Continuity: Stock footage strikes again. Delgado's plane changes from a blue and white 1960s aircraft to a 1950s-style silver prop job when it lands.

Continuity: At the end, Mr. Waverly puts his newspaper down on the table and prepares to get up. When the shot cuts to a longer view, he puts the paper down again before rising.

Continuity: Illya removes his shoes, leaves them on the ground and climbs the guard tower barefooted. But in the following shots, his shoes have reappeared on his feet.

Continuity: Delgado's plane makes a bumpy landing (without a runway) and skids to a stop in the Brazilian jungle, surrounded by palm trees. But when everyone gets off, the plane is suddenly parked in the midst of an industrial compound with buildings all around it, and no palm trees in sight.

Revealing: When Solo and Illya, posing as maintenance workers on the London street, are opening the manhole to go underground, two cars - a blue VW hatchback and a white roadster - pass them twice going in opposite directions each time. And while most of the cars are driving appropriately on the left, one pulls up behind them driving on the right (which is to say, wrong) side of the road.

Continuity: When Solo and Miss Pogue are trapped in the shipping crate together, his hair combs itself between takes - several times. It's all over his forehead, then is suddenly neatly combed to one side, then is messy again. When the crate is opened, he's well-groomed once more.