Continuity: As Helen enters the bar where she breaks off her relationship with Orlando, we see Orlando finish his drink, yet when he places the glass on the counter, it has noticeable amount of liquid left.

Continuity: In the scene where Helen wheel-chair pushes Charles to the bathroom for his first bath, she dumps him in the tub and we see water covering his clothes, yet in the next shot, Charles' left pants leg appears dry.

Other: When Helen first arrives at Medea's house, Madea bursts out the door with a gun. Helen screams, "Don't shoot, Medea, it's me Helen, your granddaughter Helen." But then later when they are talking about Helen getting a job, Joe says, "I got a job for you as soon as I get some more vaseline." Madea says, "Joe, that is your family." Then Joe says, "That is your dead brother's daughter. She ain't no kin to me." Wouldn't that make Helen Madea's niece, not her granddaughter as previously stated?

Continuity: When Helen is eating the salad, all she has on her plate is salad, nothing in her hands but the fork. The shot cuts to Charles then back to Helen, who now has what looks like bread on her plate.

Continuity: When Helen dumps Charles in the bath tub, his shirt sleeve is a short one. When they cut to above the tub, it is like a muscle shirt. Once they cut back down to him, it is a short sleeve again. It could be the same shirt that rose up during the fall, but how did it get back down? Charles is paralyzed and Helen is on the side of the tub.

Continuity: When Madea sits down to rest after she and Helen destroy the closet, the clothes hanging to the left of Madea change.

Continuity: In the close shots of Charles in the bathtub there are little bubbles floating into his mouth, then in the long shots the bubbles are gone.

Continuity: When Helen first throws the water on Orlando they show his shirt soaking wet, the very next shot it is dry with just a few drops of water on it.