Continuity: After George dodges the toad on the floor, she walks backwards up onto some steps, yet she walks up the same step twice.

Plot hole: People who do not have their souls retrieved, before they are killed, will suffer the effects of the death on their soul, eg. the autopsied man has scars and cuts on his soul. So how come the woman who was crushed by a piano (whose soul was only ever retrieved afterwards) is unharmed in soul form?

Continuity: When Mason and George are about to go into the house of the murdered accountant they show the lock from the inside of the apartment and it's unlocked. When they show it again it's locked and then Mason unlocks it.

Continuity: George drops the red file from her stack of files to deliver, yet in the next shot you can still see the red file in the stack.

Continuity: When George delivers the files to some guy, while at her job, her hair keeps on changing position over her shoulder.

Continuity: In the opening shot of the frog and the toad beside the 'jar of death', they keep changing positions in the following shots.

Continuity: When George is filing, she is told it is her lunch hour. Between shots her hair flips over her shoulder.

Continuity: When Rube and George are speaking to George at the site of her death, Betty's scarf continuously changes postions.

Continuity: When George is flicking through files in a drawer, they change positions between shots, when the man tells her its her lunch hour.

Continuity: When the first Reaper who touched George, magically disappears, people in the background appear out of nowhere disappear out of nowhere.

Revealing: When Mason and George walk up to the TV's in the store, the TV images do not match Mason and George's movements, as it records them.

Continuity: When George writes "moist" on the fridge, to give her mum a sign, the position of the 'T' magnet changes between shots.

Continuity: When Betty is leaving the diner table to meet someone, she puts her bag on her shoulder. In the next shot, it's in her hands.

Continuity: When George is sitting on the train, watching the little girl she is supposed to reap, the position of the ticket on the seat beside her changes.

Revealing: Reapers look 'different' in reflections and recordings, yet sometimes you can catch them with 'normal' reflections, eg. Rube in the diner window.

Continuity: When George delivers the files to the guy at work, the top file on the stack changes positions between shots.

Continuity: When everyone is lying on the bank floor during the robbery, George crawls over to Mason. In the following shot she is back where she was before.

Continuity: When Rube sits down on the bus station bench, before George gets on the train, to reap her first person, he crosses his legs twice.