Audio problem: When Number 6 tells the Kandersfeld waiter that he took some photographs, we hear his words, but his mouth doesn't move.

Continuity: When Seltzman is talking to Number 2, there's a chair beside the tea cart with a foot rest, visible in the shots from behind Number 2. But when the camera angle changes to Seltzman's POV, the same chair appears in the shot - without its foot rest.

Revealing: When No. 6 is putting the 4 slides together to get the location information for Seltzman, as the slides are dropped into the top of the projector, they drop down the screen. However, a projector inverts slides, so they should slide up from the bottom. Also, when the last slide is dropped in, the final letters fade into view and not slide down as would be expected.

Continuity: The configuration of the photos on display in the camera shop changes completely from one angle to the next, depending on whether the camera view is from the outside looking through the window, or from the inside looking out.

Continuity: When the Colonel enters Number 2's office/control room, the doors close as he comes down the ramp. In the next shot, however, the doors are still open.

Continuity: In Number 2's office, the Colonel stands at the bottom of the ramp. In the next shot, however, he's suddenly beside the tea cart instead.

Continuity: Number 6 pulls up to his London flat and there are six cars parked across the street. When he gets out just seconds later, there are only two cars parked across the street.

Continuity: Driving his Lotus through London, Number 6 passes a hearse. But when the shot cuts to a wider angle, the hearse disappears.