Plot hole: In some episodes Claire voluntarily hurts herself (like when she grabs a pan out of a hot oven or when she sticks her fingers down the sink disposal to grab something). She is obviously badly injured these two times but shows absolutely no signs of pain whatsoever. Later in season 1 when she tries to do the back tuck off the tower she breaks her leg and is in agonizing pain. Also Peter has this power too, and he shows signs of pain a couple of times throughout the season. Do they have pain or not?
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The date on Hiro's watch, October 2, is the same date this episode first aired in most North American areas. See more...
All of series 1
Continuity: Season one takes place over five weeks. Janice Parkman goes from not being visibly pregnant to being at least five or six months along during the course of those five weeks.
Continuity: Episode One, when Claire is talking to her mom, right after she sticks her hand in the garbage disposal, her ponytail goes from being over her shoulder to behind it, even though Claire never moves.
Don't Look Back
Revealing: Claire Bennett is accidentally tackled when she and Zach are arguing while watching the football game. Apparently, her neck is badly broken in the fall, even twisted a full 180 degrees. However, if you watch closely as she fall, you can see that she is completely fine, stretching out her arms to take the impact before rolling around. She lands on her front, arms stretched out, all in all well prepared for the landing, and rolls around. In the next shot her neck is twisted in a way that simply wouldn't be possible in such a fall. She would have had to have her head stuck under something before rolling over, which she certainly did not. The guy tackling her did not land on top of her either.
Deliberate "mistake": The newspaper that shows Petrelli's victory has repeated paragraphs through the article. The article seems to be composed of three paragraphs. One paragraph starts with "I was," and two paragraphs start with "The."
One Giant Leap
Factual error: When they show the comic book and Hiro looks up the artist's address, it is listed as 215 Reed St. 7. The door to the artist's loft clearly says his address is 861.
Continuity: After throwing the laptop, when Mohinder takes the key out of the book, the tape is bunched up and stuck to the key, but in the next shot the tape is fresh and sticking out freely.
Factual error: During Hiro's journey around New York, a Carl's Jr. restaurant is visible in the background. That restaurant isn't called "Carl's Jr." on the East coast; it's called "Hardee's."
Seven Minutes to Midnight
Continuity: When Mohinder is back in India, his mother tells him that his sister Shanti died at the age of 5, when Mohinder himself was 2. In "The Hard Part", Mohinder tells Molly Walker that Shanti died before he was born, and shows her a photo of Shanti (who looks 5 years old) and his pregnant mother.
Fallout
Continuity: When Peter is having his vision of New York, D.L. can be seen picking up Micah and running away. When the camera pans out to show Matt holding them back, D.L. is picking up Micah again.
The Fix
Revealing: The money that Micah dumps out of his backpack is very obviously fake. In fact, the $20 bills have Benjamin Franklin's portrait on them.
Distractions
Continuity: In the scene where Sylar and Mrs. Bennet begin to talk, she becomes suspicious about his interest in Claire. When Mrs. Bennet picks up the phone to call her husband, Sylar visibly moves his finger to use his telekinetic power right before the angle changes. In the next shot, Sylar again does the same motion with his finger, but this time the phone is removed from Mrs. Bennet's hand.
Continuity: When Peter and Claude are invisible and walking in New York, just after Claude has released his hold on the T-shirt rack, they bump into a man in a coat. Cut to a different angle, showing the two on camera, and the man in the coat is gone. Instead there are two girls and a man with glasses walking directly behind Peter and Claude, none of whom were there a split second ago.
Run!
Continuity: When Matt Parkman gets thrown out of a window by Niki Sanders, he lands at least a few stories down and has a cut upon his head. The amount of blood on his head differs significantly from shot to shot.
Continuity: When Meredith and Nathan are talking in her trailer, as he says, "I could have been a much better person back then", he has his sunglasses in his hand and places that hand on the table. Cut to a shot from behind him, and his hand is resting on the table with the sunglasses beside it, with no time to put them down and move his hand in between the shots. Also, when Meredith says, "You and me, we were never gonna work out", his hand goes from being on the table to his lap between shots, once again without having had the time to move it.
Continuity: At the end of ep. 1-14, "Distractions", Meredith calls Nathan to tell him about Claire. In that episode he is holding the phone to his ear, with nothing else in it. In the beginning of this episode, when the same conversation is shown, he is holding a pen in the same hand as the phone. Also, in ep. 14 Meredith said to him, "We haven't spoken in a long time, but... Our daughter just found me". In this episode, she says, "We haven't spoken in a long time, but I just had... Our daughter just found me".
Continuity: In ep. 1-14 "Distractions", when Claire asks Meredith about her father, Meredith answers, "Well, that's complicated. Why don't you let me work on that for next time?" But when the same scene is shown in a flashback in this episode, Meredith says, "Well, that's complicated. He's kind of a big shot".
Company Man
Continuity: At the end of this episode, Noah is having a flashback. It shows Claire helping him pick out his new glasses. In this scene, Noah first tells Claire that she is adopted. However, in the episode "One Giant Leap", Claire tells Brody Mitchell that her parents told her that she was adopted when she was really little. In "Company Man" she is around 14 or 15 years of age in the flashback.
Continuity: When Claire gets killed she is wearing reddish brown boots, with her jeans tucked into them. She's still wearing them when her body is placed on the bed. A few moments later, running from the house with her mother, she's wearing sneakers.
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Revealing: When Mrs. Petrelli is sitting with the dead Peter, just before she lies down on his chest and starts to cry, you can see the "dead" man tilt his head slightly backwards.
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