Continuity: During the science fiction sketch, when Eric Idle is reporting his blancmange sighting to John Cleese the clock in the background jumps backwards a few minutes.
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Kenny Lust: Good evening, ladies and gentlemen, and welcome to the refreshment room here at Bletchley. My name is Kenny Lust and I'm your compère for tonight. You know, once in a while it is my pleasure, and my privilege, to welcome here at the refreshment room, some of the truly great international artists of our time. And tonight we have one such artist. Ladies and gentlemen, someone whom I've always personally admired, perhaps more deeply, more strongly, more abjectly than ever before. A man... well, more than a man, a god, a great god, whose personality is so totally and utterly wonderful my feeble words of welcome sound wretchedly and pathetically inadequate. Someone whose boots I would gladly lick clean until holes wore through my tongue, a man who is so totally and utterly wonderful, that I would rather be sealed in a pit of my own filth than dare tread on the same stage with him! Ladies and gentlemen... the incomparably superior human being, Harry Fink!
Man: [from offstage] He can't come!
Kenny Lust: Never mind, he's not all he's cracked up to be.
Trivia
A piece of animation in the episode, by Terry Gilliam, which depicted Jesus Christ crucified on a telegraph pole, attracted some controversy. So much, in fact, that it was cut for all repeats and no longer exists on the master tape. See more...
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Visible crew/equipment: At the beginning of the 'Camel Spotting' sketch the shadow of the boom mike moves back and forth over Eric Idle.
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