New today Continuity mistake: Red Twilight, believing his brother's death was caused by Hoss Cartwright, gets revenge by shooting Hoss in the back. When he learns Hoss is still alive, he goes to the Ponderosa to finish the job. Red shoots and kills a ranch hand, then enters the home. Little Joe gets into a fight with Red and both men run out into the yard. The ranch hand's body has disappeared.
Revealing mistake: Jack Albertson's character is taking pictures of The Cartwrights and ranch hands. The video camera moves across the front of the prop camera as Albertson pushes and holds the button to take a picture. The shutter on the camera never opens and isn't open until he releases the button. In those days the shutter had to stay open an elongated time to enable the light to infiltrate the negative. People had to stay still during this time.
Visible crew/equipment: Two horses are tied to the hitching rail in front of the jail. In an interior shot, Lothario Larkin flings the jail door open and runs outside and to the right. The background is obviously a painted backdrop. It shows no horses, only the dusty street and a building on the opposite side. Larkin casts a shadow on the backdrop as he runs out.
Continuity mistake: When Lothario Larkin is visiting the girl he left at the altar, (Nancy I think) the scene opens, showing Lethario's carriage horse with a feed bag on. Moments later as the two are sitting together, the side of the horse is behind them and it turns its head into view, but there is no feed bag.
Visible crew/equipment: In the foreground, a teakettle on a stove starts whistling. In the background, Jonathan May lights a lantern and walks toward the stove. At the exact moment he lights the lantern, a studio light is turned on and its reflection is visible on the kettle. In addition, the light illuminates a side of the kettle which should be in shadow because of the position of the lantern.
Other mistake: Several people, believing a treasure is hidden inside the Trails End saloon, are tearing the wooden building apart. To stop them, Joe pulls out his gun and fires a shot into the ceiling. Even though he held the gun at a 75-degree angle in front of him, the falling dust and plaster land directly on top of his head.