Revealing: Across whole show: When Squad 51 is dispatched from the stationhouse, the exterior shots show buildings, traffic, trees, etc., they pass along the way. In some close-up shots of Gage and DeSoto while en route, too much of the vehicle's left and/or right sides are visible, which actually shows nothing but a blank screen behind them.

Revealing: Across whole show: In many of Dixie's close-ups the use of the soft focus lens is rather apparent. This could be an acceptable directorial decision, were it not for the fact that in some shots where there's movement (of a hand, for example) that passes through the corners of the shot, the thick 'hazy cloud' is blatantly visible and quite distracting.

Continuity: Season 2, episode 1, 'Decision' (aka 'Problem'): After the guys lift the car engine off the man and Kelly maneuvers the car backwards, the same close-up of the officer and two women that was shown a few shots earlier is shown again, even though the car is now moving farther back.

Continuity: Season 1, episode 4, 'Cook's Tour': At Rampart, after delivering the baby, when Gage flirts with the two nurses the amount of soda pop in the nurse's bottle increases considerably between shots.

Continuity: Across whole show: When Squad 51 is dispatched and headed to their destination, interior shots looking out the windshield are shown. It is only in these shots that the Dodge truck's red hood has vents on its right and left sides. There is no such thing in any exterior shots of Squad 51. The hood's style also changes.