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West collides with the cook and sends him sprawling face-down in a huge platter of gelatin. Before racing off again, West quips, "Sorry about that, chef!" This was a winking homage to the 60s spy comedy Get Smart and its bumbling hero Maxwell Smart's famous catch-phrase, "Sorry about that, Chief!" See more...

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The Wild Wild West (1965) - 55 mistakes in season 2

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The Night of the Eccentrics

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Visible crew/equipment: Behind West, when he's suspended over the electrical field, you can see the shadow of the boom mike and rigging pole moving on the wall.

Edit Submitted by Jean G Time
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Visible crew/equipment: When the Eccentrics outline their nefarious plan to assassinate Juarez, the boom mike shadow is moving on the door behind West and Gordon.

Edit Submitted by Jean G Time
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Revealing: Tony throws two knives at West - but on the wall where the knives hit, the rectangular openings from which the blades actually emerge are delineated beforehand. Happens again a few scenes later, where slots cut in the door are already there before the knives are thrown. [Spoiler: It's inconsequential to the "revealing" error, but if you play the scene in slow motion, you can see that both times, the knives pop through from the back of the "wall." This is also how the carnival trick is performed.]

Edit Submitted by Jean G Time
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Visible crew/equipment: West walks through the gate into the amusement park and twice passes very visible truck tire treadmarks in the dirt street.

Edit Submitted by Jean G Time

The Night of the Raven

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Continuity: In the reverse angle shot of West's table, the plates, candles and red table cloth are all there - but the huge dish of butter has disappeared.

Edit Submitted by Jean G Time
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Continuity: Because the second one is a painted backdrop, the building across the street from the sheriff's office in the exterior shots looks nothing like the one we can see from inside the office in the next scene.

Edit Submitted by Jean G Time
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Continuity: Balya, the Turkish representative, is killed by a knife protruding through the back of his chair. But when he falls to the floor, leaving the knife behind, there's no blood on the blade.

Edit Submitted by Jean G Time
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Continuity: West and Gordon are ordered to sit on the floor to talk to the diminutive Dr. Loveless at eye level. In all the two-shots, their shoulders are touching. In all the wider angles, they're sitting a foot apart.

Edit Submitted by Jean G Time
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Continuity: Dr. Loveless' henchmen remove Artemus' leg chain. But a few scenes later, he's shown asleep in a chair, and the chain is back around his ankle.

Edit Submitted by Jean G Time
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Revealing: When the marshal opens the train's rear door and comes in to arrest Lana, you can see wrinkles in the "sky" outside. It's really a painted cloth backdrop.

Edit Submitted by Jean G Time
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Continuity: West stabs the giant cat in the left front paw. But when the cat is shown licking its wound, the injury is on its right front foot instead.

Edit Submitted by Jean G Time

The Night of the Big Blast

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Revealing: The "corpse" Miklos wheels into Dr. Faustina's laboratory is pretty healthy for a dead guy: you can see his chest moving up and down as he breathes.

Edit Submitted by Jean G Time
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Continuity: While Artemus talks to Lily at her dining table, he clasps his hands behind his back and is standing up straight. When the shot cuts, he's suddenly leaning forward with his left arm extended to the table.

Edit Submitted by Jean G Time
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Continuity: The large black straps hanging off the sides of Dr. Faustina's medical table disappear when West and Gordon burst into the lab.

Edit Submitted by Jean G Time
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Visible crew/equipment: At the end of the sword fight, the moving boom shadow is visible on the balustrade at the right of the screen.

Edit Submitted by Jean G Time
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Revealing: During the sword fight on the stairs, Artemus' stunt double's face is in plain view in several shots.

Edit Submitted by Jean G Time

The Night of the Returning Dead

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Continuity: In the barn, when Artemus jokes about "smoked ham," he and West are standing within inches of each other. Then the shot cuts to a wider angle, at which point they're several feet apart.

Edit Submitted by Jean G Time
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Continuity: It's just past nightfall when the townspeople enter the courthouse. They aren't there more than half an hour, yet it's daylight when they emerge. Then a shot from inside shows that it's night again.

Edit Submitted by Jean G Time

The Night of the Flying Pie Plate

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Continuity: At the end, the wagon tailgate falls open during the scuffle with the bad guys. When West fights his way to the front and drives the wagon away, the tailgate has somehow tied itself up again.

Edit Submitted by Jean G Time
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Revealing: After they're carried inside and placed in chairs, one of the "unconscious" women moves her arm into a more comfortable position.

Edit Submitted by Jean G Time

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