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By early 1971, battalion chief and certified emergency medical technician Jim Page was assigned the responsibility to coordinate and implement the Los Angeles Countywide Paramedic Rescue Services program. On May 11, 1971, at Fire Station 7 on Sunset Blvd in Hollywood, Jim Page met with producer, Robert Cinadar, who was interested in developing a TV show based on the L.A. Fire Department's emerging Paramedic Rescue Services. When Emergency! premiered in 1971, there were only about a dozen paramedic units across the U.S., but soon after, the show brought recognition of the Paramedic program to viewers in U.S. and ultimately around the world. The realistic rescues on the TV show were widely praised and were used as instructional material by many fire departments, and by 1973, Congress passed the EMS Systems Act which gave financial support for the development and improvement of EMS. Jim Page served as technical consultant and writer of the show, for two years. The character name, John Gage was an homage to Jim Page. See more...
Across whole show
Continuity: Season 2, episode 6, 'Saddled': When DeSoto joins Gage at the kitchen table they discuss Gage's bright idea of rodeos. In all the shots facing DeSoto his hands are clasped together with the coffee cup on the table, but in all the shots facing his partner, he's holding the cup of coffee. The magazine ends up under DeSoto's arms between shots as well.
Continuity: Season 1, episode 3, 'Botulism': When DeSoto and Gage arrive at Rampart their black helmets are not hanging in Squad 51, when they enter the hospital. A moment later, when they're dispatched, both helmets are hanging in their proper place behind the seat. The distance between the squad and ambulance has also increased.
Revealing: Across whole show: Squad 51 has a flashing light-bar mounted on the roof of the vehicle. There is about 4-5" of space between the length of the light frame and the roof, which means that Squad 51's surrounding environment is easily visible through that gap in normal shots. The hiccup here are certain close-ups of Gage and DeSoto while they're 'driving', because that gap is covered (with red to match the vehicle) and sometimes, when it's daylight, the gap is dark. The same thing happens with the space behind the cab unit (seen through the window), with the red blocking the opening.
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