Continuity mistake: When Buddy is lying in the roll-out bed in the living room of his father's house and asks to be tucked in, his father does so. His father comes back up and ends up having a red thread on his shirt. The shot switches to Buddy, then back to him and the thread is now on his right arm.
Factual error: When Amy is fired from S'Nuff magazine she takes her story on Aaron Connors to Vanity Fair, who run with it. That is not going to happen. Amy wrote the article while a paid employee of S'Nuff magazine and that means the copyright in the article (and, very relevant to this issue, the photographs of Aaron they paid to have taken), resides with them, not with her. It isn't hers to sell. No magazine editor of any standing is going to buy an unsolicited article without checking its provenance backwards and forwards, and that would mean checking with Amy's previous employers - after all, what would happen if they changed their minds and ran the story themselves?
Continuity mistake: When Hooper gets his gear from below, after the explosion in the engine room, he runs to the deck passing Quint using the fire extinguisher. The camera pans from Brody, who stands on the bridge deck, to Hooper right below him. So where exactly is the tall iron ladder that leads up to the bridge deck in this shot? It should be behind Hooper, in front of the window, but it's gone. Don't fret, it's back in the following shots. (01:49:05)
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Factual error: The Orient Express is not powered with steam locomotives by any of the respective state railways. All of them are diesel or electric.
Continuity mistake: When Sulley places the menu on the table he puts it face down (logo first), then when he lifts up the table, to quickly get Boo, the menu is face up. (00:26:05)
Continuity mistake: After the speeder chase, everyone lands in quicksand. In one shot, 3PO is buried headfirst. In the next, he has flipped and his upper body is visible.
Continuity mistake: In the final battle, Wasp and Ant-Man are in the van trying to get the quantum tunnel operational. We cut back to the fight and we can see Ant-Man there too, fighting in his giant form. (02:22:20 - 02:23:00)
Trivia: When the oldest boy is hit in the face with a basketball, he blurts out "Oh, f***!"
Question: Gretel was 5 years old and the mother died seven years ago. Who is Gretel's mom?
Answer: In the film, the Mother Abess explains to Maria that the Captain Von Trapp's wife died "several years" ago. This is commonly misheard by viewers as "seven years." In reality, the actual mother of the Von Trapp children was Agathe Whitehead, who died of scarlet fever in 1922, just four years before Maria came to the Von Trapp home, initially as a tutor (not a governess) in 1926.
Answer: However when Captain Von Trapp gets the children to step forward and introduce themselves to Maria he states that their mother died 7 years ago.
Not in the 1965 film, perhaps in another version. In the 1965 film the only thing he says about his late wife when he first meets Maria is "you'll be the 12th governess...since their mother died." When he has the children introduce themselves, he only advises Maria to pay attention to their signals and names. Later after he leaves and the children say how old they are, Marta says "I'll be 7 on Tuesday."
Continuity mistake: After their surf-adventure, in the scene where Nani and Lilo are sitting and singing in the hammock, there are two torches which keeps appearing and disappearing.
Col. Nathan R. Jessep: Son, we live in a world that has walls and those walls have to be guarded by men with guns. Who's gonna do it? You? You, Lieutenant Weinberg? I have a greater responsibility than you can possibly fathom. You weep for Santiago and you curse the Marines; you have that luxury. You have the luxury of not knowing what I know: that Santiago's death, while tragic, probably saved lives and my existence, while grotesque and incomprehensible to you, saves lives.
You don't want the truth because deep down in places you don't talk about at parties you want me on that wall, you need me on that wall. We use words like honor, code, loyalty. We use these words as the backbone of a life spent defending something. You use them as a punchline. I have neither the time nor the inclination to explain myself to a man who rises and sleeps under the blanket of the very freedom that I provide and then questions the manner in which I provide it. I would rather you just said "thank you, " and went on your way. Otherwise, I suggest you pick up a weapon and stand a post. Either way, I don't give a damn what you think you are entitled to.
What movie is this quote from? Might be obvious, might be obscure... Take your pick and see how others did!
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Suggested correction: He needed to hot-wire the van. It's quite possible he could have left the van for parts (he's seen slamming a Leviathan to the ground) or to protect it. It also could have been an illusion by one of Dr. Strange's people.
DetectiveGadget85
Sorry but the suggested correction makes no sense. For one Dr Strange's people have no idea what Ant-Man looks like, and secondly Ant-Man would have no idea where to get parts from in the middle of a battlefield, let alone know if alien technology would be compatible. Also the time frame given when the scene plays out allows no time for him to leave the van, this is a legitimate mistake.
Dr. Strange's people don't know what Ant-Man looks like? He entered the battle with them long before they went to the van. Earth has had access to the same Leviathan parts since the original Avengers. If Toomes can make wings out of it in Spider-man Homecoming, it's possible he can figure something out. Clint had passed the glove to Black Panther before Ant-Man is seen in the background. There was plenty of time. He also could have been defending the van while they brought the glove.
There is plenty of time for Ant-Man to have left the van and returned to it. As the scenes play out, Ant-Man and Wasp are in the front of the van trying to hot wire it. The film then cuts to the battle for several minutes, as we see the passing off the gauntlet, which includes the brief shot of Giant-Man in the background. A few minutes later the film cuts back to the van and we see Scott opening the rear door of the van. So there's plenty of time for him to have gotten out of the van, saw potential trouble with the Leviathan, turned into Giant-Man to stop it while letting Hope finish activating the tunnel, and then returning to check the final settings. Now, all this raises another question that has to do with the apparent ease Giant-Man has in traversing the battlefield, as in why not just give Scott the gauntlet, have him turn into Giant-Man, take a few steps over to the van, and then shrink back down to take the stones back in time?
Vader47000