I Spy (1965) - 40 mistakes in entire show

Continuity: In full shots of Kelly holding the baby, it is entirely covered by the pink blanket. But in close-ups, the blanket is pulled back to completely expose the baby's head.

Revealing: When Scott picks up the baby and carries it out the door, the face of the plastic doll doubling for the real infant is visible.

Continuity: Chica carries the baby downstairs to the foyer, puts it in a blue pram and leaves for town. When Kelly and Scott arrive at the apartment building, the pram Chica has just left with is back in its place in the foyer.

Continuity: When everyone boards it at the station, the entire train is steel-gray in color. In a later shot of it en route to Madrid, however, every car is bright red.

Visible crew/equipment: At the end, when Scott and Kelly leave the corridor, the microphone shadow moves across the front of Scott's sweatshirt.

Continuity: In the closing scene aboard the raft, we see Kelly with an unlit cigarette in his mouth. One shot later, the cigarette is not only lit, it's half gone.

Continuity: During Scott's conference room briefing, one of the government officials instantly changes seats between shots.

Visible crew/equipment: During the opening sequence, the bad guys' red Ford Galaxy reflects a bank of studio lights when the door is opened.

Continuity: After she's been roughed up by the bad guy, Jean's hair is a mess. But while she's talking to Scott and Kelly, her hairdo repairs itself between takes, becoming neatly combed, sprayed and coiffed again.

Continuity: During the interrogation, Manolo's coat sleeve is torn at the seam. But when he leaves the room, the sleeve has no tear.

Visible crew/equipment: Kelly and Scott are being chased by Red Chinese agents and run up a flight of steps, passing two big studio light panels. When the bad guys run past the same place in the next shot, the panels are gone.

Continuity: As they speak to the old man in the cottage, Kelly's hands alternate from being hidden below the table's edge to resting on top of the table several times between takes.

Continuity: The three bad guys are standing over Scott and Kelly after beating them up and stealing the gold. When the shot cuts to an alternate angle, all three of them instantly change positions.

Audio problem: During Scott and Kelly's conversation at the bistro table, so much equipment noise is picked up by the mike that portions of the dialog are drowned out.

Continuity: The large black oil stain that Kelly's shirt acquires during the brawl in the alley completely disappears a short time later.

Plot hole: After a chance meeting in Mexico, Tom Matthews invites Kelly and Scott to his home for dinner. The address is unlisted, neither knows where the other lives or is staying, and no address or phone information is exchanged before they part. But Kelly and Scott somehow find the house anyway.

Continuity: When Wellington drags Melanie into the room where the Chinese buyer waits, he's holding her by the elbow. But when the shot cuts to a wider angle, her arm is instantly down at her side instead, and Wellington is standing apart, no longer touching her at all.

Visible crew/equipment: As Kelly is getting dressed in the hospital room, someone's shadow strolls across the floor in front of him. Scott is standing still, and no one else is there, so the shadow must belong to a film crew member.

Continuity: In the hospital, Kelly's pajama top is open in most shots, showing the bandages across his ribs. But the pjs are closed and covering his chest completely in other shots.

Continuity: Throughout his long trek through the jungle, the stains on Kelly's t-shirt change position, disappear and reappear repeatedly between shots.