Continuity: When Segal is held captive in the speeding black van, one of the captors is pushed out the side door by Segal and is crushed when the passenger side of the van hits a row of parked cars - one of the side doors gets knocked off but a few shots later, as the van is scraping past a line of cars, the door's back on.

Continuity: DMX changes from a sweat suit into a shiny crimson suit and leaves his apartment only to come back in the same sweat suit.

Visible crew/equipment: In the scene where Boyd is riding a bike down an alley trying to escape Useldinger & Montini he dodges two big trashcans but his followers hits them making them fly onto the street. In the scene where the two trashcan comes out on the street you can see a wire pulling one of them towards the phone booth.

Visible crew/equipment: When DMX changes into the suit and closes the closet, there appears to be some crew reflected in the doors of the closet.

Continuity: When DMX and Anthony Anderson are escaping from the club, watch DMX choose the right side of the double wide box (which is reinforced) to jump onto the dumpster while Anthony Anderson chooses the left side which collapses under his weight. Also watch when he removes his foot from the box. The camera angle changes and his foot is back in the box again.

Continuity: The bridge scene at the beginning was filmed on two different months in Calgary shortly after bridge construction. One of the shots in the scene shows a stone lion statue on the side of the finished bridge. In other shots, the lions haven't been placed on the bridge yet.

Continuity: When Boyd is in TK's nightclub, Boyd kicks TK he falls backwards into the bar, yet, in the following shot he hits the bar on his front.

Deliberate "mistake": When Boyd has saved the Vice President's life after chucking him into the water, Boyd looks down at the VP who is being dragged out. Suddenly, there is a picture taken that appears in papers, but there was no press or person on the bridge where Boyd is with a camera, so where did the photograph come from?

Other: When Boyd is on the rooftop, he is holding the bottom of the ladder from the helicopter. A view from above shows marks from a previous take.

Continuity: In the beginning where everyone is on the bridge, one of the vans explodes and you can clearly see that the passenger and the driver are both dummies.

Continuity: During the bridge shootup scene the cops on the bikes shoot at a police car (in front of the vehicles carrying the VP), and it swerves then hits the bridge. In the following shot looking back at the SUV's, there is no crashed police car at the side of the bridge.

Continuity: When Boyd is searching TK's office, the black cop sits down and puts his left hand on his head, yet in the following shot, he has his right hand on his head.

Factual error: The horn on the LT's Range Rover is at the end of the signal lever not in the middle of the steering wheel as shown.

Deliberate "mistake": Just before Boyd shoots the helicopter, he saves the VP by pushing a bad guy into the side of the SUV, and Boyd raises the bad guy's hand to fire on the other bad guy. The weapon changes dramatically to the one that Boyd fires at the other bad guy.

Revealing: In the shootout scene on the bridge, when the helicopter is being shot by Steven S., you can see that each time a bullet strikes the helicopter, it splinters, revealing it is in fact made of wood.

Continuity: When Tom Arnold is bringing Steven S. the info he requested he walks up to him and is placing his knapsack on his shoulder, the camera angle changes and Tom has the knapsack in his hands as he is walking up to him.

Continuity: When Boyd goes to the city records hall, only to come across a family tied up on the floor, look at the cleaning trolley in the background, the blue brush changes direction between the first and second shot.

Visible crew/equipment: During the bridge shootup scene when two cops are at the side of the bridge with motorcycles, Boyd hits the cop closest to the bridge and we see it is a dummy.

Continuity: During the bridge scene, the chopper fires upon two cars, one black and one greyish that drive past Boyd's car. If you watch closely, the position of the body on the floor wearing the white clothing changes dramatically during shots.

Continuity: Close to the end of the film, Boyd falls off of his motorbike, and the shot returns to the guys in the car, if you look out of the windscreen window, you can see Steven Seagal is already turned facing the car, but in the following shot, he turns again.