Continuity: In the first part of the flashback to the deliberate collision with Calleigh's Hummer, no piece of the pick-up grill stuck to the Hummer's rear end. But seconds later it appears.

Continuity: At the beginning of the episode, the bikers are approaching the crime scene to be, and you can see the sun low in the sky in the shot, casting long shadows to the right of the bikes. When they are a little closer to where the shooting will take place, suddenly it is high noon; for there are no shadows except directly underneath the motorcycles.

Continuity: After Calleigh's Hummer is hit from the rear, it is shown going into the water with no visible damage to the front of the vehicle. After the first commercial break it is being pulled from the water with a dented and buckled hood.

Continuity: At the end of the broadcast as Jake and Horatio converse in front of the police station. In the closer shots, they and the motorbike are the left of the entrance steps with a car parked on the right, then in the zoom-out shots they are on the right of those steps with a cop car parked on the left.

Continuity: In the episode "Going Under" when Horatio is speaking with Callie after the accident her hair is behind her shoulders. When the camera changes angle there is some hanging in front of her shoulders, then when it changes angle again her hair is back behind her shoulders.

Continuity: As the shot victim falls from the balcony and we see his approaching reflection in the silver plate on the outside cafe table as he falls, we then see a shot of the table from the side. The items on the table are all in different places.

Factual error: When Eric and Ryan are talking about the motor oil and how the wear and tear on the engine make the motor oil unique to the bike. The oil left on the gun would not have matched the oil in the bike any longer since they were still being ridden and the engine would have still been depositing metal into the oil.

Continuity: Throughout the second half of the broadcast, Calleigh's hair switches back and forth repeatedly between a very straight part toward her left side, and a part that curves toward the center of her forehead. It looks like she changes her hair comb every time she dons her lab jacket.

Continuity: There is a scene where the recovered part of the pick-up's grill is being matched to the damaged pick-up. This is the pick-up that ran Calleigh off the road. In the flashback of the collision, the grill piece is a different shape and size.

Other: When the guy's head is cut off, his arms are up in the air next to his head. Yet his head is sliced clean off while his arms remain intact. And they would not have gone slack and fallen down after his head was cut off because they are right next to his cheeks (and the car was moving way too fast to allow for that anyway).

Plot hole: When Dex is doing the jack in the box ,he is hanging out the sun roof driving with his feet, using the cruise control. When he is decapitated, the body falls and the car spins out and stops. The car's cruise control was still on. The car should have kept going until the brake was pressed. Even if the body hit the brake on the way down, it would have coasted to a stop and not spun out and screeched to a stop.

Other: When Eric is shot in the head they show you in slow motion him going down, he was shot in the left back of the skull, their would have been some blood spatter on the car and there was none.

Continuity: The real estate mogul is shot on an upstairs balcony. He falls face first and flips over a rail with his head toward the house. He lands on his back on an ice sculpture. When he's shown, his head is facing away from the house. He would have to turn 180 degrees while falling to land in this position.

Revealing: In episode "Triple Threat": at the end of the episode when the triplets are being walked out of the building all in a row after being charged with murder, they have their hands behind their backs like they are in handcuffs. When Beth turns around to look at Noah, you see Ashley in front of her with her fingers laced together and no hand cuffs, getting into the van.

Continuity: When Eric is at the rehab center where the TV star was being treated, the camera zooms in from above. Seconds after his chat with the girl to whom the star had confessed murder, the camera zooms back out, but this time, the juices are rearranged, there are new white flowers by the tree on the right, the table is pulled back from the chair, the chairs are no longer right close together, there is a suspended piece of equipment above the table, and there is some funky doodad leaning up against the table that wasn't there before. The sun moved by at least a couple hours during their 30 second chat.

Continuity: When the TV star is killed he is wearing a white t-shirt with black lettering. As he is dragged to and placed in the trunk of the car it is still visible. When the CSIs move him from the trunk onto the gurney, there is no lettering on the t-shirt.

Continuity: In the beginning when Eric is taking the shoe print off the car door, you see him removing the silver sticky paper from the door first, then you see him starting the process when they start with the slide show of him collecting the evidence.

Continuity: Episode "Just Murdered": When Horatio confronts the couple at the bank after the safe deposit box is opened, you can see that the wife has her earrings on. When they flash back to that scene later in the movie, she doesn't have them on. She shouldn't have them on since she hasn't gone to the lawyer and retrevied them yet. She shouldn't have them in the first scene.

Visible crew/equipment: In the flashback of the murderer slamming the car door on the victim's neck and breaking it, we get a clear shot of the cameraman and his camera in the car door (CSI's favorite blooper).

Continuity: "Born to Kill" from CBS.com on 6/10/07. The time sequence in the beginning is very screwy. The victim and her friend are partying inside and it is dark outside. The streetlights go out and the inside lights in the building go off. As the girls come out of the building, it is daytime. Seconds go by, then it is midday. As the girls talk to Mr. Biker/Murderer in the close-ups, the sun is in front of them and their butts are in the shade. In the zoom-out shots, their butts are in the direct sunshine.