Continuity: In the 'Titanic' spoof, just as Jack says "Yeah, about that, I was pretty sure I was gonna die", his head and body change distinctly between shots.

Continuity: When Stewie shoots the darts at Lois through the straw they get stuck to the cupboard door but in the next shot they are gone.

Continuity: When Death is incapacitated and Peter is wearing the Death cloak, the stool that Death's legs are resting upon changes from having purple to brown legs.

Continuity: When Peter is on the phone talking to Death the color of the napkin on the table changes from red to a brownish color.

Continuity: As evidenced by the big bar room shootout, even if they couldn't die in this episode, wounds would still show up on your body (if shot with a gun, there would still be a hole). So, when Peter jumped off the building, when he hit the ground he should have been reduced to a fleshy puddle, even if he weren't dead.

Continuity: When Diane Simmons is announcing that she will play Anna, the five little pictures behind her change between shots.

Continuity: During the end of Peter's "revised" version of "The King and I" right after the scene where Brian and Peter kung-fu fight, the scene transitions to the next scene where a bunch of girls with bikinis on are surrounding Peter. During the transition, a girl appears out of nowhere. She is blonde and is leaning on Peter.

Continuity: When Peter shows Lois the newspaper about the play the headline "Long live this King" is in black text. In the next shot when he puts the paper on the bed, the headline has changed to red text.

Other: In the scene where Einstein is stealing Smith's theory, when Einstein pulls the metal bars down, they should land on Smith's head, but Smith inexplicably moves forward and the bars land on his back.

Continuity: When Peter, Anne Frank, and a group of people (presumably Anne Frank's family) are hiding from the Nazis, Anne Frank and her family look over to discover Peter munching crisps. In the next shot, Anne Frank's family look somewhat different, in fact they are a different group of people entirely.

Continuity: In the scene that parodies "Good Times" and the "JJ" character says the infamous line "Dy-NO-Mite!" as he comes home, his mother has a coffee mug but his father doesn't. In the next shot, they both have mugs.

Continuity: When Peter says "There's gotta be an explanation for this" the pictures of the three kids on the wall are backwards.

Revealing: When one of the Gumbels is holding a pencil in his mouth and nodding repeatedly, the shaft of the pencil moves with his mouth, but the tip of the pencil (protruding from his hand) stays still.

Continuity: Before Lois runs upstairs to get Stewie out of the bloody tub, the pictures on the wall (behind Peter's head) of Chris and Stewie switch places between shots.

Continuity: When the crowd is outside Peter's house wanting Peter to heal them, a lady in pink comes out and says "It's him!". While she does this she is standing on the lawn, but in the next shot she is standing on the cement path. Other people in the crowd change position in this cut too.

Revealing: When Peter, Quagmire and Cleveland are in Peter's car, the scenery flashing past the windows is just the same few buildings flashing past over and over again.

Continuity: When Peter and Lois kiss and make up at the end, Tricia and the press run up to them. As they arrive there is no-one behind Tricia, but in the next shot there are three people behind her.

Other: When Meg says "Nobody'd better pull this crap at my slumber party", look at the buildings flashing past the car window. Later, when she says "Just leave me and my friends alone tonight" the same buildings can be seen flashing past the window.

Continuity: When the Griffins are invited down from the crowd, the whole audience seating arrangement changes when the camera view is from behind them facing onto the audience.

Continuity: When Peter puts his brush to the paint, you can tell that he dabs it in green or yellow paint, but when he paints the woman's blouse, it is red paint.