back all bloodied with her sharp fingernails. After the lovemaking scene, Roxy talks to him in the bathroom and we see the reflection of his back in the mirror. The scratches on his back are now much lower and not anywhere near the right place. (01:13:25 - 01:16:10)????
Continuity mistake: When Michael Douglas goes back to Sharon Stone's house, there's a table with a lamp on it next to a white chair. The table moves back about four inches throughout the scene and the pillow on the chair, the flower centerpiece, and the stuff on the table on the right also move as the scene progresses. (00:50:35)????
Continuity mistake: Back at Michael Douglas' apartment, Sharon Stone uses his ice pick to break up a big hunk of ice for their drinks. In front of her is a tray with various items and loose change in it, with a padlock and a piece of paper to left of it. Everything in the tray and the piece of paper move throughout the scene without anyone going near them. (01:03:55)????
Continuity mistake: When Roxy tries to run over Nick the left front light is broken off - in the next scene it is back on.
Visible crew/equipment: The film crew is visible in Nick's sunglasses when he meets Hazel, the old lady.
Visible crew/equipment: After the scene in Jeanne Tripplehorn's apartment, Michael Douglas meets with the other investigators back at the police station and the reflection of the cameraman can be seen in the glass partition behind him as an investigator says, "I made a couple of calls to Berkeley." (00:38:45)????
Continuity mistake: When Michael Douglas first sees her at the beach house he says, "Miss. Tramell?". If you closely at the shadow cast by the railing it's obvious that at least an hour has gone by between shots as he walks down to talk to her. The lounge chair has also moved between shots. (00:10:50)????
Plot hole: This is another movie where the cops are too dumb to go out by themselves. The woman who icepicks the first victim (we see) to death would have left enough forensic evidence on the scene to convict her ten times over - skin, hair, sweat, saliva, vaginal fluid, possibly blood, and they all contain DNA in abundance. She had vigorous, sweaty sex with this man and she didn't clean up afterwards (and she couldn't have done so thoroughly enough anyway) so she's left calling cards all over the place. She might as well have left a signed confession, but they can't even identify her. Sharon Stone, for instance, leaves her fingerprints (on the chair and fixtures in the police station) and her saliva (containing epithelial skin cells) on the cigarette butt she discards, also in the police station. She went there of her own accord and these artifacts are legally accessible by the police. It is obvious to anyone that the women who had sex with the victim killed him, and Catherine is most certainly a suspect. They don't have enough to charge her but they would if they did a simple series of tests on the dead man's body - and if she didn't do it, that would eliminate her as a suspect. They don't even check!
Continuity mistake: Jeanne Tripplehorn walks into her apartment and Michael Douglas is there asking questions about her and Sharon Stone in college. If you look closely the pillows on the couch on the left of the screen move from the time she opens the door to when she walks into the apartment. (01:38:35)????
Audio problem: After Jeanne Tripplehorn is killed, Michael Douglas is back at the police station and Jack the Internal Affairs Investigator says to the black investigator, "No report from Berkeley, nothing at all about Salinas". If you look closely at his lips he's saying something else. (01:56:40)????
Continuity mistake: In the scene where Rocky and Nick are talking in the bathroom you can see Nick's back in the mirror - he has two nasty looking scratched up areas of bare skin on his back - then when he turns and returns to the bedroom you can see that he now only has a couple of superficial marks.
Revealing mistake: When Michael Douglas pulls his car in front of Jonny Boz' house after the initial murder we hear him come to a screeching halt. If you look closely, perfect tire skid marks can be seen in the exact same spot on the road in front of his police car before it comes to a stop. (00:04:15)????
Factual error: When Nick is looking up information about Hazel, the computer says she was released from San Quentin. That's a men's only prison.
Continuity mistake: When the detectives ask Catherine to go in for questioning, she has her hair down. Then, a minute later, she comes out with her hair up. Problems: one, there's no way Catherine could do that on her own, and no-one else is in the house; two, even if she could it would take much more than a minute, say thirty minutes.kh1616
Continuity mistake: Michael Douglas waits in the dark in Jeanne Tripplehorn's apartment and says to her after she walks in, " Tell me about Catherine". At first we see a couch and chair on the right side of the room but two shots later as he walks towards her these two items have been removed from the room. (01:38:40)????
Continuity mistake: When Nick and Gus are driving Katherine to the police station for the first time, they drive past the same stretch of coast about three times throughout the scene. Most obviously seen by the position of the small island - it jumps from being in the distance, to being even with the car, then behind the car, then in front again etc.
You may like...
Join the mailing list
Addresses are not passed on to any third party, and are used solely for direct communication from this site. You can unsubscribe at any time.