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Revealing: When Rollin and Barney are setting up the fake Kurzan, the "dummy's" eyes move several times.
Revealing: The "microfilm" that Rollin and Barney steal from the safe isn't micro at all. It's a conventional single frame of 35mm movie film, not coincidentally the same film stock on which Mission: Impossible was shot.
Visible crew/equipment: In the final scenes at the airport, the camera crew and lighting panels are reflected in both the limo door and the sides of the white panel truck.
Continuity: In the opening sequence, the tape giving Phelps his assignment is running backwards in some shots, isn't threaded properly in others, and in reverse angles, it's running twice as fast as it is in the previous shots.
Visible crew/equipment: When Phelps is in the phone booth getting his assignment, the camera can be seen reflected in the booth's glass door.
Continuity: As Phelps receives his assignment, the amount of tape on the recorder changes several times between shots. So does the style/design of the plastic reels.
Continuity: When Rollin confronts Wesley about the supposedly shaved dice, the two are inches from each other. When the shot cuts to a wider angle, they're several feet apart.
Continuity: Barney is on the floor unconscious when the scene fades out for a commercial break. When we fade back in, he's still unconscious, but his head is in a different position.
Continuity: As Phelps listens to his assignment in the opening sequence, the distinctively different tape reels on the recorder switch positions twice.
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