Continuity: In the scene where Carrie and Big are in bed (Carrie is reading the Love Letters) the library card Carrie uses as a bookmark keeps changing position. She opens the book and holds the card behind the book cover, then when you see a close-up of the text you can see the card is being held inside the book. Then it's back behind the book cover.
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Quotes
Miranda Hobbes: The only two choices for women; witch and sexy kitten.
Carrie Bradshaw: Oh you just said a mouthful there sister.
Trivia
When Carrie is trying on dresses for her friends to help her decide what to take or toss, the last dress she tries on (the one with the fitted top and tulle bottom) is the dress she wears in the opening title sequence of the TV series. See more...
Sex and the City: The Movie (2008) - 9 mistakes
Continuity: When Samantha is lying on the table covered in sushi and the phone rings, she moves and the piece of sushi on her shoulder falls down. There is a visible piece of double sided stick tape there to hold the sushi in place. In the scene time elapses, but it is understood Samantha never leaves the table and remains covered in sushi. When the shot returns to her close up, the piece of tape has been removed from her shoulder.
Other: In the scene where Carrie is reading bits of love letters to Big, she reads from a letter from Napoleon to Josephine and uses the line "I awake consumed with you".
In Napoleon's actual letter he wrote "I awake filled with you" and for a brief moment you see the book Carrie is reading from, which shows the correct text.
Continuity: When Carrie is feeling depressed in Mexico and is being fed food in bed by Samantha, there is a tea pot on the tray on the bed. The scene changes back and forth between Samantha and Carrie and each time it changes, the style of the tea pot completely changes. When it's a shot of Samantha, it's a regular tea pot with a lid, and when it's a shot of Carrie, it changes to an art deco style pot with no lid whatsoever.
Visible crew/equipment: Early into the film, the girls walk on the street next to a white window shop. The reflection of the opposite sidewalk is that of a wooden barrier with hundreds of people (fans? Crew members?) behind; but when the angle changes, the barrier is gone and the sidewalk is filled with passers by.
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