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  <title>Mistakes in Immortal Beloved</title>
  <description>The top mistakes in Immortal Beloved</description>
  <link>http://www.moviemistakes.com/film1733</link>
  <language>en</language>
  <pubDate>Sat, 07 Nov 2009 06:55:13 +0000</pubDate>
    <item>
	<title>Mistake #1</title>
	<mistake_id>12031</mistake_id>
      <description>What on earth is the conductor at the premiere of the 9th doing with a baton? This was not used until around 1849, and the premiere of the 9th is in 1824.</description>
    </item>
    <item>
	<title>Mistake #2</title>
	<mistake_id>24715</mistake_id>
      <description>Despite all the wonderful period instruments, particularly pianos, in this film, the sound coming out of them is that of a modern grand piano, which sounds nothing like the lighter instruments of the time.</description>
    </item>
    <item>
	<title>Mistake #3</title>
	<mistake_id>46702</mistake_id>
      <description>When the so called &quot;Immortal Beloved&quot; visits Beethoven's grave at the end of the film, it is an 8 foot obelisk, but the original grave was about 2 feet tall, and on the other side of Vienna, in a different cemetery. Beethoven was exhumed in the 1880's and moved to his current location with the 8 foot obelisk, along with Schubert. The woman is visiting a grave which was built 30 years after she died.</description>
    </item>
    <item>
	<title>Mistake #4</title>
	<mistake_id>46701</mistake_id>
      <description>If you look closely at the stage during the premiere of the 9th symphony, you can see there are no timpani, no brass, very few woodwind, and around 20 strings. Not only would it be impossible to perform the 9th with no timpani and brass, but it is well documented that the contingent of strings at that premiere was at least 56, triple the normal number used and the number shown.</description>
    </item>
    <item>
	<title>Mistake #5</title>
	<mistake_id>140991</mistake_id>
      <description>After Beethoven pulls his nephew out of the tavern and yells that he is worthless, Beethoven is seen doubling over in pain. When the shot cuts to Karl, Beethoven is in the background, standing up straight, and doubles over again.</description>
    </item>
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