Continuity: While the black stallion prances in the corral, a bridle appears on his head, even though no one's gone near him.

Continuity: Blue leaves his regular horse exhausted at the ranch and takes another one in order to pursue the young Apache. But in mid-chase, Blue is suddenly back on his regular horse again.

Plot hole: Manolito suffers a peculiar memory lapse in this episode. He's fluent in Apache, yet at first speaks to the children only in Spanish and urges Vaquero to translate. Later, though, he "recovers" well enough to speak to both Geronimo and the children in Apache.

Continuity: In the opening scenes, the perspiration stains on Blue's shirt disappear between takes. They return a few moments later, only to vanish and reappear several more times in subsequent shots.

Continuity: Two of the ten orphaned Apache children are found hiding near the house, bringing the total so far to six. But later, after Chodi sends out a signal, two more children come in from the desert, and these are again counted as five and six. But the fifth and sixth of the children were already there - so the new total should have been eight, not six.

Continuity: A dark brown moisture stain that forms a stripe down the back of Sam's coat disappears when he enters the church, reappears when he comes out, and vanishes again when he meets Trinidad in the graveyard.

Revealing: At the end, we see insert close-ups of several of the pueblo's residents. But they're exactly the same shots we saw near the beginning of the episode: the same people in the exact same positions, shown in the same sequence. The footage is recycled.

Continuity: Mano throws a lasso around part of the burning hay wagon and hauls it away from the building. The camera angle changes as the wagon is pulled out, and from one shot to the next, the flames completely disappear.

Revealing: During the fiesta, Reno plays his guitar in the canteen. Each time the musical chords change, we should see his left hand shift positions on the neck of the guitar. But though his right hand is vigorously strumming the strings through several chord changes, his left hand never moves.

Continuity: When the gunman shoots at Mano and Ebenezer from the upstairs window, Mano shoots back and hits him. We see the man fall back away from the window into the room. Yet in the next shot, he somehow reverses directions and falls forward instead, breaking through the glass and falling out onto the roof.

Continuity: When Buck and Blue are playing their game on the tree stump, Buck's left hand is down at his side in one shot, then instantly tucked up under his chin in the next.

Continuity: In the opening sequence, when the stagecoach first overturns, only one wheel is left spinning. In the next shot, as the comancheros ride up to the wreckage, all four wheels are spinning.

Audio problem: John and Manolito are driving the wagon and loudly singing "La Gallina" together. But as they pass closer to the camera, we can see that their lips aren't moving.

Continuity: When Chio is trying to force information from Tina, part of her torn dress covers her left shoulder in the master shot, but in every close-up, her shoulders are bare.

Factual error: Victoria's musical jewelry box has magical abilities. It can play its waltz tune ad infinitum without ever running down. In fact, we never see anyone wind it up: it simply plays the waltz endlessly every time the lid is opened.

Continuity: The leather strap around Manolito's neck is sticking prominently up out of his shirt collar in all the over-the-shoulder shots, but it disappears every time the angle reverses to a frontal view.

Continuity: While he stands outside the saloon holding his beer, Manolito's glass refills itself between shots.

Continuity: When Perlita opens her door to Manolito, there's a wooden bench just outside that wasn't there in the previous exterior shot of Mano approaching the door. When he leaves, it's gone again.

Continuity: When Father Sanchez contemplates tossing his burden over the cliff, the bundle he holds is neatly wrapped. When the shot cuts, however, the blanket wrapped around the statue is abruptly loose and disarrayed.

Continuity: Just before the bad guys open fire, Mano is riding a full length ahead of Buck. In the very next shot, they're side by side.