Common movie and TV mistakes - page 2
This is a list of mistakes, things done wrong, etc. that happen so frequently onscreen we barely notice any more. 'Movie logic', stupid behaviours, and everything related.
Factual error: Actors playing police, soldiers or agents who keep their fingers on the triggers of their firearms. In real life, trigger discipline is an early and repeated part of firearms training. This is often most obvious on movie posters. This mistake has become less common as military veterans started to become advisers to movie makers and actors have sometimes undergone training before filming begins.
Other mistake: The hero can usually knock out henchmen with one or two punches, but the main villain (as well as the hero themselves) can take much more punishment. This is practically akin to enemies in video games. In fact, heroes are so confident of their abilities that they can knock an opponent down and know that they are down for the count without even having to verify.Phaneron
Deliberate mistake: Characters who are being confined in an area (typically inside cages, prisons cells, et cetera) that provides enough space for the character to escape, but they still consider themselves stuck (e.g. the iron bars of a cage/prison cell having enough distance between each other to allow the character to squeeze through between them). This is more common in cartoons and animated films.Rassdyt
Factual error: Often when bombs are shown falling, they're depicted with a distinct whistling sound. Two problems there. Bombs don't inherently whistle - some bombs in WW2 were specifically fitted with whistles for the psychological warfare element, but the vast majority are silent. Secondly, the standard noise heard from the ground, a high pitched whistle slowly getting lower, is wrong. The doppler effect, whereby a sound changes as it moves closer to someone hearing it, means the pitch heard would increase, not decrease, as a bomb falls towards you. The sound most often used in movies/TV shows of a whistling bomb is what the pilots dropping the bomb would hear, not the people it was falling towards.Jon Sandys
Deliberate mistake: Particularly in space-fantasy and science-fiction movies and television series, electronic control panels and components erupt in a shower of sparks when overloaded (as during space battles, collisions and technological failure scenes). Such furious sparking has been used in numerous futuristic films and TV shows dating from the mid-20th Century right up to the present. Of course, this sparking effect is intended to add "gee whiz" action and spectacle to otherwise mundane shots. But the implication is that advanced, futuristic technology idiotically neglects to incorporate electrical fuses or circuit breakers, which are designed to prevent equipment sparking and meltdown during power overloads. In reality, all of these control panels and electronic components should instantly and safely go dark and stop functioning as soon as the breakers are quietly tripped or the fuses are quietly blown.Charles Austin Miller
Factual error: Protagonists who have been able to clear their name after being framed, but only in the process of committing several other crimes, for which they receive no punishments. The law is still the law and crimes are all separate from each other committed in that time period.
Factual error: Whenever police officers are involved in some kind of shooting while on duty, they are always kept on the case. They're never suspended or investigated by internal affairs. In real life, there's a full on investigation that takes months to make certain the officer in question was justified in the shooting, not to mention the intense media scrutiny surrounding the incident.mikelynch
Factual error: In many action movies someone will instantly kill a man by approaching them from behind, grabbing their cheek, and twisting their head to the side, breaking their neck. The move is even frequently used one-handed. The torque required to actually break a neck this way is enormous and would require much more leverage than simply standing behind someone and twisting their head. Neck cranks are certainly real but they are done in a more traditional "head-lock" style on a grounded opponent. Also, a broken neck is not always fatal, let alone instantly fatal. A broken neck is not even an assured knock-out, so it is absurd to use this move as an effective "stealth kill" in spy movies.BaconIsMyBFF
Factual error: The importance of leaving a crime scene undisturbed is greatly exaggerated in films and TV. Crime scenes are often disturbed deliberately by responding police officers. Immediate safety and the preservation of life are paramount to all other concerns. If a body is found, the scene must be secured to be sure a suspect is not still present and the area is safe; this often involves searching through the scene itself. The body must also be inspected to be certain the victim is deceased and doesn't require medical attention; this act often involves moving the body. The idea of police stopping anyone from going anywhere near a crime scene until forensic examiners arrive is a movie cliche not based in reality. It is rare, to the point of being almost unheard of, for a criminal case to hinge on the positioning of a dead body or the exact location of evidence in a room.BaconIsMyBFF
Deliberate mistake: Trains should stop when the engineer is killed or otherwise incapacitated because of a switch known as a "Dead man's" which is used in these events to stop the train. This mistake is often done purposely to keep the action going and for plot purposes. This is especially common in action films.Movielover1996
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