Visible crew/equipment: When the PI enters the house for the first time to take the pictures, when he goes back outside you can clearly see a crew member standing off to the right of the frame. May only be visible in widescreen.

Continuity: In an early scene, the bartender and the bar owner's wife are driving in the rain, at night. The car is a large Ford: at one point, it becomes a mid-sixties Volvo 122, then is shown as a Ford again.

Continuity: The wall in the bathroom has a very poor refinishing job. They may have had to practise this shot once earlier.

Continuity: Abbey's husband gives her a gun, but she only has three bullets. She puts them in the cylinder of her revolver one after the other. Later, when the PI steals the gun, he checks the bullets and sets the cylinder so that the first round is under the hammer. When he shoots Marty, the second round is fired because the pistol is double action; when you pull the trigger the cylinder is rotated. The PI then prepares to shoot Marty the second time, pulling the trigger, which rotates the cylinder and cocks the hammer, but doesn't feel the need to fire. Later that round is fired accidentally, and the trigger is pulled twice more rotating the cylinder twice more, with the hammer falling on empty cylinders. This should leave the next trigger pull on an empty cylinder, then the next should fire. It doesn't happen that way, and I think there is a trigger pull missing in the film.

Continuity: Have you ever seen anything like that knife in the hand scene?

Continuity: After Ray has his run-ins with the gun, watch the old man shoot him on the highway as he drives by.

Continuity: In the opening sequence where John Getz and Frances McDormand are driving in the rain, the rain stops and starts, depending on the shot.