The top mistakes in Fantastic Four: Rise of the Silver Surfer http://www.moviemistakes.com/film6806 en Sat, 21 Nov 2009 06:55:33 +0000 124050 At the end, there is a group of people with their backs to the camera, facing & waving to the Fantastic 4. As the F4 fly towards the camera and out of the shot, the crowd turns to continue waving to them. One small boy in white remains facing the wrong way, still waving, until another child grabs the back of his clothes & turns him to face the right way. 141586 When the Fantastic Four first meet Victor Von Doom, Doom says, "Now let's be clear be clear about this, shall we? I hate you". In the next shot, his head is seen from behind, but if you look closely, you can see his jaw and face moving as if he were talking, but nothing is heard. 141593 When Johnny breaks the news to Ben about Reed and Sue leaving the group, as Alicia says, "You can't be mad at them for doing what makes them happy", in first shot, her arms are down, but in the next shot, she's holding her hand underneath her chin. 147902 As the Silver Surfer and the Human Torch fly down the face of the sloping Grace building, traffic on 42nd Street, below, can be seen moving to the right. When they hit the street level, traffic direction has reversed relative to the building. The number of lanes visibly reduces from 6 in the above view (2 parking lanes, 2 traffic lanes in each direction separated by a double yellow line) to 4 at the street-level view. This would also qualify under another category, as 42nd Street traffic is two-directional. The first, high angle shot from above correctly depicts the actual conditions on the street. 148064 The Human Torch chases the Silver Surfer into the Lincoln Tunnel at 29:35; the entrance shown is on the New Jersey side of the Hudson River (although they had just been in Manhattan seconds before, they were airborne and could have gotten there from the sky). When they collectively exit the tunnel at 30:01, they are still on the New Jersey side, as evidenced by the toll booth clerk who witnesses their flyby. While both the entrance and exit scenes are physically in the same a place, a large American flag was either pasted into the entrance scene or edited out of the exit scene, creating a slightly different visual element to two otherwise identical landscapes.