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Sam Raimi wanted Bruce Campbell to star, but was overruled. There are clear similarities between Liam Neeson's performance and Bruce Campbell's decomposed alter-ego in Army of Darkness (and as anyone with a brain knows NOW, Bruce Campbell is a genius who could have played the role perfectly). See more...
Other: Near the end in the scene where Julie is pushed off the building by the henchmen her handcuffs get caught on some rods that where sticking out. But this is impossible, by the way she was falling (vertically) the rods would have made contact between her legs. No way her handcuffs could have been caught like that. And they were sticking out a good foot or two from were her body was.
Plot hole: Peyton had his face burned in the explosion. In fact, he basically lost his lips, so he should not be able to talk very easily. While he could probably learn to speak normally again through other movements with his mouth and tongue, he does so too quickly to make logical sense. And his uncanny ability to almost perfectly mimic his enemies could probably be learned over time, but again is too quick to make sense.
Factual error: During the scene where Peyton is hanging from the helicopter, Durant is firing at him with a grenade-launcher. He hits several cars, most of which end up in flaming wrecks. Despite this, traffic continues as normal... If you saw cars around you exploding, would you casually continue on, oblivious? This error is especially visible with the truck driver, whom reacts to Peyton landing on top of his truck, but seems oblivious to the chaos behind him.
Continuity: When Darkman's hand is pinned to the steel beam by the rivet there is no blood. When we see a close up of him trying to pull his hand free, there is now blood coming from the wound. When Strack calls Darkman a freak, Darkman gets angry and the blood from his hand is gone. The next shot of his hand shows blood, as he pulls it free from the rivet.
Deliberate "mistake": In the climax, the villain Strack fires a nail-gun at Peyton. There are two shots where the camera is basically inside the nail looking out. In both of these shots, the nail moves straight for Peyton and then curves away at the last second, instead of moving in a straight line just past him. This was obviously done for suspense but it still is a mistake.
Continuity: At the climax of the movie, in the skyscraper construction site, there is a segment where the villains are swinging large wires with metal hooks to hit Peyton. However, the number of wires swinging through the area changes during the course of the shots, and in fact, they all disappear for a period of time.






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