Plot hole: Bad guys tie lousy knots. Solo's bonds at the end are so loose that he easily slips his feet free to stop the swinging blade. And the rope across his chest does nothing to pinion his elbows or lower arms. He could have reached up with his hands to catch the blade at any time. Submitted by Jean G

Continuity: Parviz starts the blade swinging while he's standing directly behind it. In the very next shot, he instantly "jumps" to a position on one side instead. Probably a wise move. We're just not sure how he did it so fast. Submitted by Jean G

Revealing: In the underground corridor, Illya knocks out a Thrush guard and then sits down to wait for Solo to turn off the electric beam blocking the way inside. Behind him, the "unconscious" guard moves his foot. Submitted by Jean G

Continuity: The whipped cream covering Salty's arm and hand, as she holds the mini explosive pulled from the dessert, is very thick in the first shot of her, much thinner in the next, thicker again in the next, and almost completely gone in the last shot. Submitted by Jean G

Continuity: When Cervantes shoots Rodriguez, a shell casing from his gun lands on the metal storage container beside him. But in the next shot of him, it's disappeared. Submitted by Jean G

Visible crew/equipment: In the cell, as the camera pans across to Solo at the door, the shadow of someone's hand slapping a large, rectangular shape can be seen on the wall. Submitted by Jean G

Factual error: Posing as an art collector, Solo tells the Re-collectors that he owned a valuable painting looted 20 years ago by the Nazis during the war. Improbable at best, and oddly, they don't seem at all curious as to how the 30-something Solo might have afforded such a treasure when he'd have been 12-15 years old at the time. Submitted by Jean G

Visible crew/equipment: In the sand dune fight in the teaser scene, Illya's stunt double's face is viewable as he jumps on his attacker and rolls down the slope. Submitted by Jean G

Continuity: Sophie throws a knife that hits Illya in the front of one leg. But when the camera angle widens, she's standing on a dune behind him, nowhere near the area from which the knife was thrown. Submitted by Jean G

Factual error: Thrush lands a rather large private jet right next to its secret lab. In the Arabian desert. In the sand. Without a runway. Submitted by Jean G

Continuity: The gag covering Suzanne's mouth changes position (the patterns on the cloth have shifted) when she gets up to kick the bad guys off the dock into the water. Submitted by Jean G

Revealing: The underwater bomb, according to the bad guys' dialogue, is supposed to be triggered by a boat hitting a tripwire strung between two buoys. But it explodes when the boat is still several feet away from the buoys. Submitted by Jean G

Continuity: Illya takes off his shoes before swimming across the river, but somehow has them back on again a few shots later. Submitted by Jean G

Plot hole: Solo hopes that Elfie can fly the helicopter they're about to escape in. Why? It's a standard-issue helicopter: nothing special. Did both he and Illya, who've flown many 'copters in previous episodes, suddenly forget how? Submitted by Jean G

Factual error: Both on the superimposed title of Act II, and at the airport on the large printed sign attached to the animal carrier, the word aardvark is misspelled "aardvaark." Submitted by Jean G

Continuity: Joanna learns from the hotel waiter that he saw Illya and a chambermaid going into the woods. But she later tells Illya that she saw him leaving with the girl, and goes on to describe the chambermaid - a person she never saw. Submitted by Jean G

Continuity: The remote-controlled model plane with the explosive on board keeps changing colors between shots. It's yellow and blue at first, then yellow and red, and in one shot, it's red and white. Submitted by Jean G

Continuity: The dead guards, who were all over the courtyard after the gun battle, have all disappeared when Solo and Albert return to untie Illya. Submitted by Jean G

Continuity: Solo's white gloves are on, off, and on again between takes as he and Albert run from the courtyard, search for the control room, and then finally go back for Illya. Submitted by Jean G

Continuity: When Illya and Vogler practice shooting arrows at the "No Hunting" sign, the "I" is completely there one moment, then acquires a huge white chip in its base without being hit by an arrow. A few shots later, it's intact again. Submitted by Jean G