Continuity: In the scene where the Aunt flags down the cop car, the cop has his seatbelt on as the plant starts coming in the car to grab him and the car. He jumps out of the car without ever undoing his seat belt.

Continuity: When the insect sits on the windowshield of the car Robin Williams says that the insects can't make a hole, they are safe, then the insect makes a hole, the car drives away creating havoc on the road because of extreme bad driving. The car stops, they get out, then there is no hole in the windowshield.

Continuity: When Robin Williams and the cop are in the police car, they crash through the store (that the other three are in) because the brakes are cut. A few minutes later, the cop drives by the lady and stops without any problem. (You do see the cop pour some fluid into the car, but it would not affect the brakes, because you can actually see the hole in the brake line when they are trying to stop for the first time.)

Factual error: When it's 1968 we see a boy (I'm not sure which one so you'll have to look) riding a Shwinn Sting-Ray Krate Grey Ghost. That bike didn't come out until 1971 and they only made them that one year.

Continuity: In the scene with the monkeys causing chaos in the kitchen, a monkey throws three knives at the kids. Two of them stay in the door, but one bounces off and only makes a nick in the wood. Later in the film, when Robin Williams is in the kitchen, and he blocks the door, you can see that the two knives that were stuck in the door are still there, but the nick in the wood has gone.

Continuity: When Peter runs out of the attic to the woodshed to get the axe, to the left of the attic door is a large filing cabinet, with nothing in front of it or beside it. Yet later when Peter is swinging the axe at the spiders, and following shots, a green suitcase has appeared in front if it.

Continuity: When Alan is trying to get Jumanji back from the pelican, he grabs a fish from the water, and his sleeve becomes soaking wet. In the next shot his sleeve is bone dry.

Visible crew/equipment: In the scene with the big tarantulas, many times you can see the strings attached behind them, especially the one Peter swings the axe at.

Continuity: At the construction site, Alan claws through the mud, to get to the large metal box. His fingers get covered in mud, yet as he pulls the box out of the mud, and in following shots, the tops of his fingers and his fingernails are very clean.

Continuity: When Sarah, Judy and Peter are in the store, where the riot is going on, they spot the Jumanji Board Game sitting on the till counter. To the right of the till is a very large "Sand and Water Activity Table" box. In one shot the box it facing so you can see the upper part/top of the box. It then cuts, and the box has mysteriously rotated 180°, so that you can now see the lower part/bottom of the box! In the same shots, there is a trolley by the till, with some items and a box in it. Cut back to the trolley and there's now two boxes in it! It then cuts, and the box is back to it's original position, and the box in the trolley disappears! If you look more closely, the entire shelf unit behind the counter is completely different!!!

Continuity: When Peter rolls the dice prior to letting the monkeys loose, whilst him and Judy are in the attic, he rolls both "1"'s. The sides of the dice which are visible read "3" on one die and "4" on the other. Then when it cuts to a closeup of the boardpiece moving, the "4" now reads a "2", and the dice have also moved position.

Continuity: Carl's cop car has the licence plate "G2298" which is printed thinly on the licence plate. Then, when the vine wraps around his car, and bends it in two, the licence plate is now "CFJB95", printed very boldly on the plate. The words "POLICE 004" also differ, as does the bumper and the lights. Totally new car, methinks...

Visible crew/equipment: When grown up Alan is running around shouting "I'm Home!" after just arriving back from the jungle, the camera pans past a grandfather clock, and you can clearly see the legs of a crewmember reflected in the glass panel of the clock, moving in time with the camera.

Continuity: In one of the closeups of Alan sitting in the car as it is crashing through the displays inside the Sir Savalot Store, the background, visible through the driver's side window, is of open fields, trees and blue sky.

Visible crew/equipment: In the scene when the pods and vines start growing all over the lounge, there is one shot of a green vine crawling towards a carpet, and then slithering under. Watch closely, near the carpet, and you can see the wire attached to, and controlling the vine, because the light shines on it, exposing it rather well for a second.

Continuity: After Alan traps the lion in the bedroom, it makes claw marks in the door. The marks change greatly from the first close-up of them being made, to the second shot when Alan walks away from the door.

Continuity: When the monkeys are destroying the kitchen the kids open the kitchen door and the monkey on top of the refrigerator knocks the cereal box to the floor. A few seconds later the cereal box is back on top of the refrigerator and the monkey knocks it over only spilling the contents.

Other: When Aunt Nora calls the house and Judy picks up the phone, the phone is very sitting neatly for something that would have been knocked askew since a great herd of elephants, rhinos and zebras just came running through the house.

Continuity: When the earthquake begins, the floorboards start to break in two, and Alan starts falling so Sarah holds onto him. Watch the small circular window in the wideshot. (the window that the mosquito flew out of earlier in the film) To the left of the circular window are some empty wooden beams, but no items. When it then cuts to a closeup of the window breaking in two, items have appeared on the beams, and there's a banjo hanging up etc.

Revealing: During the monsoon scene, everyone is on a table trying to climb on the chandelier. Peter has been turned into a monkey, and his face is covered in hair and has the characterists of a monkeys face, yet in shots when they are on the table, like when the crocodile snaps at them on the table, just before Alan lifts Peter onto the chandelier, you can see the plain face of his stunt double, with no monkey features! Robin William's and Bonnie Hunt's doubles are rather obvious in these same shots too.