Night Gallery (1970) - 28 mistakes in entire show

Audio problem: In the woods, we hear the continuing sound effect of howling wind. But not a leaf is moving on the trees, and Irene and Charlie's clothes and hair aren't even ruffled.

Plot hole: No one in Goldman's house finds it at all strange that a mailman arrives at the door with a letter after midnight on Christmas Eve. Nor, a short time later, does the doctor or anyone else passing by at this very odd hour wonder why the same mailman is collecting mail from a street box at dawn on Christmas Day.

Continuity: When the ship's captain is questioning the survivor, the man is sitting up with the iron bedstead behind him. When the shot cuts, he's suddenly lying flat with his head on the pillow.

Factual error: Dr. Fletcher's "suppliers" are robbing graves to provide him with cadavers. Yet the corpse he uncovers for his class of surgeons is supple enough for him to easily lift its right arm. Rigor mortise starts setting in within 10 minutes of death. The arm should have been difficult - if not impossible - for him to lift.

Continuity: Several times during this episode, reversed shots cause Moira's wedding ring to switch from her left to her right hand and back again.

Factual error: Gingold's camera obscura shows us a cross-fade. That's a special effect the Victorian device wasn't capable of performing.

Factual error: Muñoz's name is misspelled on his headstone as "Dr. Juan Munos," omitting the tilde and changing the z to an s.

Continuity: It's the 1800s, and Dicter rides up to a building that has every window, upstairs and down, blazing with what is obviously electric light. When he walks into the ground floor saloon, however, there are no bright lights. It's dark and dim inside.

Visible crew/equipment: When the chauffeur opens the limo door, the camera and film crew are reflected in the window.

Visible crew/equipment: In the 1920s, Agatha takes a taxi to Muñoz's house. In the background, through the taxi's rear window, you can see a large white 1970s Universal Studios panel truck being loaded next to another building on the back lot.

Continuity: As Kyra is leaving the village, Logoda's fang necklace, in close-up, has two of its teeth flipped over and out of alignment with the rest. In full shot, though, all the teeth are back in perfect order.

Continuity: In the saloon, Stringfellow pours himself a drink and picks up his glass. When the camera angle reverses, his glass is back on the table and his hand is on the bottle instead. In the next shot, he's holding the glass again.

Continuity: During Juan and Agatha's dinner together, the camera circles them, passing behind Juan (where an "invisible" cut occurs) and continuing to move left around the table. Between the two segments, the position of Agatha's hands changes noticeably.

Audio problem: When Stringfellow beats his drum to attract a crowd to his medicine show, the sound doesn't match the strikes he's making with his drumstick.

Visible crew/equipment: When the landlady opens the glass-paned door, it reflects a large, round studio light.

Visible crew/equipment: While the janitor works on Justice's thermostat, a large piece of blocking tape can be seen on the carpet in front of the door in the background.

Continuity: While she talks to Mrs. Gibbons on the stairs, Agatha's paper sack changes its position and appearance several times between shots.

Factual error: While Edgar Allan Poe is penning his famous poem, a close-up of the paper shows us that he's misspelled his own middle name as "Allen."

Continuity: When she leaves the campus, Joanna gets wet running through the rain to her car. Just minutes later, she arrives home completely dry and with her hair neatly coiffed again.

Continuity: The man with the stake places it over the sleeping vampire's heart at a steep 30-degree angle. But in the very next shot, he's holding it straight up.