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David Hodges: You know, you and me, we're not the marrying kind. The intricacies of our nature can't be understood by just one woman.
Gil Grissom: Would you close the door, please?
[David Hodges shuts the door with himself still in the office.]
Gil Grissom: From the other side.
Trivia
For those who don't (or can't) read American Sign Language, at the end of the episode, Grissom says to Dr. Gilbet is that his mother lost her hearing when she was eight years old. He once asked her what is it like to be deaf, and she told Grissom (who loved to swim) that it was like being underwater. She also taught him that being deaf does not make one inferior to others. Dr. Gilbert then replies that she teaches her students the same lesson. See more...
CSI: Crime Scene Investigation (2000) - 29 mistakes in season 5
starring Eric Szmanda, Gary Dourdan, George Eads, Jorja Fox, Marg Helgenberger, Paul Guilfoyle, Robert David Hall, William Petersen (add more)
Factual error: As has been noted, the problem with pressure differentials will make it impossible to flood someone's room with CO2 from sublimating dry ice anyway, but there is another problem. Dry ice sublimates at -78.5 C. That gas is going to be very, very cold and it will rapidly bring the temperature of the room down to a very uncomfortable level. Before a sleeping person suffocates they would be woken by the freezing cold.
Plot hole: The bodies were pink because of exposure to the lower temperatures created by the dry ice venting into the room. None of the CSI team noticed a chill when they entered the room? None of them noticed the bodies were cold to the touch? No one noticed that the body or liver temperatures didn't match with the estimated time of death?
Continuity: During the scene where Catherine goes to her father for the money to save Nick, the character played by Frank Gorshin is talking. At one point he is seen from the front and puts his hand up to fiddle with his collar/neck. The shot changes to a side view and both of his hands are suddenly in his lap with no time for him to have put his hands down.
Continuity: Season 5, Episode "Grave Danger" (parts 1 and 2); there are a number of shots of Nick in the grave which don't match what the CSI team see via webcam. For example when he is speaking into the tape recorder he is holding it above his head from the view inside the grave, but from webcam he is holding it further down.
Continuity: When Grissom is on top of the box, talking to Nick, and he tells Nick to put their hands together, you can see that from shot to shot, the alignment of their hands changes. In one shot (from Nick's angle), Grissom's hand is higher than Nick's, as well as Grissom's index finger lines up with Nick's middle finger. In the next shot, their hands line up perfectly. The alignment changes throughout those few shots.
Other: There is no way a body can be pulled out of a grave the way they showed. It would be a pretty tough trick to pull off with a 6', 200lb piece of lumber and virtually impossible with a body. If it was a solid, non-flexible piece of material, pulling on the rope would drag the item until it hit a ledge and then flip it out of the grave. The body is very flexible, especially at the waist. You'd have to pull a body from above, which they end up doing in real life.
Continuity: There are some major continuity errors in the rescue scene at the end: First, the loader is missing from the side of the grave during several of the shots. Second, the rope changes position. The CSI crew is shown manning the rope, which is running parallel to the ground, ready to pull Stokes out of the grave. (There is a physics problem with this anyway.) The next shot is a close up of Grissom and Brown and the rope is now going up at a severe angle. Brown can barely reach it. (The stuntman can only be pulled out from above, the aforementioned physics problem, and the rope is leading up to the rigging.) Third, immediately after the stuntman is pulled from the grave and right before the explosion, there is no one and nothing near the grave. The loader ends the scene right where it started: on the edge of the grave, bucket up, lights on.
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