Audio problem: When Helga tries to slam the door and shouts, "Get away from me," her lips aren't moving at all. Submitted by Jean G

Audio problem: When Solo & Illya enter the elevator and Solo says, "That's an exciting prospect," his lips aren't moving in sync with the words. Submitted by Jean G

Revealing: The stolen green sedan has normal windows in exterior shots. But in all the closer views (shot in-studio and processed with rear-screen projection), the car has no glass in its windshield. Submitted by Jean G

Continuity: Greg pulls Christine into the alley. When he says, "It's no good," he's standing squarely face-to-face with her. But in the very next shot, he's moved to a side-on position with his head turned toward her. Submitted by Jean G

Continuity: The positions of the fencing school students supposedly standing still behind Greg change constantly between shots as the instructor addresses them. Submitted by Jean G

Revealing: During the foot-chase through Tenza HQ, the Thrush gunman, with Illya in hot pursuit, races around a hallway corner. As Illya runs into the shot, the gunman's shadow reappears on the back wall, revealing the fact that the actor has stopped and is standing back there. Next shot, though, he's running down another corridor and through a door. Submitted by Jean G

Factual error: Apparently, U.N.C.L.E. bullets can do 180s. Illya fires at the fleeing Thrush limo from behind, and without hitting any of its other (closed) windows, somehow puts two bullets through the car's front windshield. Submitted by Jean G

Continuity: In the intro, Illya shows Solo an automatic rifle he's retrieved after the shoot-out in the mausoleum. In full shot, he's holding his U.N.C.L.E. Special pistol in his right hand as he points to the logo on the rifle's stock. In the close-up insert of his hand, the Special disappears. Submitted by Jean G

Continuity: At the airfield, Illya stands near a bright red fuel truck marked "FLAMMABLE." Every time the shot changes, his position shifts from standing to the right of the final E to blocking it altogether. Submitted by Jean G

Continuity: When Solo and Illya explore the ruined African village, Solo's collar and tie are open and loose in close-ups, but buttoned and pulled up tight in full shots. Submitted by Jean G

Revealing: While Solo is on the phone at the airport, the same female extra passes him twice. Both times, she's wearing the same green dress, but the second time, her hair is re-styled and she's carrying a different suitcase. Submitted by Jean G

Continuity: When Sebastian grabs the prism from the safe, the rope he's just used to suspend himself from the ceiling has become a simple noose, rather than the elaborate harness it had been a few moments earlier. Submitted by Jean G

Factual error: Solo is supposedly in Iran, yet there are scores of women in the crowd wearing skimpy, sleeveless tops and mini-skirts. Even in the Shah's Westernized Iran of the 1960s, this was still a Muslim country. Women (including tourists) were not permitted to appear in public without "modestly" covering their arms and legs. Submitted by Jean G

Continuity: Events in the opening recap here differ from those in the previous episode. At the end of part 1, Solo climbs the boat ladder with his hands still tied, loses balance and falls back to the deck. In part 2's recap, he gets his hands free immediately, and never climbs the ladder. Submitted by Jean G

Revealing: The same extra - a lady in a green dress - who passed Solo twice in Part 1, is sitting behind Illya in the theatre here in Part 2. This lady certainly gets around. Submitted by Jean G

Continuity: Annie's U.N.C.L.E. visitor badge disappears between the hall and the doorway when Illya takes her into the reception room. Submitted by Jean G

Revealing: Solo's little red sports car has an intact windshield in the studio processed shots (done indoors with rear-screen projection). But in all the outdoor shots of the car, the windshield is, for some strange reason, missing entirely. Submitted by Jean G

Continuity: As he's sprawled unconscious on the floor of Valendros' cell, the position of Illya's arm keeps changing between shots. Submitted by Jean G

Continuity: Solo leaps from a roof, appears to get shot, and lands on his back with his tie flipped up over his face and his coat hiked up. In the very next shot, though, his tie and coat have both straightened themselves out nicely, and his arms have completely changed positions. Submitted by Jean G

Continuity: The dust on Illya's tux lapel cleans itself off between takes when he pulls Monica out of the casino. Submitted by Jean G