Continuity mistake: In the scene where Coco tears up the photo of Luke with the women, he tears it carelessly, starting with the upper left corner. The end shot of the movie shows the same photo, reassembled, showing a neat, cross-wise tear, with the center of the tear directly over Luke's heart.
Continuity mistake: In the wide angle shot of Chief Gillespie approaching Virgil Tibbs at the train station, there is a dog on the platform, in between Gillepsie and Tibbs. In the next shot, a closer view of Gillespie approaching Tibbs, the dog is gone.
Continuity mistake: When Bonnie and Clyde are in the hotel room trying to have sex, Clyde stands up and Bonnie lies on her side and there is a gun right by her face. Throughout the rest of the scene there is no gun on the bed at all.
Continuity mistake: There's a scene where Audrey Hepburn's husband Sam is leaving their apartment. Standing on the pavement outside he hails a cab, which pulls up through a (quite sizeable) puddle, splashing him with water. Opposite him on the other side of the road are parked two cars and the villains' Volkswagen van. There's a quick cut-away exchange of "pleasantries" between Sam and the cabby before it drives off. The next shot has the villain (Richard Crenna) emerging from the van, crossing the street, and making for the door to their apartment, only all of a sudden the puddle has disappeared, as have the two cars which were parked behind the Volkswagen van.
Continuity mistake: When Robert Blake and his accomplice take the father and son to the basement, Blake pulls the string on a hanging lamp and the room becomes fairly bright. A moment later, Blake's accomplice pushes the father into the same room, which is now significantly less well lit, even though the same hanging light is still on.