Continuity mistake: Near the end of the movie, when Oppenheimer is being interrogated in the small room, his lawyer is on the phone (we later find out it's Kitty). In a wide shot, he gives Oppenheimer the phone, and he puts it to his left ear. The next shot is a tight shot of Oppenheimer's face with the phone to his right ear.
Factual error: The vents that Hunt and his sidekick crawl down at CIA Headquarters are standard galvanized steel box vents; they are very common in the building trade. Try walking or crawling down one - you'll make a noise like the sky is falling down. People will be able to hear you for miles. Every person in that building would know somebody crawling about in the vent system. (This error applies to dozens of films, not only this one).
Continuity mistake: In the scene in the basement, Chunk is about to drink from the water cooler bottle that is mostly empty. When he stands up and tries to catch it, it's more than half full. (00:40:25)
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Trivia: This is Michael Caine's final film. He decided to retire after making it, when he came to the realisation that, at age 90, he would only be landing roles of old men.
Question: I don't really understand why Jodie Foster's character didn't tell the police something was wrong when they came to the door. I know she was worried for her daughter but the robbers couldn't overhear and she could have asked the police to come back later, giving her a chance to smash the cameras. Also, considering that she emphatically denied there was anything wrong, why did the police return later with all the guns etc?
Answer: The cop told Jodie "if you can give me some kind of signal." Jodie runs her fingers through her hair, that's the signal.
Answer: One doesn't ask the cops to come back later, especially when one's daughter's life is a stake. Also, the cops came back because they just didn't believe her and felt that something was up (call it intuition).
Not only that, Jodie Foster said that "they were good", why would she say that they are good if not that they were right?
Other mistake: When Elastigirl is chasing the high-speed train, as she is in the middle of making her second final jump to reach the train, if one were to look closely, the train actually drives right past her before she lands. (00:31:40)
Factual error: When they are trying to navigate the shuttle through Eadu, the shuttle abruptly collides with a rock, which causes Bodhi to jolt backwards. If the shuttle hitting the rock had caused the shuttle reduce speed so abruptly, in the way that was shown, then Bodhi would have jolted forwards, not backwards. (00:57:05)
Ngoc Lan Tran: What kind of fuck you give me? What kind? American people, eight kind of fuck. Love fuck, hate fuck, sex-only fuck, break-up fuck, make-up fuck, drunk fuck, buddy fuck, pity fuck.
What movie is this quote from? Might be obvious, might be obscure... Take your pick and see how others did!
Continuity mistake: In the 'Gaston' song sequence, near the end, Gaston is sitting in his huge antler chair with Lefou. In the wide shot, there is a bear rug behind the chair. The camera does a close up of Gaston, then in the next wide shot, the chair is on top of the bear rug. Also, after this, Gaston gets up off of the chair and in the next shot, both the chair and the rug disappear completely. (00:29:20)
Trivia: In the scene where Anna is outside the gates during "For The First Time in Forever", you can see the backs of Flynn and Rapunzel from "Tangled".
Plot hole: The whole premise of the movie is that due to a botched spell, people who happen to know that "Peter Parker is Spider-Man" are pulled inside this universe. It's a bit of a stretch already that amongst those people is...Peter Parker himself, twice over, but let's say it makes sense. The problem is that Jamie Foxx's Electro does not meet this condition; he never found out. You could say it's a retcon or it's a different universe from the original movie's, but even this cop-out explanation is negated by the movie itself when Max Dillon makes a joke that shows that he didn't know Spidey's identity or even race.
Suggested correction: Although Max didn't discover Peter's identity on film, an explanation of why Max knows his name IS offered. When the villains are talking about what happened before they found themselves in the MCU, Max indicated that once he tapped fully into the power grid and information systems, there was nothing he didn't know at that point. Since we know there is a clandestine organization tracking Peter from the end of ASM1, it's possible Max gained the info from their database.
In the interest of clarity, you refer to the one line that goes "I was stuck in the grid, absorbing data."? Nothing about tapping fully, and becoming omniscient as the correction presents. So we have to give it that specific meaning and make a connection to the obscure postcredit scene by Fiers in the unfinished trilogy that asks Connors if he said anything to the boy imagining that it produced data that was 'on the grid' somehow, and Electro never processed this information in the movie. Not sure if it's quite an"explanation offered", since the movie offers none. It's a 'possible' explanation like the other one people use, about hearing Gwen say Peter's name (I like this one better because at least it would give a special meaning to a throwaway line and I do I love attention to details).
Suggested correction: I don't find it such a stretch that he knew Peter's name but didn't know what he looked like.
When Spider-Man is explaining his plan to defeat Electro to Gwen, Gwen addresses him as "Peter." Electro was laying on the ground nearby and likely would have heard this. Presumably, knowing that Spidey's real name was Peter was enough to pull him in.
There are almost 10,000 "Peter" in New York alone in our world. Knowing just the super-common first name wouldn't cut it and the movie does nothing to support this theory, in fact does everything to undermine it (Strange's explanation, Electro's joke, complete lack of addressing it, etc). Also if he overheard that bit in the original movie, he would have also learned their plans to defeat him.
Suggested correction: I guess we're all going to ignore the fact that this Electro has a completely different look than the Max we saw previously. It's quite possible he's from a different universe.
He's not from a different universe than the Electro from The Amazing Spider-Man 2. The Lizard and the Andrew Garfield version of Spider-Man both know who he is, and he talks about events from the aforementioned film. His different appearance is also explained in the film.
All that means is he went through similar experiences and has a similar appearance as the Max they knew. Ala J. Jonah Jameson.
Suggested correction: It's not people who know who is Spider-Man that are spilling in, it's people who are connected to him in any way.
No, no. Strange says it explicitly "That little spell you botched, when you wanted everyone to forget that Peter Parker is Spider-man? It started pulling in everyone who knows that Peter Parker is Spider-man" and so on. That's why in the end they fix it by making everyone forget who Peter Parker is, not who Spider-man is.
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Answer: But if Jodie Foster was so keen to placate the burglars and protect her daughter's life then why did she smash the cameras after the police left? It doesn't make sense.
She smashed the cameras, so the thieves in the Panic Room couldn't see what she was doing. That's why the thieves had said, "Why didn't we do that?"