Chris Griffin: Stewie, do you want a sundae?
Stewie: Yes, but no sprinkles! For every sprinkle I find...I shall kill you!
In the shot of the Quahog Pest Control building you see a blue grasshopper on the building. New England Pest Control in Providence, Rhode Island has the same bug on top of its building. See more...
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Directed by Seth MacFarlane, starring Seth MacFarlane, Alex Borstein, Lacey Chabert, Mila Kunis, Seth Green (add more)
Continuity: Series 6, episode 12: When we first see the English guy in his car, his crates of goods are stacked askew in the back seat. After Peter's crew shoot the car several times and the car is half-wrecked, the boxes are suddenly neatly packed into the seats. Moments later, we see the boxes piled randomly again. This change happens a couple more times before the scene is over.
Other: In the very new episode where Lois stops breastfeeding Stewie. When Stewie sneaks into his parents' room and attaches the breastfeeding pump to Lois, he places the cups too high on her chest for them to be on her nipples. You can see this, especially after he removes the cups.
Factual error: In some episodes, the word 'fictitious' in the credits disclaimer is spelled 'ficticious'.
Continuity: In the episode where Brian and Lois get married, Lois confronts Brian after cheating with Peter back at the house. Stewie is playing with a SIMON SAYS game. Look at the SIMON SAYS when he is playing it (up close), after he is done (the close up shot ends), look at the colors again on the SIMON SAYS, they change.
Continuity: Season 7, episode 7, "Ocean's Three and a Half." Before Dr. Hartman delivers Bonnie's baby, he removes a small wheelchair and places it on a cabinet next to him. After delivering the baby, he makes a funny remark about Paula Poundstone, and then he hands the baby to Bonnie. Notice that the wheelchair and the cabinet are no longer present.
Continuity: Season 7, episode 4 'Baby Not On Board': Toward the end of this episode, Stewie is at home in the living room talking to Rupert about how depressed he is about being alone. All of a sudden he hears his family come back home, so he gets up from the couch and runs to the window leaving Rupert on the couch. As soon as Stewie moves his head away from the window take notice that Rupert is no longer on the couch.
Continuity: Season 7, episode 9, "The Juice is Loose." When OJ Simpson first meets Peter for their game of golf, both Peter and OJ have only four irons and a putter in their golf bags; however, when OJ tees off, he does so with a wood.
Continuity: Season 7, episode 7, "Ocean's Three and a Half." As Joe is waiting on Peter, Quagmire and Cleveland at the bar, take notice that he is holding a tray with two bottles of beer on it. One bottle is sitting behind the other in the close up shot of Joe. However when the shot pans out, you see that the bottles are side by side.
Continuity: Season 7, Episode 11, "Not All Dogs Go to Heaven." In the part where Meg is asking Brian about God, and Brian answers he is an atheist, the camera pans out quickly, and we see an entrance to the kitchen with an air vent above it. Eventually the family discussion with Brian continues, and you see that the air vent is now gone.
Continuity: Season 7, episode 10, "FOX-y Lady." As Peter is selling his cartoon idea to Mr. Chernin at Fox, you can see a small globe behind him. After the cartoon is shown, and the shot returns to Peter and Mr. Chernin, you will notice that the globe turns into an Emmy award.
Continuity: Season 7, episode 10, "FOX-y Lady." When Fred Savage takes off his Rush Limbaugh costume, he throws the clothing on the floor. Lois and Brian jump through the window to confront him, and the clothes are in new positions on the floor.
Continuity: Season 7, episode 9, "The Juice is Loose." After Conway Twitty finishes his song, the scene cuts back to Perter and his family at the kitchen table. Take notice that Lois is sitting next to the back door, and Brian is sitting next to the kitchen sink and window. Keep an eye on that kitchen sink, window and door, because it will be replaced by a yellow wall with the telephone now being closer to Lois. Later as Lois, Brian and Peter are discussing OJ Simpson, the sink, widow and door return.
Continuity: Season 7, episode 7, "Ocean's Three and a Half." After Cleveland cuts open the safe door using Reese Witherspoons's chin, the door falls straight down inside the safe. After Cleveland, Quagmire and Peter step inside, you see that the safe door has mysteriously moved more to the left.
Continuity: Series 6, episode 12: The English guy's car is full of crates when we first see it and when his roof is blown off but after Peter and a crewman have boarded, there are suddenly barrels in the car too.
Continuity: In the episode when Peter finds out that he is retarded, in the scene where they are about to start shooting at each other, when Peter says, "Nobody fire at Lois. She's scared.", look over his shoulder. In the picture, Stewie is facing left. Later, when they're shooting at each other, Stewie is facing right.
Continuity: When Stewie pushes Brian down the stairs, in the background at the moment he pushes him that the stairs are visible behind Stewie as well.
Continuity: Brian's newspaper's name changes from "Daily Informant" to "Daily Tim...". The newspaper also turns upside down between the two shots.
Continuity: When Peter is testifying in court, the microphone on the witness stand disappears in the shots from the judge's point of view.
Continuity: Stewie tries to get his mind control device back from the kitchen. The cupboard door is open when he falls. In the very next shot, Lois turns the light on in the kitchen, and we see the door has closed without anyone touching it. It is open again after that.
Continuity: When Peter says he's gonna buy his family the biggest meal they've ever had, Stewie's eyes are drastically bigger than usual.
Continuity: When Lois, Meg, Chris and Stewie first enter the courtroom there is a brown-shirted man sitting next to Quagmire. In the next shot, there is a pink-shirted man there.
Continuity: The welfare cheque that Lois gets from the postal worker is addressed: 'Peter Griffin, 72 Spooner St, Quahog, RI' but the Griffins live at 31 Spooner St. every other time their address is mentioned.
Continuity: When we first see the two commentators in the box, the blue suited one doesn't have a mug, but in the next shot, there is a mug next to his microphone.
Deliberate "mistake": When Stewie demands his device, he says, "Like a box of active grenades," and she gives it back. The pins weren't pulled, yet he runs and it explodes.
Continuity: When Meg is looking through her magazine in one shot there are just some adverts, but in the next shot there is a full page picture of someone.
Continuity: During the breakfast scene when Peter is lying on the table, the food on the plates changes positions between shots.
Continuity: When Stewie is acting like a ninja to get his gun back it is in a cupboard with 3 shelves. Yet when the gun is lifting him up there are only two shelves.
Continuity: When Lois and Peter are in bed prior to the Raisin Bran spoof, in one frame Peter is not wearing glasses, the next close-up he is, and in the next frame he is again without glasses.
Continuity: The seating arrangement of the students preparing to throw paper wads at Meg during the Wonder Years parody changes depending on the camera angle.
Continuity: The family visits Peter in the hospital. In the long shot, there is nothing on Stewie's head. In the next close up, a band-aid appears on his head.
Continuity: When Peter is explaining to Meg about "bribes" in one shot the window in the kitchen door disappears.
Continuity: When Peter crashes into the cable tower in the far shot, the number plate isn't there. Yet in the close up shots it is there.
Continuity: After Meg is pulled over by the police officer, in the situating shot of Peter driving Meg home, it appears that Lois is sitting next to him in the passenger seat, but it's really Meg.
Continuity: During the scene where Peter interrupts Meg class in a towel, there is a dotted line in the diagram on the board at first, but later, the line is gone.
Continuity: When Lois is feeding Stewie broccoli at the beginning in one shot the plate disappears from his table, and then in the next shot it is there with a fork next to it.
Continuity: When we first see the merry-go-round that Peter and William Shatner ride on, there are four bikes on it, but in the next shot, there are three bikes.
Continuity: When Stewie ties the weather control device to the chimney, the black jump-lead is on Stewie's left (HIS left, not our left) and the red one is on his right, but in the next shot, they have switched positions.
Continuity: Throughout the episode in the car, there is sometimes a light on the roof, and sometimes there isn't.
Continuity: When Peter asks Stewie what he would want most in the whole world, Stewie's hands change from hanging limp to rubbing each other.
Continuity: When the Cheesie Charlie's worker walks away from Peter there is no game on the right of the 'Outlaw' game, but in the next shot, there is.
Continuity: When Meg introduces Jennifer to Lois, she is, as usual, wearing her glasses. However, right when Jennifer says, "Bye Meg," Meg is seen in the shot, and her glasses have disappeared. Her glasses are back on in the next shot.
Continuity: In the cake scene at the end, the cake and things on the table move and disappear in between shots.
Continuity: During the scene where Peter is taking Meg away from the cult group, in some shots he is wearing a watch and in others, he isn't.
Continuity: In the flashback of Lois making a birthday cake, the cake has dark pink icing on the top and light pink icing on the sides. When Peter comes in to talk to Lois, the two colors have reversed.
Continuity: In the first shot of Stewie writing in his diary, he is wearing his usual red overalls and yellow shirt, but in the next shot, he is wearing blue pyjamas.
Continuity: When Stewie comes in when the Griffin family is talking about Cheesy Charlies, his head and body are way out of proportion. He is right next to the rug where the family is sitting, yet he is about twice his usual size.
Continuity: When Stewie is writing in his journal, in a far shot there is a yellow space ring on his bed spread, but in a close shot there is half a green planet.
Other: When Lois is saying that she'll make a nice romantic dinner, Chris's picture on the wall not only looks completely different, but he's wearing glasses.
Continuity: When Peter is talking about how annoying it is to be locked up in the house, Brian disappears from the couch in quite a few shots.
Continuity: When we first see Stewie playing with his Sesame Street phone, he gets closer to the Griffins' path between shots.
Continuity: When Lois starts crying in the supermarket, the boxes on the top shelf change colour between shots.
Continuity: When Peter first goes down into the basement, there is no railing on the stairs. One suddenly appears later in the same scene.
Continuity: When Peter comes home from fishing his hat disappears from the side of the couch in a later shot.
Continuity: When Peter comes home from his fishing trip he leaves mud prints all over the floor. Even Lois points it out, but after he goes through his two flashbacks, the mud is all gone.
Continuity: When Lois is talking about how amazing her singing was, in one shot Stewie disappears from his chair.
Continuity: When the Grinch drops the sack, the sack lands next to him, but in the next shot, it is gone.
Continuity: When the policeman asks Lois to describe Peter, it shows a view through a scope of a rifle. However, when the shot changes and the cop says "I've got him", there is no scope on the rifle.
Continuity: When Peter is saying how he hated the last few years of MASH, Mr. Weed just appears behind him in a shot change.
Continuity: When Joe arrives at the orphanage when he's telling his story, the sign changes position and the writing changes on it.
Continuity: During the scene where Joe is putting his trophies on the shelf, the size of the shelf in relation to the trophies changes.
Continuity: When Peter is improvising in the bank, the bag of money disappears in one shot.
Continuity: When Brian is sitting on the deckchair reading 'Utne Reader', the words 'Utne Reader' switch from being on the front cover, to the back cover, and then to the front again.
Continuity: When Stewie is sitting on Lois's lap watching TV and Peter comes in, at first his book his blue then it is red.
Other: When Chris is telling Peter that he is out of the scouts, pink can be seen through his earring, even though his earring is in front of his blonde hair, not his skin.
Continuity: When Peter is talking to the tree, the tree changes colour between shots.
Continuity: When Lois is showing Stewie the tape in the car, the way she is holding it changes between shots.
Continuity: When Lois is first using the slot machine, the symbols differ between shots.
Continuity: When Brian is watching TV at first the remote is on the right hand side and there is an olive in his glass, but in the next shot the olive is gone and the remote in on the left hand side.
Continuity: When Lois is saying "I feel so foolish, it seemed like such a good cause", Meg disappears from the chair she was sitting on.
Continuity: When Chris shows Peter his drawing in the forest, in the shot before there was no drawing on either side.
Continuity: Just as Peter says "He-e-ey, don't take no for an answer Chris", the picture on the wall changes between shots.
Continuity: On Peter's letter to MacGuyver, the return address is '725 Spooner St.', but in other episodes, Peter lives at 31 Spooner St.
Continuity: In the scene where the Griffins are at the yacht club, Peter is telling a rat story. Before he talks about a steak, Lois' earrings are white, but right after the suddenly change to blue.
Continuity: In the scene where Lois goes down to the room where Peter is dancing, Peter is wearing blue pants. After he walks over to the door and greets her, he still has blue pants. The next shot of Lois and Peter dancing has him wearing his normal green pants, but after that it goes back to blue pants for the rest of the scene.
Continuity: Just after Peter sings "Tonight I sleep alone", his position in relation to Lois drastically changes.
Continuity: When we first see the toy train under the floor, it has four carriages, but in the next shot, we see five carriages go past.
Continuity: In the scene where Lois and Peter are at the historical auction, when Lois stops to talk to her friend the person standing next to her friend is wearing a green suit. In the very next shot he is wearing a black suit and vest.
Continuity: When Peter has become cultured and is talking to Coco and Jonathon, Jonathon's suit changes colour from brownish-green to grey.
Continuity: When Peter and Brian are lounging in the pool, Peter's beer can appears on his stomach between shots.
Continuity: When Stewie is asking the waiter to cut his food (and drink), his eggs disappear between shots.
Audio problem: When Peter introduces the pope to his friends at work, and he is saying "Remember when we got that stripper for Charlie and it turned out to be his son? I think this is gonna top it" or something along those lines), Peter's mouth very obviously does not sync up with the words being said.
Continuity: In the first shot of Peter and Francis at the baseball game, there is a girl in a green dress sitting behind them. In the next shot there is a guy in a cream shirt sitting behind them.
Continuity: The position of the hole on the leg of Meg's pants changes. In the scene where Meg is putting the mouse traps around Joe, the hole is on the right side. When they arrive at the house with Randy Newman and Meg is telling Peter that the Twinkee factory in Natick may not even exist, the hole is on the left side. This happens again throughout the episode.
Continuity: When Meg is putting down traps for Joe, she puts down a lot. Then when the Griffens leave and the giant rat comes, there are only a few. Then when Joe says "bring it on," there are a lot again.
Continuity: When the government people are looking at the missiles spelling 'Happy New Year', the 'Y' in 'Year' changes distinctly between shots.
Continuity: When the family comes out of the house after the apocalypse and finds Peter impaled on a "gag" fence, watch the way the fence is stuck in him. At first the thin side is up and down, meaning the band going around Peter would attach to the wider side of the fence. When he takes it off, the band is attached to the thin edge, which makes the previous shot of him impaled impossible.
Continuity: When Peter drinks the water after having all the dehydrated meals, he expands. Then in the next 'shot' he is much bigger, even though there is no time for him to have expanded further.
Continuity: When the Griffins are leaving Quahog and Meg is putting mouse traps down for Joe, the traps disappear and reappear in different spots than she put them during the rest of the scene.
Continuity: After Lois accuses Stewie of peeing on the carpet, he asks her to bend down and slaps her with a glove. The glove remains in his hand in that cut, is still there when there is a wide shot of Peter, Stewie, Lois and Brian (you can just see it next to his trousers in his hand), but when it cuts back to Stewie and he starts on about "the outrages" etc, it is gone (the cut is instant, no time for him to put it back in his pocket). A common error, this one just struck me as strange, because the sandwich Stewie threw at Lois is there the entire scene.
Continuity: As Lois pats Brian, her elbow changes position.
Continuity: Just before Lois suggests they toilet train Stewie, she and Peter move considerably between shots.
Continuity: When Lois asks Chris who he's talking to on the phone, she get considerably closer to him between shots.
Continuity: When Brian is at the psychiatrist's for the first time, the psychiatrist's chair changes position between shots.
Continuity: When Stewie has been picked up by Lois and is being kissed by her, Brian freaks out. When you first see Stewie and Lois, Stewie's hands are on her arms, next shot, they're on her shirt.
Continuity: When Spooner St. is announced as the parade's winner, Lois and Loretta hug. In the next shot, they are both waving their hands in the air.
Other: At the end, Brian says, 'I guess some mysteries are better left unsolved' and everyone else murmurs their agreement, yet Bonnie is heard saying, 'Peter's got a point'. She should have said Brian.
Continuity: In the end of the episode whilst the families are eating lunch at the picnic table there is a lot of plates of food and glasses on the table. Towards the end of the scene Brian says "I guess some mysteries are better left unsolved", there is a wide shot after he says this and every plate and glass from the table has disappeared.
Continuity: When Peter enters the cockpit and accidentally kills the pilots the cockpit looks small enough so that it could only fit Peter and the pilots in their seats. However, when he turns around to leave the cockpit looks big enough to fit an entire group of people.
Continuity: When Death is talking about how he wanted to be a wood nymph, he has no pillows, but in the next shot, he has a blue pillow.
Continuity: When Karen Black is first shown, her blue uniform is sleeveless, showing her white shirtsleeves. After a cut to the "Dawson's Creek" kids, Peter says "It was a movie in the seventies," and Black's outfit has sleeves. Later, when she is helping people off the plane, her uniform once again is sleeveless.
Continuity: When Peter is on the phone talking to Death the color of the napkin on the table changes from red to a brownish color.
Continuity: In the 'Titanic' spoof, just as Jack says "Yeah, about that, I was pretty sure I was gonna die", his head and body change distinctly between shots.
Continuity: When Stewie shoots the darts at Lois through the straw they get stuck to the cupboard door but in the next shot they are gone.
Continuity: As evidenced by the big bar room shootout, even if they couldn't die in this episode, wounds would still show up on your body (if shot with a gun, there would still be a hole). So, when Peter jumped off the building, when he hit the ground he should have been reduced to a fleshy puddle, even if he weren't dead.
Continuity: When Death is incapacitated and Peter is wearing the Death cloak, the stool that Death's legs are resting upon changes from having purple to brown legs.
Continuity: During the end of Peter's "revised" version of "The King and I" right after the scene where Brian and Peter kung-fu fight, the scene transitions to the next scene where a bunch of girls with bikinis on are surrounding Peter. During the transition, a girl appears out of nowhere. She is blonde and is leaning on Peter.
Continuity: When Diane Simmons is announcing that she will play Anna, the five little pictures behind her change between shots.
Other: In the scene where Einstein is stealing Smith's theory, when Einstein pulls the metal bars down, they should land on Smith's head, but Smith inexplicably moves forward and the bars land on his back.
Continuity: When Peter shows Lois the newspaper about the play the headline "Long live this King" is in black text. In the next shot when he puts the paper on the bed, the headline has changed to red text.
Continuity: In the scene that parodies "Good Times" and the "JJ" character says the infamous line "Dy-NO-Mite!" as he comes home, his mother has a coffee mug but his father doesn't. In the next shot, they both have mugs.
Continuity: When Peter says "There's gotta be an explanation for this" the pictures of the three kids on the wall are backwards.
Continuity: Before Lois runs upstairs to get Stewie out of the bloody tub, the pictures on the wall (behind Peter's head) of Chris and Stewie switch places between shots.
Revealing: When one of the Gumbels is holding a pencil in his mouth and nodding repeatedly, the shaft of the pencil moves with his mouth, but the tip of the pencil (protruding from his hand) stays still.
Continuity: When Peter, Anne Frank, and a group of people (presumably Anne Frank's family) are hiding from the Nazis, Anne Frank and her family look over to discover Peter munching crisps. In the next shot, Anne Frank's family look somewhat different, in fact they are a different group of people entirely.
Continuity: When the crowd is outside Peter's house wanting Peter to heal them, a lady in pink comes out and says "It's him!". While she does this she is standing on the lawn, but in the next shot she is standing on the cement path. Other people in the crowd change position in this cut too.
Revealing: When Peter, Quagmire and Cleveland are in Peter's car, the scenery flashing past the windows is just the same few buildings flashing past over and over again.
Continuity: When Peter and Lois kiss and make up at the end, Tricia and the press run up to them. As they arrive there is no-one behind Tricia, but in the next shot there are three people behind her.
Revealing: When Peter is first seen driving the car blindfolded, the background is simply the same two houses flashing past over and over.
Other: When Meg says "Nobody'd better pull this crap at my slumber party", look at the buildings flashing past the car window. Later, when she says "Just leave me and my friends alone tonight" the same buildings can be seen flashing past the window.
Continuity: When the Griffins are invited down from the crowd, the whole audience seating arrangement changes when the camera view is from behind them facing onto the audience.
Factual error: Right at the end, when Peter takes out the Bible, the front cover is on the wrong side, i.e the back.
Continuity: The bush that the artist is painting in the pre-credits scene changes between shots.
Continuity: When Peter puts his brush to the paint, you can tell that he dabs it in green or yellow paint, but when he paints the woman's blouse, it is red paint.
Other: When Peter is dancing to his musical number on top of the table, his head continually shrinks until the end of the shot, where his head is around a third of what it was originally.
Continuity: When Connie and her friends walk up to Peter (as Lando) graffitying, the black guy changes position between shots.
Continuity: After Peter laughs about Charles Dickens, he changes position between shots.
Continuity: Just after Meg is payed out for never having done 'toad', she changes position between shots.
Continuity: In the scene where Peter and Lois are "getting dressed", the candles in the background switch from having candle holders to not having candle holders.
Continuity: When Stewie is building with blocks, you first see a pyramid with three blocks on the bottom and two on the top. The shot changes, and he puts two more on the top, near the edge. When the shot changes again, suddenly there are five blocks on the bottom, six on the second layer, and two on the top near the middle. The letters and pictures are also all different.
Continuity: When Stewie is in his room talking to Rupert and himself out loud about Janet we see that Rupert is on the left side of Stewie's pillow. When the camera pans over to Brian who overhears Stewie's musings, after Brian makes fun of Stewie the camera pans back and Rupert is gone. There is also a quick tete-a-tete on the color of Janet's eyes and the final shot is on Stewie and his crib and yet no Rupert to be found.
Plot hole: If the groom didn't know who Lois was but had a picture of her, how could he have known that she was at the wedding so he could place the bomb in the blue sedan? If he had put the bomb in their car while they were still at home, they both would have been blown up. So this means he placed the bomb in the car at the wedding. He didn't know however that Lois was there until the end, where he caught up with them and told them not to start the car. Had he known earlier, he wouldn’t have been arguing with his bride about the hit occurring during their honeymoon.
Factual error: When Lois asks to speak to Peter in the other room after sitting down for supper with Paulie, the door they come out of is where the front door is all the time not the kitchen.
Continuity: In the scene where Peter is outside the cinema waiting for Big Fat Paulie, he has a tie on, however when he is in the cinema walking up the aisle, it's gone. When he gets out again, he has it on.
Continuity: Just before Paulie moons the sky, he and Peter change position between shots.
Continuity: As the mobster is telling Peter and Lois not to start their car, he changes position in relation to them.
Continuity: When Meg is first seen performing 'Death of a Salesman' she changes position between shots.
Continuity: In the scene where Peter is showing Cleveland his new car, the first shot shows a car that resembles a VW Beetle. In the next shot the car resembles a Mercedes CLK.
Continuity: In the scene where Stewie is eating chocolate cake, he shoves his head in it and covers himself in cake. However when Peter walks in after having liposuction, all the cake has disappeared and Stewie is now completely clean. The bowl of grapes on the table is also gone.
Continuity: Just before the pest control team leaves for the Griffins', we see the black team member holding a shotgun in his hand. After showing Logan in shot, it returns to the black member and he's now holding what looks to be an MP5 machine gun. In the following shot as he starts to slide down the pole, the gun is once again a shotgun.
Continuity: Stewie gets progressively fat throughout the entire episode, but in the last scene he is thin again.
Continuity: When Peter is in the grocery store talking to the Beautiful Peoples Club member, at one point Peter tilts his head, and his glasses disappear.
Continuity: When Ulysses S. "Griffin" is chugging beer with Robert E. Lee, Ulysses wins. When he says "How's that Robert E. Lee," he puts the beer glass on his head. After Robert says, "Okay no more slaves, but we still don't have to read books," the glass is in Ulysses' hand. In the next shot it's on his head again.
Continuity: During the meeting at the end, there are 13 Generals standing behind Adam West. In every other shot afterwards, they are standing behind Peter or Joe.
Continuity: Just before Adam West opens the trapdoor under Peter, Peter moves further away from the deck between shots.
Continuity: After Lois says that Stewie is the 'president of poopy' she and Tricia change position in relation to the couch.
Continuity: In the very first scene, the background that Peter and Brian are walking past changes.
Continuity: When Joe jumps off the trampoline, the trampoline is a lot smaller than when it was before.
Continuity: Peter and Luke Perry go into Peter's house, and sit down. The door is open when they sit down. In the following close-up of Luke Perry, the door is closed, with no evidence of anyone, or anything, closing it.
Continuity: The length of the antennae on the remote control on the back of Chris's head constantly changes between shots.
Continuity: During the scene where Chris walks into a hardware store, the antennae on the control on the back of his head change from straight to curled to straight again.
Continuity: When Stewie is just about to fly into the fan in the Griffin's living room, having just attached the antennae to Chris, a green balloon appears on his back with the other three balloons.
Continuity: Stewie takes the card from the predictor machine in his left hand but on close up it's in his right hand.
Continuity: The number of beers in the first crate when Louis refuses to drink them changes. It goes from 11 with Peter having one, to 12 With Peter and Louis having one.
Continuity: When Peter and Louis are talking about touring the brewery, the crates of beer on the floor move instantly.
Continuity: When Peter falls over, the ticket changes place instantly. Note the cracks in the path.
Continuity: When Peter and Brian are drinking all the beers, Peter picks up a beer. In the next shot it is open and he had no time to remove the cap.
Continuity: In 'Wasted Talent', near the end of the Chumba-Wumba song about Joe being in the wheelchair, the Chumba-Wumbas wheel Joe till he is about 15 yards away from the gate. Then as the shot cuts, Joe and the Chumba-Wumbas are standing right next to the gate. How did this happen? Nobody moved him.
Continuity: When Brian is saying that his family has it all wrong about his drugs, Lois is holding Stewie. In the very next shot of his family from the front, Stewie is standing on the ground, without any time for him to climb down.
Continuity: When Brian is giving his speech at the end, it shows two policemen. The one on the left has a brown drink and the one one on the right has a yellow drink. But in the next shot, the one on the right has a yellow drink and the one on the left has a clear drink.
Continuity: When Peter catches up to Brian in the golf cart at the rehab facility, Brian is seen wearing a track suit with a headband and holding hand weights. Peter convinces him to go mess with the pregnant teens across the lake and in the row boat over Brian is still wearing the tracksuit and headband. However, when we see them enter a room where the pregnant teens are he has obviously taken off the tracksuit and headband and is just seen wearing his dog collar.
Continuity: As Peter and Lois take Stuey to the Hotel, as we first see Peter, he has on a blue suit. The next scene we see him, he has on a black suit. Then, as they get called in the room, he has his usual on: green pants and a white shirt.
Continuity: When Brian and the Griffins are sitting at the table, there is a salt shaker in between Louis and Brian. But the next time they show where it would be, it isn't there.
Continuity: In the scene where Peter is at the baseball game, Stewie is sitting next to a boy he calls "Opie." The camera then cuts away to a clip. When the camera cuts back, "Opie" is gone and a grown man is now sitting next to Stewie.
Continuity: When Mr. Weed is crying about losing his job, we see a view of a long line of trees in the window behind him. The camera switches to a close-up of Peter. When it zooms out again, the trees on the right of Mr. Weed are missing.
Factual error: Neither the Lincoln Memorial nor the Washington Monument are visible from the East Front of the Capitol. Furthermore, the Lincoln Memorial is shown as being northeast of the Capitol, when in fact it is due west.
Continuity: When Peter is sharpening the pencils, the ones that he throws on the table are much shorter than what he sharpened them to.
Continuity: When Peter goes to Mr. Weed's office for skipping work to go to a baseball game, he has a piece of paper in his right hand. When the shot changes, however, the paper is in his left hand.
Continuity: After Peter has been to the newly opened bar, he runs to his house door (which is RED) and when he opens it, the colour has changed to BROWN.
Other: After the hurricane passes, Peter acts like he's been impaled by a wooden plank. He pulls it out as if it was attached to his right side. However, the way the metal on the clasp was bent, the only way the wooden plank could've been positioned that way is if the metal was over his shoulder.
Continuity: When Peter comes home from the British-ruled bar, he runs into the British owner and Lois. Lois takes Peter into the other room through the same door Peter came in from the outside.
Continuity: At the football game, the row of people behind the Griffins disappear in one shot, and reappear in the next, with not enough time for them to of ALL moved away, and ALL moved back.
Continuity: When meg is at the car with the girl and the two boys, the guy on the right has the Q and a basketball above it. But in the next shot it has a volleyball over it.
Continuity: When the flag team first walks out to the field, they are all in a straight line. Next time they are in two seperate lines with Meg at the head. Also, the girl with the head brace moves to the front when she is seen in the back. There is not enough time for them to move into the lines.
Continuity: When they are at the football game and Meg and the flag girls come out, and after Louis says, "Oh Peter, isn't she beautiful?", Peter's hot dog is yellow and has ketchup. But after he throws it on the field, it is back to normal.
Continuity: When Peter and Lois talk about Meg, no one is behind them. The next scene of them after the meat was shot at Meg, there is a whole crowd of people sitting in the bleachers directly behind them.
Continuity: Just before Peter enters the tunnel in his new car, the white line in the middle of the road is blotchy and not continuous. When the shot changes to Peter's POV, the line has completely disappeared. The next shot which shows the car side on, there is now a straight white line on the road.
Continuity: As Stewie is about to eat his brisket (just before he throws it at Meg) he is cutting part of it off. Just as he cuts through the shot cuts and you can see the brisket is now back in one whole piece. You can also see the mashed potatoes change from white to green.
Continuity: When Peter is throwing the disks and then shooting them, you see the door is closed. In the next shot it is open and you can see the inside of the house. Then in the next shot, it is open again.
Continuity: After Peter and Chris have the race to the 'Marker where that girl...', Peter is on the left of the cone, but when the hand comes out, he's on the right.
Factual error: When Meg is spinning her flag on the football field, she grips her flag at the bottom of the pole. She should grip in the middle of the pole, directly under the silk. It would be near-impossible to execute the spin she was doing if she was holding the pole that way.
Continuity: The white volleyballs turn into colorful beach balls and then back into white volleyballs.
Continuity: In the scene where Peter gets a ride from Cleveland, there is no one behind the wheel of the car while Peter is walking up to the front door.
Continuity: When Peter is calling for people to fight Lois, he is standing next to a sign that says "Fight the ass kicking housewife" and has metal rings at the top. When it moves to a closer shot, a hyphen has appeared between "ass" and "kicking". Then, after the space where the commercial break would have been, the sign now says "$10.00" and there are no metal rings. Finally, in the next shot, the sign says "Fight the..." and has metal rings on top.
Continuity: When Peter is pretending to be a man-eating tree, there is more of a shadow on the tree in the first shot than in the shot right after he spits out 'Dan Rather'.
Continuity: In the scene where the family are singing an African song, they all point their arms up to the ceiling yet in the next shot, Lois's arms are imediatly cupped and pointed downwards- you don't see her moving her arms to that position.
Continuity: When the family is in traffic jam there's a shot from the front of the car, and in the next shot from the backseat of car, Peter's face (glasses and part of nose) is reflected in the rear view mirror. However, there's no rear view mirror in the first front shot or shots following backseat shot.
Continuity: When Chris tells Meg not to rake the two leaves because they are his friends, one leaf is brown and the other is yellow. After Meg picks them up and crushes them, they're both brown.
Other: When Lois knocks out the karate master, if you look in the stands there is a guy without a nose.
Continuity: Brian is looking at board games. Before he spots his favourite (in the wide shot), there is a game of Snakes & Ladders to the left of Chinese Checkers. In the close-up, S&L is gone, and CC has moved up closer to Brian.
Continuity: On this episode, Neil's father says that his and Miriel's first kiss was in high school. But, later in "Stuck Together, Torn Apart", Miriel states that Neil made a dating video to meet her. In the video he is a grown man.
Continuity: When Stewie has kidnapped that bully he holds a weapon in front of the bully's face. When Lois comes in he puts it down, but in a full shot of the room it has disappeared.
Continuity: At school, when Neil is wearing the shirt that shows him and Meg, himself on the shirt has black hair at first. After Meg yells at him, he has orange hair on the shirt.
Continuity: At the bottom of the stairs there is a picture of Peter and Lois, and the song "So Long, Farwell" starts. The kids start singing and you can see in the backround the picture is gone then comes back when the kids are going back up the stairs.
Continuity: When the black knight pushes Peter's face into the table, there are cream-coloured serviettes (napkins) laid out, but in the next shot, there are blue serviettes.
Factual error: In the scene where Lois drops Peter off at the Renaissance Fair, when Peter gets out of the car, the door opens the wrong way (the way suicide doors open). This is noted to be a mistake in the director's commentary.
Continuity: During the 'So Long, Farewell' parody, Stewie is seen putting his head on the landing on the stairs, when it cuts back to him, his head is resting on the second stair from the top.
Continuity: When the children are singing, "So Long, Farewell", as they are going upstairs they pass a picture with a grey-haired man and a dark-haired woman hanging along the middle of the stairwell. When they get to the top of the staircase, we see the exact same picture, but now at the head of the stairs.
Continuity: Lois and Meg take the red car for their vacation at the spa, but while they are gone, Peter is seen driving it a few times.
Audio problem: In the scene where Quagmire is bidding on the prostitutes panties, the auctioneer says that she had 9 STDs, but the closed captions have him saying, "She had 12 STDs."
Continuity: Pay attention to the items behind the police auctioneer. In the first couple of shots we see a statue of a knight on a horse to the left of the auctioneer. When the camera cuts to Peter, and then cuts back, the statue is gone. The statue is then back in the next shot.
Continuity: When Meg is waiting for Lois outside the hooters, she has a watch on her wrist. When she is talking with Lois, it just disappears after a couple of shots and we don't see it again.
Factual error: When Meg and Lois are in the back of a police car they escape by opening the backdoors and getting away. The reardoors of a policecar can only open from the outside, for obvious reasons and this escape could not be possible.
Factual error: When Carol gives birth there is no umbilical cord.
Continuity: When Lois is on the phone to the FBI agent, the phone switches from being an old fashioned circular dial phone, to being a keypad phone.
Other: When Stewie is with his 'band' for the first time when he is tuning his guitar, the string he's tuning doesn't match the peg he's turning.
Continuity: When we first see the Bumblescum General Store, there are two guys on the porch; one sweeping and one sitting, but shortly afterwards, the guy sitting is gone, even though there was no time for him to have moved.
Continuity: When Peter and Brian are escaping from the locals in their car, they go over a ridge. They freeze in midair and a voice says "those Griffin boys..." and the screen goes black. Then, in the next shot, the whole landscape is different. Even though the angle of the shot is different, that doesn't account for the disappearance of Chris and Sam or the colour-change of the sky.
Continuity: In the scene when Peter and Brian crash through the wall in the car during dinner, Lois is standing by the table with oven mitts on. In the next shot when Lois asks Peter what he's doing the oven mitts are gone. There was no time to take them off and nowhere to put them either.
Continuity: When Lois is talking to her father about Peter wanting to be friends with him, the two emblems on Carter's shirt disappear between shots.
Continuity: When we first see Carter and the Griffins at the Newport racetrack, Peter's hands are on his thighs, but in the next shot, he is holding a cigar in his mouth.
Continuity: Peter is playing poker with Lois's father, and he wins. Lois's dad wins. While he's bragging about his son-in-law, look at the table. All the chips and cards are gone.
Continuity: When the guys are all playing cards, Peter has a low amount of blue chips. In all the different shots, Peter goes from having no chips to having a lot. The pile is low in the above shots and high when it is close up on Peter.
Continuity: When Chris says "Cool, I get to be black and Irish, he is holding three books, the top one being green. A few moments later, the top book is brown, even though Chris had no time to change the books.
Continuity: When Stewie jumps on the picnic table and begins his dance, at one point he undoes his coveralls and removes his shirt. In the next shot he is fully clothed.
Revealing: When Peter and Cleveland are on the bike together, the scenery flashing past is just the same few houses going past over and over again.
Continuity: When Peter is convincing Joe to do something with his life, they are listening to the news and beer cans are everywhere. Then the news reporter says, "Better watch out for that skateboard." After he slips, look around the room: there are no beer cans anymore.
Continuity: The word 'Coach' on Peter's jumper changes in thickness multiple times just as Joe is starting the final race.
Continuity: When Peter is walking out the door to leave from Joe's room, if you look at the t.v. screen, there are no buildings behind the reporter like in previous shots.
Continuity: When Peter is complaining to Brian about Joe doing the cereal ad, the position of the remote changes between shots.
Continuity: When Peter is stealing steroids from behind Mort Goldman's desk, he gets down on his knees to hide. In the next shot, he is standing (albeit bent at the hips).
Continuity: Right after Lois is telling Peter that he should go to Joe's house, you see a plate and a coffee mug. But right after the angel spirit holds the gun up to Peter's head, and he is walking away from the table, the plate and mug are gone.
Continuity: When Joe is pretending to have broken his legs, Quagmire is holding Joe's wheelchair with both hands, but in the next shot, he is only holding it with one hand as he has a beer in the other hand.
Other: When Quagmire is sticking his body out of the car door and yelling "Whooooooa! Whoooooooa!", look at the person in the back seat. It certainly isn't Joe, who was there in the previous shot, in fact it looks like another Quagmire.
Continuity: When Stewie contemplates that there is a hidden camera in the Santa ornament, the red bauble next to the Santa changes between shots.
Continuity: When Santa tells Stewie to smile for the camera, there is a white pompom below his beard, but in the next shot, it is gone.
Continuity: Brian gets the fur on his hands burned off by the kitchen fire, but when Lois goes crazy and goes into the living room, the rest follow her and the screen zooms out. When that happens Brian's fur is back on his hands.
Audio problem: After Lois goes insane and jumps out the window, she insults Frosty the Snowman, who then goes up to her to demand an apology. Lois then takes out a match and uses Frosty's nose to light it. Frosty recoils, holding his nose and saying "Ow, ow, what the-" but it cuts to a shot of Lois grabbing a bottle of beer from a hobo as Frosty is saying "What the" and it shows him standing perfectly straight, with his mouth not moving at all.
Other: When Peter runs over the manger with his car the camel flies towards the left out of shot, but when it falls on Peter it is falling straight down as if it was shot upward.
Audio problem: The keys that Jonas hits don't correspond to the music we hear.
Continuity: After Pearl dies, Brian rubs her cheek, but in the next shot, his hands (paws) are nowhere near her cheek.
Continuity: When the family is eating dinner and discussing Brian's community service, Stewie's meal goes from breaded chicken to meatloaf in between shots.
Other: When Brian is driving Peter and his friends back from the planetarium, the steering wheel just appears in front of him in the middle of a shot.
Continuity: When we first see Brian at the Laser Rock Show, he is sitting next to a white shirted guy, but in the next shot, he is next to a blue shirted guy.
Continuity: While Stewie and Olivia are performing, Olivia is wearing a light purple dress. After the performance, when Stewie and Olivia are sitting on the piano talking to their teacher, Olivia's dress changes from purple to blue in between shots. She is also wearing dark red lipstick instead of none at all.
Continuity: In Stewie's first acting class, the chairs all the children are sitting on are blue but after Stewie has done his scene and he is talking to Olivia about her comment, the chairs are orange.
Continuity: When Simon is working with Stewie in his "The Life Cycle" exercise, there are three children behind him: a redhead with freckles, a blonde with glasses, and another blonde. However, after Simon turns around and says, "Any comments?", there is a wide pan of the kids in the class, and the three kids have completely disappeared.
Continuity: When we first see the sign outside the Quahog institute of performing arts, it has a cartoon take on the comedy and tragedy masks in the corners. In the left hand corner is a black mask with big ears and a smile and on the right is a white mask with a frown. Later on, the black mask has the frown and the white mask has the big ears and smile and the 3rd time you see the sign it has changed back again.
Continuity: When the Griffins are dining with the nudists, the leaves on the corn in the middle of the table change colour.
Continuity: When we first see Stewie at drama class, there is a girl with pigtails behind Olivia, but when we next see Olivia, there is a black boy behind her.
Continuity: When we first see Brian at the auditions, he is sitting between Stewie and an empty chair, but when he is called up, he is right next to the aisle.
Continuity: After the fight between Stewie and Olivia at the concert hall (followed by their breakup), Simon tells Stewie that the act without Olivia is "over" as he turns to walk off the screen. However, before Simon is even partially out of the shot, he completely disappears.
Other: In this episode, Mort Goldman shows Peter a dating video he made, saying it's how he and his wife met. He is an adult in the video, yet in an earlier episode 'The Kiss Seen Round The World', Mort's wife tells the Griffins that she met him when they were just 14.
Continuity: When Peter goes to see his ex-girlfriend, she says she never washed her hand and takes off her right glove to show a black hand. It is like this right up until Peter leaves. She then turns around and the hands have switched colours.
Other: In the scene where Brian gets off the phone with the glue company, he says the bad news is that the substance to remove the glue takes two weeks to arrive, but the captions read seven days.
Revealing: When Brian and Stewie are on the tourbus, the scenery flashing past is just the same few buildings going by over and over.
Other: The 'KISS' logo above Kiss's stage isn't actually held up by anything.
Continuity: When Stewie is watching Jolly Farm Revue for the second time, he is sitting roughly in the centre of the mat, but in the next shot, he is sitting near the edge of it.
Audio problem: When the English mother at the airport says "These are all ours", she says it in a posh American accent, not an English one.
Factual error: When Peter has his KISS trivia game with Dave the nudist, he asks what the ad read that brought Peter Criss to KISS, and they both answer in unison: "Drummer willing to do anything to make it". In fact, the ad read: "Drummer with 15 years' experience willing to do anything to make it". As the original ad is referenced and shown in several biographies on KISS, as well as the "KISS: eXposed" video, it's not something these two trivia experts would have missed.
Continuity: When we first see the English family at the airport, the girl in red is carrying a blue pack, but in the next shot, she is carrying a doll.
Continuity: After Peter says "Let him answer, Lois", he gets a lot closer to Dave between shots.
Continuity: When Brian says "You can't just ignore these years", the front cover of his magazine is different from how it was in previous shots.
Continuity: When Peter Criss jumps out from behind the drum-kit, the 'KISS' logo is at the top of the base drum. Then when he is singing the "Chattanooga Choo Choo" the 'KISS' logo is further down the drum.
Continuity: When Gene Simmons points the microphone at Lois, she is surrounded by people with Kiss make-up on. In the next shot, when she says "Is that it?", she is surrounded by a different group of people, one of whom is not wearing make-up.
Continuity: Stewie and Brian are having breakfast at the hotel. When they spot the hot air balloon, the plates on the table disappear between shots.
Continuity: During Kiss's performance, Paul Stanley (the one with the star face paint) and Ace Frehley (the one with the grey face paint), swap places multiple times.
Continuity: In the scene just before Lois doesn't know the lyrics to the song at the KISS concert, there is a multiple flashing of members of the band. In a shot of drummer Peter Criss, he has blond hair instead of his trademark black.
Continuity: When Lois is saying "We each seem to have acquired superpowers.", her size in relation to the chair in front of her changes between shots.
Factual error: In the genie part, when Peter wishes he had no bones he is still talking, but if he wished for no bones he wouldn't have a skull to talk.
Continuity: When the 'Knight' and the 'Ghost' bump into each other in the corridor, the armour and bedsheet fall on the floor, but in the next shot, the armour and bedsheet are gone.
Revealing: When Peter is about to get beaten up on the bus, look at the scenery flashing past the windows; it's just the same few building flashing past over and over again.
Continuity: When Lois picks up the fridge there is nothing stuck to the fridge but when she puts it down there is a note stuck to it.
Continuity: During the Scooby Doo send-up, there are red doors all along the corridor, but when Peter is talking about Istanbul, the red doors are gone.
Continuity: When we first see the crowd in the 'We Hate Broads' club, there is a boy with a red hat standing behind a black boy, but in the next shot, they are standing next to each other.
Continuity: Just before the genie comes out of the bottle, Peter's hands move from holding the bottle and the opener away from each other, to opening the bottle with the opener, between shots.
Continuity: Episode "Stewie B. Goode," S4 E28: When stewie is trying to get a drink from Bryan, there are two alcohol bottles on top of the table. But one is gone for two shots, then comes back. Also the bottles change from closer to father.
Continuity: Episode "Stewie B. Goode," S4 E28: Bryan insults Stewie about the water and there is a water glass by Bryan's plate. Then it cuts to a shot of Stewie and Chris, and the glass is gone.
Continuity: Episode "Stewie B. Goode," S4 R28: The bar owner puts two drinks on the table with olives in them. When it cuts back to the table, Stewie's drink doesn't have the olive in it anymore.
Continuity: When Chris hides the vodka from his teacher, he holds his right hand behind his back with his left arm at his side, but in the next shot, both his hands are behind his back.
Revealing: When Peter and Lois are driving to Cape Cod, the scenery flashing past is just the same few trees over and over.
Factual error: At the end of Peter's trombone solo, he holds out his last note. While holding the note, he moves the slide with no change to the note whatsoever. Since the pitch of the trombone is controlled by the slide, it would be impossible for Peter to move the slide as much as he does without changing the pitch he's playing.
Continuity: When Peter and the chicken are fighting, everything in the road vanishes instantly.
Continuity: Right at the start when you get an aerial shot of the bowling alley, there is one that gets a strike. The machine sweeps them away, but the pins still remain.
Continuity: When Tom Tucker is reporting about Peter saving Horace, his angle in relation to the bar changes.
Continuity: During the Star Wars rip-off at the end, just before Peter climbs the Town Hall stairs, the people on the sidelines change.
Continuity: In the episode "The Cleveland-Loretta Quagmire" while the Griffin family are at the Heimlich maneuver class, there is a scene where Stewie is talking to a doll and putting his clothes on. You can see that he has no shoes on but when he sticks his feet through the pant leg holes, shoes suddenly come out of the pants and he has his shoes on.
Continuity: After Quagmire jumps through the window, the glass shards on the ground disappear.
Other: When Peter is painting the Sistine chapel, he has green paint on his brush, even though the picture is entirely black and white.
Other: During the Vagina Monologues show, the pair of legs casts a shadow but the microphone stand doesn't.
Continuity: In the episode "Petarded", when Peter is in court, when he says he is going to call "the ghost that never lies" to the stand, only Stewie is visible over Peter's shoulder. But when Peter says "But only I can see him", Meg is also visible over his shoulder.
Continuity: As Brian is saying "OK, you know what, fine, you are a genius", the glass of water disappears.
Deliberate "mistake": In season 4 episode 7, 'Brian the bachelor'. Cleveland is sitting in a chair in a waiting room and is getting really nervous. Peter tries to help him by tying him to a chair and when that doesn't work, he takes off all of their clothes. Peter ties Cleveland's hands to the arms of the chair and then takes Cleveland's clothes off. He couldn't have taken the shirt off while Cleveland's hands were tied to something without untying him or ripping the shirt, which he didn't do.
Continuity: When Chris is sitting on his bed talking to Doug, the squares on his quilt pattern get smaller.
Continuity: Just after Lois decides to get rid of Chris's pimple, the pimple changes position in relation to Chris's hair.
Continuity: When the Griffins are discovered by Joe, Peter switches from his Sumo outfit to his regular outfit in a matter of seconds.
Continuity: When Stewie mentions to Brian about his "Life's a beach" mug, the squares on his calender keep changing size.
Continuity: In the very beginning of Perfect Castaway, when Peter is talking to his workers and telling them he's going to have to "put them down", he pulls out a shotgun and four shells. He puts two shells in each barrel, but then continues to shoot 5 times when they jump in the water. First of all the shotgun is a double-barreled, break action type shotgun, so Peter should only have been able to put two shells in it. Second of all, even if he could put two shells in each barrel, he would only be able to fire it four times.
Other: When Stewie is playing Simon Says, the sequence Stewie plays is different than the one that the Simon Says played. If he played it wrong, there should have been a sound from the Simon Says indicating that Stewie played it wrong.
Continuity: In series 4 episode 13 Jungle Love: When the family are escaping the tribespeople, Chris is wearing the tribal clothing. When they jump in the plane there is a brief far-off shot of Chris wearing his usual cap and t-shirt. In a close up shot moments later, he is wearing the tribal gear again.
Continuity: Osama bin Laden's dialysis machine disappears after Stewie knocks him down.
Continuity: When the Griffins are driving to Washington we see a faraway shot of the car driving from left to right. Peter and Lois are in the front and Chris is leaning back on the back seat. In the next shot, Chris is leaning forward against the back of Peter and Lois's seats.
Continuity: When Chris is saying "I'm not supposed to tell Mom cos she'll just bitch about it" there is a door behind Lois with a box next to it. In the next shot there is a smaller box next to that box which was not there before.
Continuity: After "Herbert the Pervert" leaves the Griffins' house, the size of the couch in relation to Chris changes distinctly between shots.
Other: When Mr. Hubert is singing about his fantasy life with Chris, he is reflected in a mirror but his arms do not have the same angle; the reflected one is much steeper.
Continuity: When the baseball crashes through Herbert's window, the glass shards are in different places in different shots.
Continuity: After Joe shoots a hole in the table, the hole changes size.
Continuity: When we first see all the guys at the NAAFP meeting, there are two guys in the top right corner; one with a singlet and one with brown hair and a green-brown T-shirt. In the next shot, these two guys come in from the opposite side of the screen.
Continuity: Just after Patrick 'kisses' his imaginary girlfriend goodbye and tells Brian to look after her, Brian switches position on the couch. In the first shot he is sitting on a crack between couch pillows, but in the next shot he is sitting in the middle of the centre pillow.
Continuity: When Lois turns on her parents' bedside lamp, it only casts a small beam of light onto the floor, but later in that scene, the same beam of light is much bigger.
Continuity: When Francis arrives, he changes from standing on the threshold to standing inside the house, even though he could not have moved between shots.
Continuity: When Stewie is in the sterile glass cage, Lois is changing his diaper with rubber gloves built into one of the panels (like Homer Simpson's in the opening credits). In previous and subsequent shots, however, the panel is solid glass, with no gloves. (Series 4: The Father, the Son, and the Holy Fonz).
