Question: When Mike gets a postcard about the Dolphin and room 1408, he writes on the back for a moment as he figures something in his head and circles a (=13). He then says cute. How exactly did he figure 13 from 1408? I am confused by that part.
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Question: When Patrick talks to Carnes, he confesses that he murdered Paul Owen. Why doesn't Carnes believe him, and how could Carnes have had dinner with Paul?
Answer: There are two possible answers. First, Carnes doesn't recognize Christian Bale as Bateman, instead thinking he is someone named Davis. He insults Bateman and thinks "Davis" left the message as a joke. Realize also that someone claims to have seen Owen/Allen in London, but mistook Herbert Ainsworth for him. Second, Bateman is delusional and only thinks he killed Owen/Allen, who is in fact alive and in London.
Question: I understand why the killer was after the 4 teenagers that were responsible for Robin's death. But there's something I can't figure out. The girl that was with Slick and having sex with him in his van, she wasn't one of the 4 teens. Neither was Slick. First he killed the pigtails girl, she was there. And then he went after the girl and Slick in the van, but neither of them had connection to Robin's death that I could figure out. He then went after the girl in the red dress who was one of the kids, and then went after the other two, the guy and the main girl. But Slick and the girl he was having sex with in his van, I can't figure out why the killer left the school to go after them. Why?
Chosen answer: The girl in the van was Jude. She was involved in Robin's death. You see her flashback as young Jude when she receives her prank phone call then she meets Slick walking on her way to school.
Question: What is the song that Violet is always listening to on her Walkman? (We hear the beat 3 or 4 times throughout the movie).
Answer: This is taken from IMDb: His Eyes by Pseudo Echo.
His Eyes is the song she was dancing to in her room, but she was listening to a different song earlier on her Walkman.
Question: When Gordon (the dog) went through the window, did he voluntarily jump through it because he was startled, or did Jason throw him out?
Answer: You can see from the inside of the house Gordon jumping through the window by himself. It shows him jumping on the table then through the window.
Question: What's going on with Tommy in the final scene when he's hugging Trish in the hospital? Is he possessed or what?
Chosen answer: He's not possessed. Dealing with Jason made him go crazy. In part 5, we find out he was in a mental hospital for a while, then gets sent to a home for troubled kids.
Question: When Manolo and Joaquin start fighting the wild boar, General Posada only sees Joaquin confronting the boar before he is knocked unconscious. Thus, he never sees Manolo fighting the boar like a matador. When the general recovers, he believes Joaquin defeated the boar and not Manolo. Despite the townsfolk being impressed by Manolo's action, why does no one, including the nun who thanks Manolo for saving her life, speak up and tell the general what actually happened? Why don't they confirm to the general that Manolo fought and defeated the boar?
Chosen answer: There was probably too much panic from the rampaging animals.
Question: Would Phoenix have been capable of destroying all the sentinels in the future timeline?
Chosen answer: Yes. But she was already dead in this film.
Question: When Xibalba first gives Joaquin the Medal of Eternal Life, he is disguised as an old man. Yet, at the end of the film, Joaquin returns Xibalba his medal. How did Joaquin know the medal belongs to Xibalba? Is there a statement by a character or some indication that the medal belongs to Xibalba which I missed?
Question: How did Will Smith hook up the radio? Did he use electricity? He can't have used a generator, that would have created too much noise. Also why is he on a dock? Wouldn't a higher place be more suitable? Is it just for effect?
Chosen answer: He's been in New York for a few years now since the break out, ample time to scavenge any radio broadcast stations for equipment and probably cannibalize them at his home. That or just set up a power source at a radio station and set it to broadcast. The details are not shown in the movie. And the dock is the most logical place for people to come to given the safety of the sea, as well as many ships were loaded with survivors that were to stay out for a while and then return. Likely to come to the docks. Or anybody else that was traveling across the nation might avoid a land route as it's safer to go by boat on water. And don't forget this is New York, most of the city is surrounded by water anyway.
Question: Why does the phone call Topher Grace makes after the killing of the "brother" of the prostitute seems to lead him to believe that Richard Gere is Cassius? Whose number is he calling?
Question: Is the whole thing with truckers seeing "a black dog" when they have been on the road too long true, or made up purely for the film?
Chosen answer: It's an old trucker's myth that has been around for a long time. There's no known origin for the story, but supposedly when truckers become drowsy, they can see a demon-like black canine of some sort running along the side of the road. This legend was incorporated into the movie.
Question: Jafar apparently knows that genies can grant only three wishes, since he refers to his wish for Jasmine to fall in love with him as his "final wish." He appears to be tricked into thinking that this wish has been granted because of how Jasmine acts seconds later. Later on, Jafar makes a wish to become a genie. I've never understood it, if Jafar thinks his original final wish has been granted, why would he make a second final wish?
Episode #1.4 - S1-E4
Question: Why does Daisy "take a turn" in Lady Mary's room? She never saw them take Pamook's body from Mary's room. She only saw them putting him back in his room, which is said to be "miles" away.
Answer: Lady Mary was one of the three women Daisy saw carrying Pamuk's body. Daisy realised he could not have died in Cora's (Lady Grantham) room, as she sleeps with husband Robert, nor would Cora and Mary ever help carry Pamuk from Anna's bedroom in the upstairs servants' quarters. Lady Sylvia and Lady Edith were completely unaware of what happened and Edith later quizzed Daisy for information. That left Mary, who everyone noticed was particularly distraught. Daisy could have overheard Thomas later telling O'Brien that he had shown Pamuk where Mary's bedroom was located (though he never saw Pamuk go inside).
Question: In gate 1, Wade power cycles the TRS-80 after loading the cassette program - all of the units I used (I'm old) required the operator to boot, load the program from audio cassette, then run - not reboot and autostart as an Atari or Nintendo did - was there a trick from 30+ yrs ago I'm forgetting?
Question: In this episode, it begins with the crew practicing karate, Jack is in his gi. For some reason he has a yellow belt on, but he is a black belt...?
Chosen answer: Rudy may have had him wait. Jack was not originally from that dojo so he may have had to spend time working his way back. My school had a 2nd degree black belt come back after a 15 year absence, she has been back for a month and is at the green level; about 1/2 way to black.
But in Episode 2 I believe Jack is wearing a black belt and I think he wore it in 4 so I'm confused.
Answer: He was new so that is why he is a yellow belt.
Question: At the start of the film, Michael says that he doesn't want anything to do with the family business. However at the end of the film, he is the don. I've been wondering where exactly does he change his beliefs in the film. Mates have told me its when Vito dies, but I believe its either after the hospital (when Vito is shot the first time) or after Michael's wife in Sicily dies. Are any of these true?
Chosen answer: It is a gradual process and it happens long before Vito Corleone's death because Michael had already taken over as Don. Michael was deeply affected by his father being shot and nearly dying. Michael changes and will now do anything to protect his father, and in the hospital tells him, "I'm with you now." Michael kills Sollozzo because he knew his father would never be safe while Sollozzo lived. His first wife's death certainly had an effect, but it really is when his brother Sonny, the heir apparent, is murdered that Michael's path is cemented. He also knows that Don Corleone cannot live forever, and with Sonny gone and Fredo being incompetent, the Corleone empire will collapse once he dies. To ensure the Corleone empire stays protected and in tact, Michael takes over as Don with the idea he'd make the family a legitimate enterprise. He and his father (now retired) then plot to murder the remaining mob heads. Don Corleone had never wanted Michael, his favorite son, to join the family business, knowing what it would do to him. Ultimately, there was never anyone else capable of succeeding Vito Corleone.
Answer: Michael's decision is between love and power. These are the two roads of life and you can only go down one, as an ancient Roman said. At the start of the film, his road is obviously love. There's no single moment when he abandons this path - indeed, you can argue that the whole film rests on his gradual, incremental abandonment. The process begins shortly after his father's shooting. In terms of cinema, we first see the process unfolding when he's sitting out in the yard, thinking things over, just before being called in to the telephone. (Notice how, in the next scene, Clemenza mocks love.) Shortly thereafter, Mike is with Kay in the hotel and he's distancing himself from her emotionally. Then comes the hospital scene and "I'm with you now" to his father. He notices his hands are steady during the cigarette lighting. He's well on the path now. Then comes the sock in the jaw and the killing. Now, to be sure, the interlude in Sicily suggests that he is wavering somewhat in the direction of love rather than power - the expression of his face, while they're dancing, suggests that he perhaps might, at this point, opt for love. But then, in rapid succession, he is informed of his brother's murder and his wife is blown to pieces. His fate is sealed.
Question: I know that the studio chose James Cameron to direct due to the strength of his script, but why wasn't Ridley Scott offered the chance to direct? And was the studio considering a sequel before Cameron joined?
Answer: It really was all down to James Cameron having already written the script and proving himself capable of directing with 'The Terminator.' It was just a quicker, easier, and almost certainly cheaper decision to let him direct his own script rather than get someone else, even Ridley Scott. While the producers had wanted to make an 'Alien' sequel almost immediately, at the time the head of 20th Century Fox didn't want to pursue it fearing it would be seen as an obvious cash-in and flop. When a new executive at the studio came in a couple years later, the project was put back on track, and I believe Cameron was the first to be approached to write the script.
Chosen answer: The studio was considering a sequel before Cameron was involved, but regarding directing it, Ridley Scott told "The Hollywood" in a 2008 interview, "They didn't ask me! To this day I have no idea why. It hurt my feelings, really, because I thought we did quite a good job on the first one." The studio liked Cameron's script and at that time he had enough clout to be able to insist on directing it.
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Chosen answer: He sums up the individual numbers: 1+4+0+8 = 13.
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